My friend, Lori Schloesser, is a very talented quilter. She loves to piece and machine quilt, but she looks tempted to run in the opposite direction when the “A” word is mentioned. She simply doesn’t like to appliqué. This is ok since her piecing is amazing! She recently brought a scrap quilt to our Fiberista meeting and we were impressed.amazing green christmas hats images 2019
It’s queen sized and made from 1″ finished squares! WOW! Here’s a detail shot:
When asked about it she said she didn’t have a pattern, and her plan isn’t to sit down and make a quilt. She simply cuts out a lot of 1½” squares, and sews the squares into pairs as “leaders and enders” while strip piecing other projects. When she finally has enough – she makes a quilt. If that isn’t clear, and even if it is, – you simply must read the following steps, in her own words 🙂 :
“• Cut lots of 1-1/2 inch squares.
• At the end of a set of chain piecing on a different project, sew two squares together and leave them under the needle.
• Start the next set of chain piecing and at the end, again sew two squares together, leaving them under the needle. The first two squares will be at the start of the chain. Press them as you press your other project and put the squares in a container.
• When I have enough to sew the block together, I make a little space near my sewing machine and lay the pieces out. I sew them together the same way – at the end of chain piecing another project.
• I generally use sort of a dark/light arrangement, but my only real criteria is that each square not blend in with the squares around it. That means any white/very light squares go in the center so they don’t blend in with the white strips.
• I cut the white strips to size (4-1/2, 6-1/2, 8-1/2 and 10-1/2 inches) to help keep everything square and the right size. (If I can’t attach a white strip without getting pleats, I need to go back and fix seam allowances.)
I like to lay out the blocks on point alternating the two blocks.
You could use solid white for the side triangles but I prefer to use more blocks and cut them in half to finish the quilt. Of course I take apart the cut off ends and reuse the pieces.
That’s it! Makes me want to cut a lot of squares and leave them next to my machine. What a great way to use up those small pieces leftover from finished projects, instead of leaving them in a pile because you don’t know what to do with them (my technique – and the reason my sewing room looks like it does most of the time).
The next month Lori brought in this scrap quilt:
And we were amazed all over again. This block she pieces on a rectangular foundation, usually newsprint.
I love greens and browns, so I really find this quilt appealing. And the overall leafy quilting design adds to the organic feel.
She said her strippy quilts: “are an intentional project. I usually make them whenever I don’t have another project and just need to sew without thinking too much about it.” Then she sent me pictures of some other scrappy, strippy quilts she’s made this way:
I asked Lori to tell me more about these quilts and here’s her response:
“I usually make them 60 x 80, so a big lap quilt or a really skimpy twin. I have generally used them as gifts for acquaintances (like co-worker weddings). I’ve started donating them since I’m making more quilts than I’ve opportunity to give them to people I know. I’ve donated a couple to the Lutherdale Bible Camp quilt auction and one to a work-related fundraiser. I like to have at least a couple in reserve – it’s so much easier to give them away if they’re already done and ready to go.”
I know she also donates quilts to Project Linus. What a generous quilter!
Thank you Lori, for sharing your quilts and your process with us!
October 21, 2018,
Just a quick warning concerning last week’s post. May wrote to say that the “ripper perch” looked a bit dangerous. We should always be careful with any of our tools, but I wanted to assure you that I keep the ripper’s cover on it when not in use.
As I mentioned last week ( for that post), the center of the quilt that I’m working on contains 336 – 3″ finished half square triangle blocks (there will be more needed for the border). They’re pressed and cut apart and now it’s time to trim.
I find the most time consuming part of trimming is aligning the ruler for every cut. That prompted me to get a Bloc Loc™ ruler – and I’m very happy with it.
This ruler has a groove on the bottom for the seam allowance to nest in.
This means the seams must be pressed to the side. To begin I lined up the Bloc Loc™ groove on the seam, and centered it on the block (I’m trimming my blocks to 3 ½”).
I rotary cut the top and right sides:
Next comes the tricky part. The ruler and block need to be rotated to trim the other sides. I began with a “lazy susan” style cutting mat, but it was awkward and didn’t turn easily. Then I decided to try one of the mini cutting mats in my collection. I found this one spun quickly on my table. It worked great! So here it is rotated:
I simply slid the ruler down the seam allowance to the correct measurements:
and rotary cut the remaining two sides:
The best way to get great points when making half square triangle blocks is to be sure the diagonal seam drops off the block at the exact corners. The groove on this ruler guarantees it!
It’s amazing how long it takes to trim that many blocks, but I am really pleased with how accurate they all are:
After my last post Nancy commented that she likes using the Clearly Perfect Slotted Trimmers™ for squaring up her half square triangles. I’ve watched a You Tube video on them and I think I may need to give them a try – to compare them with the Bloc Loc™. Stay tuned.
October 14, 2018,
My neighbor Di is a dear friend, great walking partner, and talented website designer. She has her own business:, and she designed both my website and my blog. A while back she mentioned that both of these items were a bit ancient and they might begin to malfunction if I didn’t do a bit of updating. My response: “may I hire you?”
Figuring out the nitty gritty of how things work on the internet gives me the heebie jeebies. Her response made me smile. She asked me if I remembered her talking about the quilt she started for her daughter’s wedding – 4 years ago. Well, the fabric was in a bag, and much of it was cut into little pieces. I now have the bag and she’s in the process of updating my web presence 😀!
I was sure I had the better end of that deal until I looked at the pattern for the king sized quilt:
and realized she had already cut out all the light triangles and 2″ squares. There was no opportunity to strip piece the 4-patches or the half square triangles! Yikes! Did I say KING SIZE?!?
I decided it was still a good deal – and began cutting all the dark triangles. I’m not sure I’ve ever done a quilt with this many small pieces, but I’m up for the challenge. I chain pieced all 336 half square triangles for the center of the quilt. When making half square triangles, the amount added for seam allowance is 7/8″ (½” for the square and an additional 3/8″ for the diagonal seam). In a perfect world, cutting at this measurement, sewing a perfect ¼” seam allowance, and pressing accurately, should yield accurate blocks that don’t need to be squared up. But only God is perfect. In my case I prefer to cut everything a bit larger than needed and do that trimming thing. So I added 1″ for seam allowance and stitched with a scant ¼” seam allowance.
I have two great gizmos to help with this project: a Tailor’s Clapper I purchased at the Madison Quilt Expo this year, and a Ripper Perch (I made that name up because I don’t know what it’s really called 🙂 ):
I left the half square triangle blocks chained together to make laying them out easier, and placed the first 9 on my ironing board. I pressed them, with the dark triangles on top, to set the seam (this will give you a crisper press):
Next I finger pressed the first one open and set the iron on it:
I then finger pressed the next one, set the iron on it and laid the “Tailor’s Clapper” on the previous square. It holds in the heat to give a great press:
I moved down the line in this way until I had all the blocks on the board pressed.
Now to cut them apart. I was given a very useful tool by my friend Judy a few years ago.
It’s a seam ripper set in a spool that velcros™ to a heart shaped base:
You simply pick up a pair of squares and pop the threads between them onto the ripper:
Voila – the thread cuts quickly and cleanly, then you move down the line.
Once the pressed triangles were stacked I could repeat the process for the remaining 327 half square triangle blocks!
Next week I’ll share my favorite tip for squaring up blocks!
And one more thing…
Next Saturday I’ll be the featured speaker at the Festival of Quilts in Spring Grove, Minnesota!
If you’re in the area – I’d love to have you join me for my Gradation Play lecture.
October 7, 2018,
A memorable meeting took place for me at Expo this year. I hope you’ll enjoy reading about it. The story begins about 2 years ago. My friend asked me if I was on Lori Kennedy’s blog. I said “no” and she recommended I check it out. I did and I was very impressed.
Lori has a truly amazing blog. She posts daily (and I thought posting weekly was impressive 🙂 ). Her writing is well done and her photography is beautiful. Lori’s specialty is designing quilting motifs that can be broken into simple units so “normal” quilters can do them. I liked her work so much that when I read she was doing a lecture at the 2017 Madison Expo, I signed up right away.
I enjoyed her lecture and found her to be an engaging speaker. When taking lectures and workshops I like to watch for teaching techniques and styles that I can implement to improve my classes. I took many notes in her lecture.
When the talk was over she was mobbed by the crowd and, since I didn’t have any specific questions or comments, I moved on without actually meeting her.
Fast forward to this past Expo. The organizers hold a teacher “meet and greet” on Thursday after the show. It’s a delightful way to catch up with friends and get to know the other teachers. As I walked in I noticed Lori was there. We made eye contact, but she was chatting with a group, so I moved on. A short while later she came up to me and asked “you’re Chris Kirsch aren’t you?” I smiled and she told me that she, her mom, and her sisters, had been in a lecture I presented at a retreat in northwestern Illinois many (20?) years ago. She said my lecture had inspired her – WOW! To think that someone who’s work I admire was in some way inspired by me was such a blessing.
We had a lovely conversation and I even got to meet one of her daughters, Faye. The last day of the show I sought her out to ask if I could include her in an upcoming blog post – and to have my picture taken with her.
She said “yes” 😀!
Lori is the author of a number of books and she writes articles for American Quilter magazine. I’m a fan, and I know you’ll enjoy her blog: .
We never know whom we might influence in our life. I am so pleased to now know Lori as a friend!
Do you have a story about a teacher or quilter who has encouraged or influenced you in your quilting journey?
September 30, 2018,
I got some great responses to last week’s blog post about Vicki’s red patch ( to read all about it). Three of the quilters who wrote me were happy to send me pictures of their quilt “trademarks”, and I think they’ll make you smile.
Here’s Connie’s story:
“I don’t know if it was forethought on my part, but, as a primary teacher I always marked my students papers with an apple. I’ve carried this through on most of my quilt labels, which are in the shape of an apple, with a stem and a leaf usually using 3 different fabrics used in the quilt. On smaller pieces, I simply ink in an apple at the end of my name. My grandchildren are the recipients of many of my quilts. They always look for the apples and the message Gram wrote just for them.”
and these are 3 of her apple labels:
This is what Lorraine sent me:
“Long before I began quilting I was collecting buttons…LOTS of buttons (over 100,000)! So when I started quilting I decided I had to incorporate buttons somewhere. I decided to put buttons on each label, except on baby quilts, of course.”
I try to be creative with how and where I use the buttons, but sometimes the best I can do is match the color of the backing!”
The previous quilts incorporated the labels in their maker’s “trademark”. Liz, like Vicki last week, puts her mark on the front of the quilt. Here’s her story:
“My now 98 year old aunt suggested I always put something on my quilts to mark them as mine. My love for dachshund dogs has caused me to hide one somewhere on each quilt I have done. Pork Chop was my inspiration (at top on the photo). After he passed in 2014, we got Rusty, who looks very similar but thinner.”
And here are some of her quilts:
Did you find the doggie on this last quilt? He’s at Mary’s feet in the nativity 😀.
What clever ideas – and so very unique. Great job ladies. Thanks so much for sharing your quilts with us!
September 23, 2018,
My friend Vicki Spiering is a talented, award winning quilter who did something simple when she first began making quilts – that I wish I had done! I’ll let her tell you in her own words:
“I was introduced to quilting in 1989 by enrolling in an MATC adult ed quilting class at Greenfield High School. I had been a 4-H girl, loved to sew but didn’t know much about quilting. It was probably during one of these early classes, when the ladies of the class were visiting and getting to know each other, that an elderly lady in our class told me about an aunt who had made quilts for family members, placing a small green patch in each quilt (I’ll assume they were Irish). The quilter’s descendants had scoured antique stores checking old quilts; when they found one with the green patch, they knew that they had found their ancestor’s work. This idea appealed to me and my next fabric shopping spree included 2 yards of a red pin-dot fabric to incorporate someplace in my quilts.
It’s been almost 30 years, and yes, every quilt of mine has a little red patch. And I still have plenty left from that 2 yard purchase.
In the early 90’s, for a few years, I had a little cottage quilt pattern company – and naming my business “A Red Patch” was easy. When friends and family receive my quilts, almost the first thing they do is hunt for the patch (red arrow added).
I don’t necessarily try to hide the red fabric patch, but I also don’t want it to stand out and distract from my quilt either.
I have my rules too. I now find it part of my art and think in advance where I might place it. The Red patch is never more than a single triangle in a block, or a leaf in a floral appliqué. I don’t want it to be obnoxious or a focal point in my quilt.
I do think of my legacy and descendants who might search for my work knowing that my quilt, large or small, can always be identified by this red piece of fabric. It’s been fun.
This is a picture of the very first quilt I made with the red dot fabric in it:
I brought this quilt out to photograph for your blog and can’t stop thinking about how I went about starting it in1989. Class #1 was all about getting excited, talking about what a quilt was, patterns we might be wanting to make, etc. I jumped ahead of Class #2 and went out and bought my fabric. The pattern I picked said that I needed 36 – 1″ squares with 1/4″ seam allowance for each complete block, etc. I still remember cutting up a cereal box and making my cardboard templates. Then tracing around and hand cutting out 100+ little squares, half blue, half peach. I came to class with zip lock baggies full of little cut up squares and I was sure I was going to impress my teacher. Her mouth dropped and she felt so bad …. because class #2 was talking about tools, (Olfa cutter and rulers) and tricks (like strip piecing for a 9-patch). I threw the baggies out and bought more fabric. How far I’ve come :)”
Vicki’s most recent email included this message and picture:
“A few years ago I was in San Francisco and my husband Kurt (architect) and I visited a frank Lloyd Wright building. It was then that I discovered FLWright had red tiles made and one tile is in many of his buildings.”
What a nice addition to her story – and I’m pleased to add her image to the rest. Thank you Vicki for sharing your story and quilts. It almost makes me want to go back and add a patch of something to all my quilts, but I’m afraid it’s too late.
Has anyone else had the forethought to do something clever like this to make your quilts identifiable? Please share your story as a comment to this blog. If it’s too long – and you have pictures – please send me an email.
Ben Franklin Quilt Fest – Oconomowoc, WI
I’ve been invited to be one of the speakers at this year’s Quilt Fest! My talk will be about my new passion: Modular Memory Quilts! If you missed my lecture at the Madison Quilt Expo – here’s your chance :-)! For information on all the activities go to:
September 16, 2018,
I just returned home from 3½ fun filled days in Madison, WI at the Quilt Expo. Each year I like to do a post about the show because each year it seems to get bigger and better. It has become a national level show, with quilts and vendors from all over the US and a few other countries as well.
I know many quilters go to shows for the vendors, and I do enjoy a bit of the shopping frenzy, but my favorite part of the show is always the quilts. So, I immediately headed towards the competition quilts – and the first grouping I saw was the Expo’s annual challenge: “Bake Off”. My friend Lori had entered a spectacular quilt she entitled “Tools of the Trade” – and SHE WON THIRD PLACE!
Great job Lori!
I knew there was a special memorial exhibit of Nancy Zieman and Natalie Sewell’s quilts, so I decided to head there next. You may remember I posted about Natalie’s passing 2 months ago.
They were such good friends, and special friends of mine. I loved seeing their quilts one more time.
These dear ladies will be missed.
From there I went to see the competition quilts. The beauty, skill and creativity displayed in these quilts was overwhelming. What a feast for the eyes! I’d like to share just a few of my personal favorites, along with a photo of the cards that describe the quilt and credit the maker:
The detailed appliqué on this quilt is amazing, and the hand-quilting is so well done.
This quilt has a lovely, vintage feel, and I think the simple grid quilting was the perfect choice.
Made to God’s glory!
Kim’s use of ombré fabrics took this colorful quilt to a whole new level.
These talented ladies are friends of mine, and they all are very skilled crazy quilters.
I found Colin’s story fascinating.
What a wonderful use of a gradation fabric as the background, and what a joy to be able to share in Eileen’s celebration!
This one caused me to do a double-take. Take a look at the following close-up:
Now that’s true recycling!
The second day of the show a friend came up to me and said she liked my quilt. I was a bit confused, as I hadn’t entered a quilt this year. It turns out the Sun Prairie Barn Challenge quilts were hanging at the show and my barn was traveling with the group. Mine’s the one at the top right in the corner:
I repliquéd the interior of my friend Di’s Falkwerk barn, with a view of their traditional red barn out the window. I was sure I had shared that quilt in a previous blog post, but I can’t seem to find it. I think you might find it interesting, so please watch for it in a future post 🙂.
I was blessed with the opportunity to teach at Expo once again this year. I taught both a Seminole piecing border workshop, and presented my new Modular Memory Quilts lecture. The students were delightful and I feel everything went well (although I forgot to take any pictures 🙁 ).
Over the years I’ve shared photos of a blue sedan covered in rubber duckies that is usually somewhere in the parking lot of the convention center, but I hadn’t noticed it for a couple of years. Well, as I was leaving the show to go out with a friend for pizza one night – look what was in front of us! Different car, same duckies.
They make me smile!
It was another spectacular show! And I enjoyed all aspects of it, but I think my favorite part each year is reconnecting with friends. Smiling, reminiscing, sharing stories and laughter, as well as starting some new friendships. What a blessing this quilt show is! Thanks to everyone at Nancy’s Notions and Wisconsin Public Television who work hard to make it a first class event. Thanks also to all the wonderful volunteers. I’m already looking forward to next year.
September 9, 2018,
A few years ago I put together a lecture entitled “Going Round and Round”. In it I shared many ways to add circles and curves to quilts. One of the methods used a flange, piping, or rick-rack, to attach curved edges to a background by machine. I knew it would work for circles too, but hadn’t done it. Since then, when I teach my Mariner’s Compass class, I tell the students the compasses can be attached using piping, and this would be a blog topic soon. The time has come! And this will work for any circle – not just compasses 🙂.
Here is a compass made by my friend Ida Porzky. She made me a number of different shaped compasses to use as samples when I wrote Compass Capers.
For this tutorial I’m using pre-packaged corded piping, but homemade would work just as well.
Whatever piping you use, measure the distance from the long raw edge of the piping to the stitches holding the cording in place. It should be about ¼”. Trim the seam allowance around the circle to this measurement:
On the right side of the circle, place the piping along the curved outer edge, with all raw edges even. Using a cording foot or a zipper foot on your machine, stitch on top of the stitches on the piping, all the way around, leaving about a 3″ space to connect the tails:
To connect the ends of the piping, remove an inch or two of the piping stitches to expose the cording. Overlap the cording ends:
Cut through both, and butt them together:
Pull the piping fabric back over the cording, trim the excess, turn under a ¼” hem on the outer piece, and wrap the fabric back around the cording. Pin in place:
Sew the remainder of the piping to the circle. Fold the raw edges to the back, rolling the corded portion to the outer edge (I drew the stitches in in white so you could see them):
Place the piped circle on the background fabric, with the cording around the outer edge. Pin in place:
Stitch in the ditch all the way around, in a color thread to match the piping fabric.
And you’re done!
No hand sewing and everyone will wonder how you got that skinny bit of piping in there so perfectly 😀! Please give it a try and let me know what you think!
Thank you Ida for making your wonderful compass. I hope you like the background fabric I chose.
And by the way, I’ve added my Circle lecture to my list of offerings on my website: . If your guild is looking for a speaker, I’d be thrilled to make a visit! And, if you’d like to learn to make an off-center mariner’s compass, you can purchase my book at: .
September 2, 2018,
Yesterday I bought myself a new pair of scissors. It isn’t because I don’t own any 😀!
I have paper scissors, kitchen sheers, tiny appliqué scissors, pinking sheers… you name it, I probably own it!
I have my first pair of Ginghers that I still keep in their original box, and use on special occasions. Like when I needed an artsy self-portrait for our Threadbender’s blog ( to meet the members of this very creative group!)
A little corny, but I bet it made you smile!
I have serrated scissors that are great for trimming layers without shifting (I tried to get a pic of the serrated edge in the close up to the right).
I have duck-billed appliqué scissors that protect the fabric under the blade.
And I was even given a pair of scissors made to cut batting.
But the ones I use the most, and are by far my favorites, are my Fiskars™ “micro tip, easy-action” scissors.
They have been used A LOT!!! They have a spring feature that causes them to open automatically after you make a cut, which is really easy on the hands. The slide lock broke within the first year, so they are always open, but I don’t mind, because they are oh-so sharp. Or at least they were 😥
So it was time to treat myself to a new pair!
I can’t wait to tear them open. I will be saving them for close trim work – like when I do my Repliqué technique. But the old ones are dear friends and will live next to my machine for cutting threads and other simple tasks.
And one last thing – actually a warning:
Don’t use them while sitting on an exercise ball. I used to sew on one because it was good for my balance, but I had the misfortune of bumping my favorite scissors off the table and – you guessed it – that very sharp point punctured the ball and I ended up on the floor – LOL!
What scissors are your favorites! Please respond and tell us why!
And one more thing! I received an email from the National Quilters Circle website. You can learn all about them on their website: . Their email said that I had been nominated for their “Best Overall Quilting Blog Award”.
I’m surprised and honored. They said in their email to me that I could share this info on my blog to continue to be nominated. If you like my blog, and are interested in participating, please go to: . Thanks!
August 26, 2018,
Just a quick FYI for quilters in southeastern Wisconsin, Ben Franklin Crafts in Oconomowoc is celebrating it’s 45th Anniversary this week. They have a number of exciting things planned and I’ll be there demonstrating some of the techniques from my books. For all the information please go to their website:
And now on to my topic of the week:
Earlier this year I taught for the Northwest Suburban Quilt Guild of Chicago and met a very talented member named Joyce Drenth. During show and tell Joyce shared quilts she was making for her granddaughters. I was blown away and asked if I could share the quilts and their stories in a blog post. Recently I received this note from Joyce:
“Hi, Chris, I very much enjoyed your wonderful presentation, “Quilt Tales”, to our guild. The journey through quilting was greatly enjoyed by all. After I shared my three quilts made for my three granddaughters, you asked me to email you with my story shared that evening. Now that my last little darling received her quilt, I can let ‘the cat out of the bag’ and share the images of the quilts.”
I’m sure you’re going to enjoy the quilts and their stories:
“As a 2015 Christmas present for my 5 grandchildren, I purchased some Color Me fabric, cut it into fat quarters and backed each with freezer paper for stability. I gave each of my son’s three dancing girls (ages 8, 6 and 3) a piece of the ballerina fabric and one package of fabric markers to use to color their dancers. Included in the present was a coupon for “Sewing with Grandma”. I had already started the tradition of working with the girls around Thanksgiving time to sew Christmas presents for their Mommy, Daddy, Aunt, Grandma and Godparents. We enjoy the time together learning all about creativity, sewing, safety, pride and enjoyment in giving hand-made projects to loved-ones.
Good News – Bad News!
Good News! They completed coloring their fabrics within 6 months.
Madison’s quilt back
Maia’s quilt back
Bad news! I was in the midst of packing up our home to move. So, the sewing time with grandma was put on hold temporarily.
Bad news! I had not decided on a worthy project to utilize the fabric.
Good News! My daughter-in-law had a terrific idea. She saved different pieces of clothing the girls wore throughout their early years and asked me if I might be willing and able to create a small Memory Quilt for the girls. Her wishes included the use of the clothing in the shapes of hearts. While viewing Pinterest, she saw some samples she admired, so off to the fabric store we went so that she could select the background materials she envisioned for the quilts. Chevrons in gray and white tones are prevalent among the girls’ quilts, but each was slightly different from the other sisters.
Great News! I decided to buy some backing fabric and have the girls border their colored fabric with enough fabric to make the backs of ‘their’ Memory Quilt! So, this past February, I scheduled time to complete this task.
BAD News! My sewing machine decided that the tension setting would not respond to my ‘demands’. The April birthday quilt swirls were being outlined in 12-weight thread when my machine’s electronics decided I was not in charge. To compound this, the store to which I took my machine informed me that it would be one month before they would get it back to me!
Good News! My daughter inherited my loving mother-in-law’s rarely-used Featherweight (newly serviced) machine that she was very willing to allow me to borrow. I took it to my son’s house and all the girls got to sew on this wonderfully-memorable machine. The featherweight’s diminutive size and totally different capacity for stitching compared to my computerized machine was a true sharing moment for me as I explained only forward and reverse stitching that I grew up with in my sewing journey. A history lesson in the making!
Since all my five grandchildren are very familiar with my presents of gifting appropriately-holiday- themed pillowcases, the girls were speculating that their framed artwork would be turned into future pillowcases for their beds – but they were very surprised!
Good News Again! Each of the girls has a birthday in spring months: March, April and May. When the March birthday came, there was an abundance of smiles and memories to share. Mommy and Daddy especially remembered moments in time when the piece of clothing was worn, the location, time and age of the daughter. Since each of the girls’ clothing included a pocket or two, I decided that I would incorporate them in the ‘Memory’ theme. I asked Mommy and Daddy to write a special little ‘memory’ note to tie up into a scroll and tuck it into a pocket. I did see a few tears well up in the parents’ eyes as they were read! Such a special family moment!
Madison’s quilt front
Maia’s quilt front
Emma’s quilt front
Even though I wrote a label to each of the girls, I also ordered Story Patches labels by Rob Appell that were printed with a black sewing machine. I wanted the memory of sewing on the Featherweight to be recorded on the back of the quilt for them forever. In the QR code, I included my personal message that could be scanned for the girls to see and remember our time together through the years. Pictures I took during the sewing times reflected the projects made and the ages of the girls when the gifts were created. I also recorded a video for each granddaughter where I remembered our times together creating the projects shown in the pictures.
For the middle child, I included background fabrics from both older and younger siblings within her quilt. Who knew such a simple little fabric purchase and gift of “Sewing with Grandma” would result in a wonderfully-memorable moment in time! Serendipity!
My Label Quote:
Quilts are a journal,
Bits and pieces of fabric…
Various shapes and sizes…
With colors that come to life.
Joined together, they tell a story.
I hope this captures the quilt journey for each girl. Thank you for expressing an interest in these loving presents. I also tried to capture the essence of their quilts in their handmade cards. I always create a card for the birthdays, capturing their theme of the year. This year it was ‘A Time to Remember’.”
Dear Joyce, thank you so much for sharing these wonderful memory quilts with us!
And one more thing 🙂!
Last week I shared a photograph of a quilt made by Maria that contained barn and covered bridge blocks. This past week Cari emailed me with a photo of a quilt she made with some of those same blocks.
“After looking at your article on spacing those barn photos I thought I would send you a landscape I made this spring using three barns from that same panel. My friend has a wall of barns and wanted some texture among them and asked if I could make her a quilt. She picked out the three she wanted and I put them on a stripped background, added trees,,grass, etc. I really had fun with this new venture”.
A beautiful setting for those blocks. Great job Cari!
August 19, 2018,
Have you ever had a stack of blocks that were supposed to all be the same size – but they weren’t? Perhaps you won a block of the month stack at your guild, or friends made you birthday blocks, or you make a bunch of blocks that just didn’t all come out the same size. What do you do?
Well, if the blocks are log cabins, or simple 9-patches, these can all be squared down to the size of the smallest block without any worry about losing important points. But what if there are triangle points? I have a few thoughts on this topic, because I’ve had a few times where I’ve experienced this dilemma.
I wrote a post about one of my favorite ways to do this back in March of 2015. It involved turning each block on-point, with some extra “float”, and then squaring them all up to a common size.
In case you missed that post (or forgot where to find it), go to:
What if you don’t want to double the size of the quilt by adding the alternate blocks? Here are two suggestions:
Option #1: Divide the number of blocks in half, border blocks in the first stack with fabric A, and blocks in the second stack with fabric B, square them all to the size of the smallest block, and put them together checkerboard style:
Option 2: Border all the blocks in the same fabric, square them down to the size of the smallest block, and then put them together with sashing.
My friend Maria made this quilt from fabric printed with barns and covered bridges. Because these pre-printed blocks were not all the same size and/or “square”, she was struggling with how to put them together. She liked the idea of bordering each in a tan fabric to look like they were in a photo album. She decided to fold small squares of black fabric diagonally in half and place them in the block corners before bordering, for an old fashioned album look. The burgundy sashing between the blocks was the perfect touch, and no one would believe that the “photographs” are not all the same size! Great job Maria! Thanks for letting me share your lovely quilt.
So, there are some of my ideas for getting different sized blocks to fit together. Do you have any others?
August 12, 2018,
In February I shared a number of posts on some great uses for School Glue while quilting. I was very excited with how it worked for finishing the ends of my quilt bindings ( to read that post), but I’ve found another tip that makes it even easier!
When sewing my binding ends together the lazy girl in me hated to stop when I was almost done to heat up the iron and press the glue dry. What to do?
Head to the store for another must have notion – “Wash Away Wonder Tape™”!
Once you have the tape the hard work is over. Prepare to be amazed 🙂.
This works for single or double (French) binding (my example is done with a double binding). Sew your binding to the quilt, Beginning about 8″ from the end of the beginning tail, leaving at least 12″ open between the stitching of the tails, and leaving 8″ of ending tail open too – with a good overlap.
Because I made a double binding, I need to lay it open against the quilt to connect the ends. This works best if I pin the tails flat against the quilt (the corners of the quilt may “cup” up to allow for the opening of the tails).
Fold the end of one tail at 45° and finger press.
Cut a length of tape just a bit shorter than the angled edge, and affix the tape, paper side up.
Remove the release paper,
and lay the other tail smoothly in place, rubbing over the tape to secure it to both tails.
Pull the ends back to reveal the crease,
Carefully take it to the sewing machine and stitch in the crease.
Lay the binding flat against the quilt to be sure it fits.
Because the tape is wash away, you can skip this next step, but I liked the idea of pulling apart the end tails before you trim them and peeling away the tape. Now it’s gone and I don’t need to worry about washing it away.
Trim the tails 1/4″ from the seam.
Remove the pins, lay the folded binding back against the quilt, and stitch in place. Viola!
I still love the School Glue for matching fabrics and mitering borders, but I think this is the quickest and easiest way to finish the ends when binding. I’ve done it many times already and I think it’s pretty close to foolproof. Please give it a try and let me know what you think.
And one more note. In last week’s post I shared Anne’s email address for instructions on her Serendipity Star. The address was incorrect. I have corrected it in that post, but I wanted to share the correct one here also: .
Thanks again Anne – for your generosity!
August 5, 2018,
Last week I shared the story of Anne’s Serendipity Stars.
Many people asked me how they could obtain a copy of the most recent issue of American Quilter magazine. I didn’t have an answer, so I emailed Anne. Here’s her response:
“Any place that has quilt magazines might still have a copy. I only have a couple of copies, but Ben Franklin in Oconomowoc has 20 copies that they are going to sell during their Quilt Fest weekend in October. I have made a new gmail account just in case anyone wants to ask me questions, it’s. I have directions that can be emailed, not thinking about charging anything so I don’t have to worry about income, taxes etc. Will suggest that anyone that wants the directions could just make a little donation to their local animal shelter if they want, it isn’t required though.”
What a generous offer. So, if you are interested in more information about Anne’s star technique – feel free to email her 😀. She said she might be a little slow to respond because of her busy schedule, but she will try to check that email account in a timely fashion.
The class lists are out for the Fall semester at Waukesha County Technical College. I’ll be teaching 3 all day project workshops:
Quilting – Layered Squares; Friday, September 21st; 9-2:30
Combine simple piecing, diagonal cutting and clever block construction to make this crib/lap-sized quilt with a three-dimensional look.
Quilting – Pieceful Stars; Friday, October 26; 9 – 2:30
Get the look of a Lone Star style medallion, without all the fussy piecing. We will strip piece simple blocks and then cut diamond shapes from them to create a star that is much simpler than it looks!
Quilting – Beginning Fiber Art; Saturday, November 17; 9-2:30
Are you a traditional quilter who is interested in making an art quilt? Come and discover your inner creative child by playing with simple fusing techniques, fabric, color and design. Students will not be creating the pictured quilt, but their own unique work of art. (This class was formerly titled “Parallelisms”)
We also have a new quilting instructor starting in the Fall. Welcome Nan Feurer! She’ll be teaching 2 classes. Here are the titles and descriptions:
Quilting For Beginners – Anyone can quilt! Learn several quilt blocks and techniques to create a beautiful heirloom.
Quilting – T-shirts – Learn to use a “quilt-as-you-go” technique to transform adult and child t-shirts into a beautiful quilt full of great memories.
To register for a class go to: , in the course search box choose Fall 2018 and type “quilt” in the “course title/subject” box, then click on “submit”. All of the quilting classes will appear and you can open the description/photo of each class by clicking on it’s title.
If you’ve never signed up for a class before, instructions can be found in the link just below the picture of the college.
July 29, 2018,
A year or so ago Mike and I were having breakfast at a local coffee shop when one of the employees came up and introduced herself. Anne is a quilter with a love for quick techniques and making charity quilts. She told me she had come up with a fun technique for making stars by slapping 2 fat quarters together doing some creative stitching, cutting and stitching again! I was intrigued and she emailed me pictures of some of her quilts:
This last one is my personal favorite!
She asked me if I had any thoughts on how she could market her technique. We did a bit of brainstorming and she liked the idea of a magazine article. I gave her some contact information for American Quilter magazine and – Anne was published in the July issue!!!
This is her picture and bio from the magazine:
Anne loves to make quilts as quickly as possible, and her Serendipity Star technique developed as she experimented. She put two fat quarters together just to see what would happen, and the result was magical, resulting in six-pointed stars and a world of possibilities. Project Linus is dear to Anne’s heart; in one year, she not only made 54 quilts for Project Linus, but also a few quilts for others.
Her article includes a hexagon table runner pattern using her technique.
This is what the July issue cover looks like
and the label says it will be displayed until August 14th. I highly recommend picking up a copy today!
Also, Anne will be doing a lecture about her technique at the Ben Franklin Quilt Fest this October in Oconomowoc, WI. She’s very excited and I can’t wait to see her in action!
A Tribute to Natalie
I’m saddened to share the loss of another dear quilting friend. You may remember Natalie Sewell as the first quilter to win major awards for raw edged landscape quilting, and then writing books on the subject with Nancy Ziemann; but I’ve known Natalie since we were both very traditional quilters in Madison, WI in the early 1990’s. We belonged to Mad City Quilters and took classes from each other over the years. I was blessed with the opportunity to travel with her and call her my friend. I learned so much from Natalie and I will miss her.
July 22, 2018,
Over the years Wendy and I have had many wonderful repeat travelers with us on our. One of the most enjoyable “characters” we’ve had join us is a dear woman named Eleanor. Eleanor lives in Illinois and heard about our Mississippi riverboat cruise when I spoke to her quilt guild. She and her friend Claire decided to join us, way back in the Spring of 2001, and we had a marvelous time (Eleanor is third from the left, I’ll let you figure out where Wendy and I are 🙂 ).
Our next cruise was to Alaska and Eleanor was one of the first to sign up (in this picture she’s just below me – top left).
We followed that trip with a European riverboat cruise on the blue Danube. We floated from Germany, through Austria and completed our trip in Hungary. It was delightful – and Eleanor was right there with us (to the left of Wendy in the first row).
Next we were off to Holland during tulip time. I love this picture of “quilting” time in the lounge with Wendy explaining to Eleanor the next step in our project. This is followed by Eleanor and her roommate Mary in Keukenhof Gardens.
I must admit, my most memorable times with her were on our riverboat cruise through France on the Rhone and Soane rivers. Eleanor had been a teacher in Paris in her youth and she was the most amazing tour guide for us during our post-cruise extension. She led us from Notre Dam Cathedral on a lovely walk along the Seine (stopping for a photo shoot), that culminated in a delicious lunch at Christines!
These photos include Eleanor’s dear friend and roommate Susan. She plays an important part in the rest of the story!
A few years after this trip I got word that Eleanor was in poor health and was living in a care facility. We really missed her on our subsequent adventures.
Fast forward to just a few weeks ago. To my surprise, and extreme delight, I got an email from Eleanor and this is what she said:
“Dear Chris, Until April I had not quilted for three years! Here’s why: I had a fall which caused a concussion, misdiagnosed as being caused by a seizure. The medication caused all kinds of side effects which I won’t go into. But the turn around came when Susan, (you may remember her from the Rhone trip) made a brilliant remark. I had changed doctors, the side effects had disappeared, but the nursing home did not want to let me return to my apartment. (I used a wheelchair and had a caregiver).
Susan said, “Let’s go to Paris!” Doctor gave the OK and with Sylvia (my caregiver) and Susan’s generosity, off we went.
So where is quilting? Well, when we got back to Lake Forest, the care facility was willing to let me return to my apartment. Sylvia and I were unpacking fabrics and discovered two that I had purchased years ago. “My grandson would love this; he’s into creepy crawlies.” I thought. Only problem: my wheelchair was too wide to fit into the console of the sewing machine. A former student knew of a place where I could buy a wheelchair narrow enough. I didn’t want to cut the fabric up too much and Sylvia wanted to be a part of things so I kept it simple. Only quilting done: freehand stars done in glow in the dark thread on the “dark” side
and outlining the stars on the daytime side.
She also included this wonderful photograph of herself and Sylvia.
What a blessing! I emailed her right back to ask if I could tell all of you about her in a blog post. Her response?
“Dear Chris, I am delighted to hear from you! (Although your blogs WERE the communication that kept me going when I was too weak to turn over in bed). You are welcome to share my story.”
And that’s what I’m doing.
Dear Eleanor, I’m thrilled to see you feeling well and back to quilting. I’m humbled and pleased to hear that you enjoyed my blog posts throughout your difficult journey.
Thank you so much for one more trip – the one down memory lane!
A Tribute to Pat
As I’m writing this post my heart is aching over the loss of a dear quilting friend, Pat Gilane. She and Bob are at the foot of the staircase in the Alaskan group picture above (Pat’s the one in the pretty red floral dress 🙂 ).
Pat had struggled with pulmonary fibrosis for years. She was a true example of grace in suffering, and a joy to so many. She knew Jesus as her Savior and is breathing easy in His presence at last. I’m praying for Bob and their family as they move forward without this sweet lady. She will be missed.
July 15, 2018,
Why would anyone want to burn fabric?
Perhaps a better question is: have you ever wondered if a fabric you want to use in a quilt is 100% cotton? There is an easy test to check. Many of you may already know this, but I’m hoping some of you will find this helpful.
Recently I was cleaning out the cupboard where I keep my quilt backing pieces and non-cotton fabrics. I found a piece of black and white polka dot fabric and wondered why it wasn’t in with the rest of my stash.
Perhaps it was a polyester blend. Nothing on the selvedge showed fiber content, so I grabbed a book of matches, cut off a corner of the yardage, and went outside.
I lit the pointy end with a match and watched it burn. I waited for it to cool, then I picked it up and when I rubbed it between my fingers, the residue was a soft ash.
This is the case for natural fibers such as cotton, rayon, linen, silk, etc.
For the sake of comparison I cut a triangle from a fabric I knew was a polyester.
The results? It melted.
You can see the light reflecting in the “plastic-like” burned semi-circle on the fabric, and the small black piece was stuck to the cement. Man made fabrics like polyester and nylon melt rather than ash.
The next day I pulled out some beautiful scraps I wanted to use in my next challenge quilt.
They were given to me by a woman I stayed with when I taught for a quilt guild in Eau Claire, WI. She told me there was a men’s necktie factory nearby and they sold their scraps by the pound. She then gifted me with a bag full.
Before I attempted to make them into appliqué shapes, I thought I’d better check to see if they were silk or polyester, because ties can be made from either. I’m happy to say they all passed the burn test and are silk:
The interesting thing was the ash was not as soft as the cotton fabric and it had a bit of a gritty feel when I rubbed it between my fingers. I guess I’ve never burned silk before because I was a little surprised by this.
Do any of you use this test for your fabrics? Any other thoughts you’d like to share 🙂?
July 8, 2018,
I belong to a group of fiber artists called ThreadBenders. ThreadBenders is a relatively new group, and we have some delightful and very enthusiastic artists. We recently completed our first “big” guild challenge and 13 of our 16 members participated. I was very impressed with the results!
The challenge was named “Photo Inspiration: Door”. The picture we chose to inspire our quilts was taken by a friend of one of our members in St. Thomas, VI.
You can read the rules and see all of the quilts at:
About 5 years ago I took a 10 week class at WCTC about Adobe Photoshop™. It was a great class and I think I’ve forgotten more than I remember because Photoshop™ can do so much. But the things that have stuck with me have been incredibly helpful. One aspect of the program I was particularly interested in was called “transform”. You can do the most amazing things with your pictures by using commands like “skew”, “warp”, “distort”, etc..
Fascinating, but weird. And after making all of these weird variations, what do you do with them?
Well, I chose the last one and made a quilt.
“Stretch, Warp, Abstract” has a very odd outer edge and the portion that stretches across the main body of the quilt was actually made as a separate quilt, and attached after both were quilted. This quilt forced me to come up with new techniques and try a lot of different ones I already had in my bag of tricks. That’s what I love about challenges, and that’s why I take classes and read magazines – to learn new techniques.
I loved making this quilt (well I loved it most of the time 😉 ). It could easily be the most unusual quilt I’ve ever made. I was impressed with the variety and imagination of all the challenge quilts, and I hope you will visit our site to see them:
And here’s the icing on the cake. We chose 8 of the quilts to enter in the “Ultimate Guild Challenge” competition held at the AQS show in Grand Rapids, MI and they were accepted! They’ll be traveling to Grand Rapids for the show in August! We’re all very excited!
Once they return, we’ll be looking for venues to display them. If you know of a quilt show, shop, art museum, etc. that would be interested, please let us know by emailing me at.
July 1, 2018,
I have been traveling a lot lately. I recently spent 3 days with the Shawnee Quilters in Carbondale, IL, teaching both Repliqué and Beginning Fiber Art. The students were delightful and, since I did a lecture for their guild meeting on the third day of my visit, they were able to bring their workshop projects for show & tell.
Great job ladies!!! Thanks for a lovely time!
In May I had the wonderful opportunity to spend a week in New York City with my cousins. Deb, Cindy and I had a spectacular time touring the Big Apple, taking in two Broadway shows, and indulging in delicious meals – all interspersed with lots of giggles. We had an amazing view from our hotel room – 35 floors above Times Square.
We did a 2 ½ hour guided bike tour through Central Park with Tony,
and walked or took the subway all over Manhattan. We even walked across the Brooklyn Bridge!
Cindy, Deb and I enjoyed our ferry ride with a tour of Ellis Island and the Statue of Liberty.
Our guide Zach made it especially fun.
He did a great job of sharing a lot of history and fascinating information about these two amazing places, plus he spiced it up with his “Zach facts” 😀! They weren’t necessarily true, but they kept us smiling (note his flag in the picture above). Here he is next to an actual size replica of the Statue’s foot in the pedestal museum beneath Lady Liberty.
During the rest stop on the tour I showed Zach pictures of my “How Beautiful – Liberty” quilt ( to see a post about that quilt).
This got me to talking about the tours I’ve led and how Wendy and I have a mascot who often finds herself atop flags so we can keep track of our guides, like when Rudy and Quiltina led us through Siena, Italy.
Zach jokingly mentioned he’d love a personal flag that announced his “Zach Facts”, and when I got home I decided it would be fun to make him one to wave along with his orange “company” flag. He emailed me the “head shot” he wanted me to use, I transferred it to white fabric – along with the words, added the Statue fabric to the back and did a bit of fun quilting. Here are the results – front and back:
And this was his response via email:
“Hey Chris, I just received your quilt and card in the mail today and I want you to know how honored I am. It really made my day. Even the back side of it is beautiful. Loved the card as well. Can’t wait to proudly wave that flag. I am truly thankful.”
That made it so worthwhile. Isn’t it interesting how quilters can find a way to bring quilting into all aspects of life (LOL)?
June 24, 2018,
Shortly after I, Cheryl commented that she has a booklet about the Sunday School Picnic quilt.
That led me to do an internet search and I was thrilled to discover the whole story of this amazing quilt. I added the link to my post, but by then over 300 people had already read it, so I thought I’d better share the link again here for those of you who might be interested. It’s a fascinating story and well worth the read. for the link.
This week I’m going to follow up on the vintage memory quilts by showing my own modern version. The majority of those antique quilts were bed sized and hand quilted. You don’t see many memory quilts like those being made today. But we still want to make quilts to commemorate people, places and events. I love to travel and I’ve often thought about making one quilt about my travels. The problem is I’ve been so many places – praise the Lord – that it seemed to be overwhelming.
Last year while planning for our Sew We Go cruise from Quebec to Boston I had a “light bulb” moment. What if I would choose one photo from each trip that triggered all the wonderful memories of the entire vacation? Then I could make each photograph into a block and …
Modular Memory Quilts was born! I gave a lecture on this “quilt”, and all the techniques I used to make the blocks, for our group while on board the Norwegian Dawn and it went over quite well (to read about the projects on that trip ).
This block is one of my favorites from the “quilt”.
It’s from Mike’s and my first visit to Hawaii when our son, Brad, was a senior in High School. We invited his best friend along and, while stopping at a waterfall on the Road to Hana, the boys decided to climb to the top and jump!
Others were doing it and it was a real case of “monkey see, monkey do”.
To make the block I used a bunch of techniques: glue-stick raw edge appliqué, stitched cheesecloth, and even thread painting on tulle to create my jumping Brad. What fun – and what a great memory.
As you may know, Wendy and I are taking a group of quilters to Hawaii this January. We still have a few cabins available, but since this trip will fill, Norwegian Cruise Lines is requesting all the “non-spoken-for” cabins be returned to them soon. If you have been thinking about joining us – for all the details and instructions for signing up while you still can!
Now back to Modular Memory Quilts 🙂.
One of my favorite parts of making Modular Memory Quilts is that each block is made, bordered, quilted and bound as a separate unit. There’s no quilting and finishing a big quilt! Then I connect them together with my own unique technique, using hair bands and safety pins (yes – really 🙂 ). This is what makes it completely modular. The blocks can be moved around; additional blocks can be added over time; other’s can be taken away; or, if the “quilt” becomes too large, it can be broken up into two separate quilts.
I was working on this project during the Madison Quilt Expo last September and, while walking through the show, I was delighted to see my friend Wendy Butler Berns had made a quilt in a similar fashion and entered it in the show ( to visit Wendy’s website).
“Unconditional Love – Always” was made as a triptych of quilts of her children with their pets, using her Picture Image Machine Appliqué technique. She put them together with strips of fabric and buttons, so they can eventually be separated and each child can have their own quilt at some point in the future. What a wonderful idea!
Since making my travel quilt, I’ve thought of many more types of memory quilts that would work well as a Modular Memory Quilt: children’s art, grandma’s embroidered squares or hankies, workshop samples … just think of the possibilities! Here’s one – the project we’ll be making on the Hawaiian cruise is a type of “Paint-stik™ appliqué” I wrote about a few months ago ( for that post). I made three quilts with this technique and decided to combine them “modularly”.
I’ve since made a few other of these “quilts”. Completing small, individual block quilts is quick and a lot of fun. I’m very excited about the results and I’ll be doing a lecture on these fun souvenir quilts at the this September. Not only will I talk about the quilts and my connecting technique, but I’ll also demonstrate step-by-step instructions for many of the techniques I used to create the blocks. Perhaps I’ll see you there!
June 17, 2018,
This past March I signed up for a bus trip to the Art Institute of Chicago, sponsored by the Wisconsin Museum of Quilts and Fiber Art in Cedarburg. It was a spectacular trip! The exhibit we went to see at the Art Institute was entitled “Making Memories: Quilts as Souvenirs”. We enjoyed a wonderful tour of the quilts which were separated into souvenirs of places, people and events. Here are just a few of the fascinating quilts on display, along with the labels that accompanied them:
Sunday School Picnic – I found this quilt delightful. It really tells a story! And if you’d like to read the whole story!
Map Quilt – I apologize for the dark photograph of this quilt, the museum lighting is good for the quilts, but not great for my iPhone’s camera.
Quilt Show – the workmanship on this one really blew me away!
The piecing, appliqué and quilting were all extremely well done. Here’s a close-up:
State Birds and Flowers
This lovely example of an embroidered quilt was of great interest to me because I have a similar quilt in my collection.
My quilt dates to 1947 and was made by Lillian Heidtke in Wisconsin. The embroidery is very well done, but the quilting is minimal. The quilting on the Art Institutes quilt was very impressive, but I still love mine 🙂.
I wish I could have shared all of the quilts. It was a spectacular exhibit and a wonderful trip.
I was particularly interested in this exhibit because I’ve begun a journey into memory quilts with a “modern” and “modular” twist. I’ll let you in on all the fun in next week’s post!
June 10, 2018,
A few years ago my friend Linda and I played around with Sharpie™ Markers, muslin and isopropyl alcohol (to read that post go to:
A while later I decided to try it with Sommer. We colored circles:
Then added alcohol with an eye dropper:
Here are our results:
Then we tried again. Sommer drew anything she wanted (these are lighter and brighter, and make me smile):
I decided I liked the way the black bled to purple and made it the focus of my design, allowing some space between the elements:
I was happier with these results:
Have you played with markers like this? Any pictures you’d like to share?
And one more note on Sommer and crafts – our passion is not always their’s!
A few months after Sommer made her first quilt (you can read that post at: ) I wanted to make her an apron. She was excited and wanted to help. We pulled out a pattern I’d purchased a while ago and she picked a pretty fabric from my stash. I ended up cutting it out with my rotary cutter and she didn’t like the waiting and watching, so she lost interest for that day. The next afternoon, while Trey was napping, she helped me set up the featherweight, we pinned a seam together and she began to sew.
Three seams later she asked if she could go play. When I asked her if she wanted to work on it tomorrow or if I should finish it – she perked up and said I could finish it 😕. So I did.
She’s happy to wear it and help me cook. Her favorite part is tasting the “gredients”.
June 3, 2018,
After last week’s post I received a number of pictures of more pin cushions. They were so diverse and interesting, I just had to do one more pin cushion post 😀!
Laurie sent this picture with the following message: “I inherited this stagecoach pin cushion from my Mom who passed away in 2009. There is styrofoam under the red covered top and if you look closely you can see the retractable measuring tape on the bottom between the wheels. I don’t use it because it’s too cute and I don’t want to wreck it.”
Lorraine’s email contained another helpful hint for using cushions: “This isn’t a special pin cushion but it has a special purpose. I love using these numbered pins but got frustrated because they would always get mixed up in their sectioned container. I finally decided to dedicate a pin cushion just for them. By keeping each number grouped together the pins are now so much easier to use.”
Shellie said “Here’s a photo of a thumb pin cushion that I bought on Sunday, at the National Quilt Museum in Paducah.”
I think I have one of those too – now to figure out where I put it!
Nina sent me a photo of part of her collection with the comment: “Some from flea markets, others from mom and grandma and children. I just adore them!”
And Cathy said the following are only part of her collection too:
What a fun, useful and collectable item pin cushions are! Thank you so much ladies for sharing your treasures with us.
These all got me to thinking about 2 additional ones I inherited from a relative’s sewing collection many years ago. They’re unique in that the pins are stuck into the edges. One is a velvet circle and the other looks like a “mattress”. I’m showing them from two different angles and the pin heads give you an idea of their size. I wonder how old they are.
I spent the past 6 days in New York City with my cousins Deb and Cindy.
We had a marvelous time visiting all the sites and seeing a few Broadway shows. It was wonderful!
Funny thing – in all the shops we wandered through I didn’t find a single pin cushion 😉!
May 27, 2018,
On our rare “child”- free days Mike and I like to go for rides to nearby towns and visit antique shops. On one of our recent adventures I found an old pin cushion that really tickled me.
As you can see it’s in the shape of an old telephone (so very different from our present day devices), with the pin cushion in the center of the rotary dial, the scissors fitted into an opening at the top, and it even has a retractable measuring tape that comes out the back of the “phone”. It makes me smile and got me to thinking about some of the other pin cushions I have. Some are utilitarian, like my purple magnet with flower head pins that I use daily:
Or the one I made that hangs by my sewing machine and is attached to a schnibble bag:
I’m sure these are familiar to many of you. The next one I’ve shared before, but I think it may bare repeating. I have a divided pin cushion that I’ve marked with the needle sizes I use. When I’m changing needles, and the used one still has life in it, I stick it in the appropriate place in the cushion. I then put a fancy headed pin in the section that represents the needle I’ve just placed in the machine. That way I always know which type and size is being used.
The next one was our trip project when Wendy and I took a group of quilters on a riverboat cruise in France. It is an armchair caddy that not only has a pin cushion across the top, but 2 roomy pockets and a scissors holder (the pocket on the other side has an embellished map of our trip on it).
(Just a quick note – we still have a few cabins available for our Quilter’s Hawaiian Cruise this January. for all the information)
This next cushion isn’t one I use, but I found it in an antique store many years ago and I love it. It will keep my new “telephone” company on the shelf.
Are you a collector of pin cushions? I never thought I was, but I guess they do appeal to me.
Do you have a favorite one you use every day? or any that are interesting or unique? Please send me pictures at.
May 20, 2018,
I’ve put Minky™ fabric on the back of a few quilts to make them extra snuggly – with good results. In fact, on my granddaughter Rainee’s quilt I put it on the back and turned it to the front to make the bound edge; and I reverse Repliquéd it into an “R” on the front of the quilt too (this is a technique in my book “Snuggle and Learn Quilts for Kids)! To read about that quilt go to .
Recently I was making a quilt for my dear niece Kate. She and her husband are expecting a little girl in June and I couldn’t wait to make her a quilt. The problem was I chose to piece with Minky™ this time. I found the fabrics I wanted to use at Vogue Fabrics near Chicago. Minky™ is an ultra soft, plush type of fleece, and what I found there was similar, but I’m not sure that’s what it’s actually called. The pink check on the right is for the back of the quilt and the white was what I decided to piece into a star – just look at the height of that nap! What was I thinking!!!
I cut squares of a pink cotton and drew a diagonal line on the wrong side. I then placed them right-sides-together with the “furry nightmare fabric” called “fnf” from now on 🙂, pinning intensely. I sewed on both sides of the line and cut down the middle. The nap made everything squish and squirm. I was really glad I’d oversized the squares. After trimming them down I needed to pieced these half-square triangle units into a star. That meant “fnf” right sides together with “fnf”. It was awful. I’ve sewn on velvet and this was much worse. But I refused to give up.
Once the star was finished the entire perimeter was the cotton fabric, so I could breathe a little easier and lay out all the other pink squares.
Did I mention the nursery theme is pink with stars? And Kate and Ryan are both hunters, thus the pink camo fabric (thanks Maria!) The rest of the piecing was a breeze.
What I learned is that one should never try to put a really high nap fabric right-sides-together with anything else and expect to have great results. I decided I could still use the pink checked Minky™ for the back because it wasn’t sewn right-sides-together with anything, and it worked well. To quilt the “fnf” star, I cut a heart from freezer paper, ironed it in place on the back of the quilt,
and quilted around it from the back.
It all came together and I was happy with the results. Especially when I saw the smile on Kate’s and Nonna Deb’s faces.
Can’t wait to meet this little sweetie in June. Love you guys!
May 13, 2018,
In last week’s post I told the story of a quilt (it’s really a comforter because it’s tied, not quilted) that has kept Mike and me warm for 42 years. I was overwhelmed with the wonderful comments and suggestions to that post. I washed it, hung it outside (Spring is finally here!) and took a few minutes to simply look at it.
As puckery and worn as it is, it has too many wonderful memories to end it’s usefulness now. But how to repair it? Since almost all of the worn blocks were on the edge – why not cover them with a border “quilt-as-you-go” style? Please bear in mind my original comforter was layered with a sheet and a sheet blanket, stitched around and turned; then it was tied with yarn every 16″ – so it never laid flat, even before the wool shrunk. That added a minor layer of difficulty to this process, but I persevered.
I pulled out a pretty fabric from the “multi-yard” area of my stash, and cut a strip of fabric the length of each side of the comforter by the width of the outer row of blocks + 1 ½”. I laid a border strip, right sides together, with it’s appropriate side of the quilt, covering the outer row seam by 1/8″ and stitching with a ½” seam allowance.
As I continued stitching I found a block that shows why something had to be done 🙂!
Once the seam was done I folded the border strip over the row of worn blocks, turned everything over to the back, and folded the border back on itself to create a “self-binding”.
I stitched it in place from the front with a decorative stitch.
I repeated this for the other side, then I added the top and bottom strips, this time leaving 1 ½” extra on both ends to finish the corners.
While working on the borders I did find 2 squares in the interior that were threadbare. To fix them I went through my box of 6″ squares, chose 2, trimmed them down to the right size, pressed under 1/4″ hem, and topstitched them in place with a mending stitch on my machine.
My old friend is still quite wonky, and there were some unavoidable puckers on the back (which I will not share pictures of), but it’s back on the bed and ready for another 42 years!
Thanks for all of the encouragement!
May 6, 2018,
My mother taught me to sew when I was seven and we made many of our clothes during the subsequent years. Mom especially liked to make pajamas for us kids, while I enjoyed making the outfits I would be seen in. A few years ago I put together a lecture comparing some of my quilts with garments from my youth (yes! I still have many of them 😀 ). The lecture is called “Gone to the Dark Side” and you can find information about it at
When I graduated from high school my parents gave me a brand new Sears Kenmore sewing machine.
I was thrilled! I decided my first project should be a quilt for my “hope chest”. I cut a 6″ square from cardboard and dug out all of the scraps from our sewing projects. There were cottons, denims, flannels, crepe d’chine, seersucker and even some wool! I traced around the cardboard on the wrong side of each scrap and cut out all the squares with a scissors. Once the squares were cut I laid them out in 9-patches (I didn’t know that’s what they were called then) and sewed them together.
I assembled these blocks into a top and it ended up being king sized. I couldn’t wait to use some of the fancy stitches on my machine (my mom’s old Singer didn’t have any of those), so I did a line of decorative stitching over the seams of all the blocks.
Once the top was finished I layered it with a sheet, and a sheet blanket for the filling, and sewed all the way around the outside – leaving an opening for turning; only to find out I’d layered it incorrectly (the sheet was on the inside). So I ripped it apart, sewed around, and turned once again. To finish I tied it with knots of 4 ply polyester yarn at the block corners. What a delight for the eyes!
Even though it’s pretty ugly (don’t you love oxymorons?), it’s kept Mike and me warm for 42 years!
But lately it’s showing it’s age. Many of the fabrics are just plain disintegrating.
The green wool from a vest I made shrunk up years ago, but that didn’t keep me from tossing it into the washing machine many, many times.
Yet the fabrics are filled with memories. The pink denim with doves above was used in my favorite pair of hip hugger, bell bottom jeans (just picture that – it was the 70’s). In the following photo the brown floral was a sundress, the light blue flannel was a nightgown of mine, and the purple with flowers was from an apron I made for my German “mother” when I did a class trip to Germany my junior year.
So… do I retire it to the actual cedar chest Mike bought me as an engagement gift (at the foot of the bed)? or???
While taking these pictures I realized the worn blocks are all around the outer edge. Perhaps I need to remove the last row of squares all the way around, add a binding and use it for another 42 years. What do you think?
April 29, 2018,
Linda and I are driving home from another wonderful trip to Quilt Week in Paducah! As I mentioned last week – we had a snowy start, but it was all up hill from there. The sun shone almost the entire week and the tulips were blooming (although the dogwoods were only just beginning to bloom).
As I do every year, I’m going to share a few pictures of some of my favorite parts of the trip, and I need to begin with the sign that “we’d arrived” – the Flying Goose Bridge!
We got to the 1857 B&B in the heart of Paducah, unpacked and then put up a display of my Mariner’s Compass quilts in the front window of Tribeca restaurant, just downstairs from our living quarters.
What a blessing to be able to show my quilts during Quilt Week. We helped to hang the show on Tuesday and I couldn’t wait to see my friend Lori Schloesser’s quilt.
I’ve featured my friend Evelyn in quite a few of my posts and this year she was part of a new group slice quilt that was awarded a third place (Evelyn – tell me again – which of the 5 strips was yours 🙂 )?
There were so many incredible quilts and it was a privilege to see them all.
This year AQS hosted a special exhibit that I feel was one of the most interesting I’ve ever seen. It was called “Art in Denim” by Ian Berry. The pieces were not quilts, but they were fiber art. He uses only denim, scissors and glue to created portraits and landscapes that truly amaze.
My picture doesn’t do this piece justice. To really experience Ian’s work you need to visit his website at . Linda and I had the chance to meet and talk with this endearing young man. His work is incredible and yet he is funny, soft spoken and very approachable.
We set up our kitchen studio and did some sewing, but our special playtime this year was with alcohol inks.
I’d taken a class at Sew Much More in Waukesha this winter. It was so much fun I bought the supplies and have been sharing them with my quilting friends. I’ll be doing a post on this in the near future, but I wanted to show you our Paducah creations – plates and trays!
We had to do our traditional bubble tea stop at Etcetera (actually we had to do that twice).
As we left this morning, I couldn’t resist just one more picture – the compass quilts are back in my suitcase and the rain is gently falling.
It was such fun to catch up with friends, find some new treasures at the vendors, eat fun food and escape the snow and “reality” for a week. Thanks, Linda, for a great time!
April 22, 2018,
It’s time for Quilt Week in Paducah! This will be my 29th trip in a row and I’m very excited. But the start to this year’s trip was quite unique from every other. Yesterday we had freezing rain and today it turned to snow. This was my driveway as I left this morning.
It was the worst winter storm this year. Oh how glad I am to be heading to Kentucky with my dear friend Linda. The snow was letting up by the time we got to Rockford and tonight were staying in Champaign, IL. – not a snowflake in sight and it’s 43 degrees – hooray!
Next week I’ll share some of our Paducah fun but this week, since I’m talking about travel, I have a quilt and travel related post:
My friend Connie recently returned from a driving trip to Texas and New Mexico with her husband. On the drive home through Iowa they happened to stop at the Cedar County rest stop on I-80 between Iowa City and Davenport. She was very excited about it because the entire building was filled with quilt blocks!
Iowa is in the process of updating 38 of it’s rest stops and each one has it’s own unique theme! This one was designed to resemble a train station with an Underground Railroad theme.
Here are a few of the pictures she shared with me: The exterior blocks:
Some interior blocks:
And an entire interior wall:
I found a great website about this fascinating project, with pictures of all the themed rest stops at:
It looks like a wonderful stop! Thanks Connie!
Linda and I will be staying in the B&B above Tribeca Restaurant in Paducah again this year. I’m planning to hang a display of my Mariner’s Compass quilts in the front window. Please stop by and visit them if you’re in the area!
April 15, 2018,
I did a series of posts earlier this year on using Elmer’s School Glue™ to baste things together while quilting. I’ve discovered one more use that’s been a real help when stitching labels onto my quilts.
It’s really quite simple:
Create your label in any way you like. I usually design them on the computer and print them onto colorfast printer fabric.
Press under a 1/4″ hem all the way around.
Scribble a line of glue all over the wrong side of the label.
Place it on the back of the quilt and iron in place to dry the glue.
Now stitch it down without worrying about the label shifting, or the thread tangling around any pin heads! In the picture above I haven’t stitched it yet, and you will notice corners of the pressed hems peeking out along the edges. This is not a problem because I’m able to use my needle to tuck these corners under the label as I appliqué it in place.
I backed this quilt with a fabric I got in Alaska a few years ago. It was the perfect back.
I’m currently putting this label on my Winter Window quilt because I didn’t add a label when I finished it back in 2015. It hangs in our “master bath window towel rack” (to read my post about this quilt ).
At the end of that post I stated that I already had an idea for my “Spring” quilt. The picture I used for this new quilt was the view from my kitchen window.
Working on a Spring quilt helped me to endure portions of this very cold winter, and this week I decided it was time to replace the winter quilt in my window (and finally add a label – two winters after it was completed).
Now if we could just warm up past 36 degrees!!!
April 8, 2018,
I’ve been invited to teach at a wonderful venue in Bangor, Wisconsin this Summer! It’s called:
It’s located in an elegant colonial home built in 1935.
With a big and bright workroom:
including dragonfly quilts on the beds:
A beautiful dining room:
And to top it all off – a Sweet Sixteen mid-arm machine is available for you to use to free motion quilt your projects! (It’s the same machine I quilt on 🙂 )
I’m scheduled for July 19th to the 22nd, and my focus will be BORDERS!
I’ll kick off the weekend with my Border Boutique lecture in which I’ll share a plethora of ideas and techniques to add just the right “frames” to your quilts. From pieced to appliquéd; from threaded to embellished; there’ll be something for everyone!
Then I’ll present my Seminole Borders workshop. In it students will make samples of 5 different Seminole techniques that would add excitement to any quilt.
I did a blog post on this workshop a few months ago. To read all about it!
There’ll be plenty of time to design and create borders for your own projects over the course of the weekend – and I’ll be there to help and encourage you in any way I can.
I’m very excited about this opportunity and I’d love to have you enjoy it with me. For all the information go to:
Hawaiian Cruise 2019 Update!
While we’re on the subject of traveling with quilters, we recently had a quilter sign on for a balcony cabin on our next Sew We Go adventure – and she’s looking for a roommate!
If you are interested, let us know. What we typically do in these situations is give the interested parties each other’s contact information. These two quilters then talk on the phone and, if they make a good connection, they meet for coffee or lunch and find out if they’re compatible. It’s worked well for many of our travelers in the past. Please email me at or contact Kristi through the link to our flyer:
Wishing you a Happy Easter Sunday celebrating the resurrection of our Savior!
April 1, 2018,
A few years ago I made a quilt using an orange/yellow pointillism fabric, silhouetted with black.
I loved the way the pointillism fabric added depth. I loved the color, I loved the silhouette of the tree. I was pleased with the moon. It was exhibited in a number of shows and I shared it in many lectures. It hangs in our home every Autumn. But something never seemed quite right.
Recently I pulled it off the shelf as I was packing up for a lecture in a nearby town. I got the feeling I should hang it on the design wall and stare at it for a bit (which was impractical – as Trey was napping and I really needed to use the time to prepare for the talk). All of a sudden it hit me –
Why hadn’t I noticed this before? Why hadn’t anyone mentioned it to me?
I threaded the machine with black and began rapidly free motion stitching horizontal “wavy” lines on the lake. A few moments later – SHADOWS!
Here’s the before and after, side-by-side pictures, for comparison:
I’m so glad that when a quilt is finished, one can always change their mind and add a bit more quilting!
Now I love it even more 😀.
Have you ever added to a quilt long after it was “finished”? I’d love to hear your story. Please comment to this post or email me at.
And here’s a little extra about last week’s post :-). You may remember I shared pictures and stories about Bears Paw quilts. I asked for readers to send me pictures of their bears paw quilts and Donna responded with this email:
“After reading your last blog entry about the bears paw quilt, I thought I’d send you a picture of my quilt. It’s not really a bears paw quilt, it’s what I started in your “Scrap Happy” class at WCTC a while back, but it does sort of have giant bears paws in it.”
It definitely has bears paws on it and it’s wonderful! Thanks Donna!
To see the original post about the Scrap Happy class I taught at a retreat go to:
And one last item for anyone who lives in the Milwaukee/Madison area. This coming week is a special one and my church, Calvary Baptist Church in Watertown, WI, will be presenting a “Walk Through Jerusalem” on the evening of Good Friday. It’s a wonderful family event! Come anytime between 5:30 and 8pm. The address is 792 Milford Street.
If you’d like more information, please watch this invitation from our Pastor!
Maybe I’ll see you there 🙂
March 25, 2018,
A while ago my friend, Eileen, wanted to make a quilt for her husband’s “man-cave”. She purchased black and tan fabrics and chose the Bear’s Paw pattern. During my Open Lab class we discussed different ways to make the Bear’s Paw block. Eileen found a great tutorial from Jenny Doan at Missouri Star Quilts on a new way to make the paws without having to make a lot of half-square triangles.
You can watch that video at:
Eileen enjoyed using Jenny’s techniques and her finished quilt is beautiful!
I just loved the unexpected use of the black as the background and the tan as the paws. The border is a print with black bison on a tan background. Very striking!
Another student in my Open Lab, Judy, admired it so much she decided to make one too. She watched Jenny’s video and chose the same color scheme, but this time in flannel. Judy reversed the fabrics. WOW!
What fun to see positive and negative versions of this stunning pattern. I don’t think I could make a choice as to which fabric placement I like better. Both of these quilters did a marvelous job!
Here’s a close-up of the quilting on Judy’s quilt. It was done by MaryJo Busch – lovely!
Thank you ladies, for allowing me to share your great quilts!
I made a Bear’s Paw quilt years ago for the “New Quilt From an Old Favorite” contest held at the National Quilt Museum in Paducah, Kentucky. We were to do something innovative with the pattern and I called my version “Bear’s Pause” because the bears stopped at a campsite, paused for a snack and then continued off the quilt in the upper right.
The tiny paws all over the campground and up the tree were pieced and reverse, raw-edged appliquéd in place. The tumbling chairs and torn open food packages were photo-transferred onto fabric and appliquéd in place. The background was started in a landscape class with Natalie Sewell. My first landscape quilt!
Do you have photos of a bears paw quilt you’d like to share? Please email them to me at:.
March 18, 2018,
I think you’re going to love my technique for FACING A QUILT, but first let me tell you about the sample quilt I’ll be demonstrating on 😀!
When Wendy and I lead quilting tours we come up with projects that can be created onboard the ship, and we like to include creative techniques. As I was contemplating what we could do to make a traditional Hawaiian appliqué style project that was fun and inventive, the Lord dropped this idea into my head! I’m so excited!
Each participant (the projects are always optional) will make their own unique pattern from their initials, and then “stencil” the pattern onto fabric using Shiva Paintstiks™. Here’s my first “Cruise Hawaii” quilt, using the initials for “Sew We Go” and palm trees:
Do you see the “SWG”s? I echo quilted this 25” wall quilt by machine and faced the edge.
Our Hawaiian cruise adventure will take place in January 2019. That may sound like a long way off, but this sailing on NCL’s American Pride will sell out. We need to release cabins back to Norwegian if they are not spoken for soon so if you’ve been contemplating joining us, please let us know. Simply for a printable version of the cruise flyer!”
And now – on with this week’s post:
In my last post I shared a simple technique for finishing a quilt without the need for a traditional binding. There is another option for a “binding-less” finish and it’s called a facing. I’ve seen many faced quilts while judging quilt shows and, as with the turned quilts we talked about last week, the corners are always the problem area. They tend to be lumpy, and they’re often messy looking along the edge and the back.
BUT THEY DON’T NEED TO BE!
This really isn’t any harder than attaching a binding:
• Begin by squaring up your quilted quilt 1″ longer in each direction than you’d like it to finish, because the facing requires a 1/2″ turn under allowance all the way around (a binding fits over the cut edge of the quilt and thus no length is lost, but a facing does require this extra inch, so remember to allow for it).
• Choose a facing fabric that is similar in color and value to the fabric along the outer edge of your quilt. Measure the width and length of your squared quilt. Substract 4” from each measurement and cut (2) 1 ½” strips at both measurements (ie. a quilt measuring 30” x 40” would need 2 strips cut 26” and 2 strips cut 36”). Cut (4) 5″ squares also.
• Press the 5” squares in half diagonally, right side out. Trim about 1” from one corner as in the picture below.
• Place a folded square against the right side of the quilt, in one corner, raw edges even, with the trimmed corner facing up.
• Place all 4 corners on in this manner. Then place the long strips, right sides together with the quilt, along all 4 edges, and pin in place. The strips will overlap the corners.
• Using a 1/2″ seam allowance, stitch all 4 sides of the quilt, going off the edge on each end instead of pivoting at the corners (this portion is a repeat of last week’s instructions).
• Using a seam ripper, remove the last 1″ of stitches in both directions (if there is quilting in the seam allowance, that will need to be picked out too).
•Pull back the square and the quilt top from the batting in the corner, exposing the previous stitching holes.
• Trim the batting corner off just inside the crossed stitches. Make sure you trim the batting only!
• Put the layers back in place and repeat for all 4 corners. Re-stitch the corners, pivoting this time. Trim.
• Turn the quilt over to the back and pull all the side strips out along the edges.
• Beginning at the end of one strip, wrap the strip to the back tightly around the outer edge of the quilt.
• Then fold the facing to the back of the quilt leaving the seam at the quilts edge. Pin and continue along the entire length.
• Repeat for all four sides.
• Turn the corner pieces to the back of the quilt. Push out the corners so they lay flat and sharp. Pin in place.
view from the back
view from the edge
view from the front
• Hand-stitch the facing to the back of the quilt.
This technique isn’t for every quilt, but it’s a good one to have in your toolbox when you need it 😀!
And here’s a quick peek at two other Hawaiian quilts I’ve made. The first includes pineapples and my initials (CLK):
And this one is a small hibiscus flower quilt – just because it’s pretty (no initials or repeated designs):
They’re like potato chips – I can’t stop making them!
And I discovered an added plus – it’s quite simple to use one of the corners on the back of the quilt as a label!
I apologize for this post being a bit lengthy, but I’m hoping you found it interesting and worthwhile.
March 11, 2018,
Currently it is very “trendy” to hang art on the wall without a frame. My daughter-in-law is a talented artist and often hangs her canvases in this manor:
This has become popular with fiber artists too. It is very “in” to hang wall quilts without borders or bindings. I’ve made a number of wall quilts that I just didn’t think would look great with a binding.
I call this quilt “Interchange” and it is an example of one of my faced quilts. It was made for a challenge entitled “Colorwheel Opposites”. I chose pinks and greens and quilted it with “wheels”.
I love the visual “feeling” that the squares are about to tumble past the outer edge.
“The Narrow Gate” is another one of my faced quilts. It was made for a different challenge, this one entitled “Portals”, and it’s one of my spiritual journey quilts. The tree depicts the cross, and the portal is a sliver of the heaven we are promised when we are saved by Jesus. The leaves are 3-D and are printed with Scripture verses which tell about this amazing gift. Once again, I thought a binding would be too confining.
So, how does one get this look without a lot of effort? Well, I have two favorite techniques for accomplishing this quite easily. I’ll share the easiest in this week’s post and my favorite way next week.
The simple way is to “turn” small quilts (envelope style: layer batt, top and back; sew all the way around and leave an opening to turn right sides out) instead of binding them.
My least favorite part of turning a quilt is having an unsightly hand-stitched area along the quilt edge where it was turned. In a previous post I shared my favorite technique for eliminating that problem ( for that post and scroll down about half way through the post for the turning trick).
My second frustration when turning a quilt is lumps at the corners. No matter how much I trim the batt and fabrics, there is always a lump… and worse – I sometimes trim it so close my turning tool pushes through the corner! UGH!
Well – I have a solution for that problem too. Here goes:
• Stitch all the way around the quilt, using a 1/4″ seam allowance, but don’t pivot at the corners. Instead, stitch off the ends of each edge as in the picture, yielding crossed seams at the corners:
• Choose a corner and “unstitch” the last inch in both directions. You’ll be able to see the holes where the stitches were when you pull back the fabric:
• Pull the backing fabric out of the way too, and angle cut the batting away just inside the intersection:
• Lay everything back in place and resew the seam, pivoting at the corner this time.
• Trim the corners as usual for turning.
• Repeat for the remaining corners.
• Turn the quilt, right side out, and enjoy the “lumpless” results!
Do you turn your quilts? Do you have problems with lumps? If so, I hope you’ll give this a try, and I’d love to hear your thoughts about the technique.
Please return next week for step-by-step facing instructions. I think you’ll find it quite interesting!
March 4, 2018,
If you’ve been reading my blog for awhile, you know how much I love to teach others how to quilt, especially kids. When my eldest granddaughter, Hanna was 5, she made a quilt for her dolly – and sewed every stitch herself. It took her two hours and when she was done she said “can I make another one?” I love that girl 😀!
Her little brother wanted to try it, but I made him wait until he was 6. On a visit here from Washington, Willy made a quilt for his bear. He worked on it over the course of 2 weeks and got it done. It’s not really his thing – but he stuck with it.
My great-niece Lily stayed overnight with us when she was 7. She knew her cousins had made quilts and she wanted to try it too.
Sommer (5) is my “nearby” granddaughter, and we care for her and her brother while mommy and daddy are at work every day. Last summer I said to her “Hanna was 5 when she made her first quilt. Would you like to learn how to make a quilt”. She thought for a few seconds and then replied “no thank-you”.
Well, this past Monday she was home from school with a cold. After breakfast she informed me she was ready to make a quilt.
She chose her favorite 12 squares from my charm square box and arranged them on the floor.
I set up my featherweight on the same bench the other kids used and sat her on a stool. She learned to press the pedal with her foot and quickly caught on to the idea of keeping the fabric edges along the “pad” of painter’s tape.
She kept everything in order on the floor as she sewed.
She sewed all the rows together, picked a backing, helped me pin the layers together and sewed all the way around. After turning it right side out, I marked the quilt with a sliver of soap, and she machine quilted it with a big “X”.
I knew she was enjoying herself when she exclaimed “We’re rocking this quilt grandma!”
She wrapped it around her daddy’s old Cabbage Patch Kid and gave it a hug.
And here’s one more picture of my proud little quilter.
At this point she reminded me that she won’t be 6 until March, so she made her quilt while she was 5, just like Hanna!
And here’s the other kids and their quilts. I think I’ve got this lesson down pat 🙂.
To read Hanna’s post.
To read Willy’s post.
To read Lily’s post.
Before I end this week’s post, I need to add one more picture. Yesterday we had a party for Trey’s 3rd birthday. It’s a tradition in our family that I make the kid’s birthday cakes (I do prefer to make quilts – they last longer 🙂 ). So here’s our youngest with his PJ Mask cake.
I wonder when he’ll be ready to make a quilt 😛!
February 25, 2018,
Hawaiian Cruise Update
Before I get to this week’s topic, I’d like to answer a question about Shore Excursions during our upcoming quilter’s cruise to Hawaii in January of 2019.
The price of our adventure includes a group excursion in each port on the cruise. Our number one priority in choosing these excursions is to make sure we see everything Hawaii has to offer! We plan to also include some stops especially of interest to quilters, when it won’t interfere with the exploration of our destination. We’ll have all the details available in mid-summer. At that time our travelers may choose to opt out of our shore excursion package, if they so desire, and the cost of their trip will be adjusted to reflect this. I hope this is helpful. We still have a few cabins available and you can read all the details, and sign up, by clicking on:
And now – a topic to crow about 😀!
Last Fall Sue Schlobohm, a student in my Open Lab class, told me she wanted to make a quilt for a challenge at a local craft/quilt shop. She had purchased the packet of fabrics to be used in the challenge and had decided she wanted to make a quilted portrait of a well embellished rooster. To accomplish this she was wondering if I knew of anywhere to get “chicken wire” fabric for the background. Well, you might remember that in the Summer of 2016 I tried my hand at rust dyeing and created a piece of fabric with a very rusty hunk of chicken wire fencing (to read all about it ).
I had folded 1 yard of fabric around a “1/2 yard” piece of fencing (that’s why the side on the right is a lighter version of the one on the left).
I immediately felt the need to share half of the fabric with Sue :-). And – Wow – did she put it to good use! Here is her wonderful quilt.
Sue makes decorator pillows professionally and deals with a lot of home dec fabric. Some of those scraps found their way into this regal rooster’s tail, along with her lovely hand stitching.
Her label is well done also:
The words in the picture are a bit difficult to read, so here’s what it says:
“The Funky Chicken
Was appliquéd, machine stitched, hand embroidered and quilted by Susan Jones Schlobohm for the Ben Franklin Quilt Challenge, Oconomowoc, WI – 2017
The theme was animals, and you had to include the 3 fabrics seen to the right. The background fabric was rust dyed by Chris Lynn Kirsch, teacher and inspiration.
The quilt is dedicated to all my friends at the WCTC Open Quilting Lab”
I was thrilled to be acknowledged by this talented lady and I hope all of her friends in Open Lab read that last part 😀!
Thank you Sue, for letting me share the story of your delightful quilt. Congratulations on a job well done!
And, since this post spoke of both a rooster and Hawaii, I thought you might find this interesting:
A few years ago Mike and I vacationed in Hawaii, on the island of Kauai, and we were fascinated by the plethora of wild chickens and roosters running all over the island. Here’s the story:
“Most locals agree that wild chickens proliferated after Hurricane Iniki ripped across Kauai in 1992, destroying chicken coops and releasing domesticated hens, as well as roosters being bred for cockfighting. Now these brilliantly feathered fowl inhabit every part of this tropical paradise, crowing at all hours of the day and night to the delight or dismay of tourists and locals alike.”
February 18, 2018,
Before I get to my topic of the week, I’d like to share a few helpful hints for using a blog such as mine. Some posts (like this one) contain instructions for techniques you may want to save. There are a number of ways to do this:
• When you click on the link to open my blog the first thing you’ll see is my most recent post and, if you scroll down through it, you’ll find my previous posts. Because I put a lot of pictures in my posts, my site may load slowly on your computer or other device. That’s why I always send you a link to just my most recent post also.
• If you are on my full site and want to open just one of my posts, simply click on the title of that particular post:
The post title is in the red circle.
• When you’re in the page that contains only one post, the title will turn black as in the example below. You can “bookmark” that post to save it for future reference. On my computer I can add a bookmark by clicking on the star in the upper right, typing in a name for it and clicking on “done”. This process may be different on your computer, but it should be similar.
Once again – look for the red circle above :-).
• If you’d rather print that post and save a hard copy of the information, click on “print me” under the post title (and be sure you’re connected to a printer):
I hope this was helpful. Now for my topic of the week:
I’ve recently been using Elmer’s School Glue™ to match fabric patterns when sewing strips together. This week we’ll use the same glue technique to miter a border.
• Sew the border strips onto 2 adjacent sides of the quilt top, using a 1/4″ seam allowance, and backstitching 1/4″ from the corner on each strip:
• Lay the vertical strip flat against the ironing surface:
• Fold the end of the horizontal strip under at a 45 degree angle, forming a miter. If your fabric happens to be a stripe – the miter will be much easier to see :-). Press:
• Pull this newly pressed crease back
• and squeeze a thin line of glue along the edge of the crease:
• Lay the glued crease back in place on the vertical strip and press again to dry the glue:
• Once the glue is dry, fold the quilt top in half diagonally to expose the glued crease and stitch in the crease. Trim off the excess strips, 1/4″ from the stitching, and you’re done.
And one last thing!
Last week I shared information about the Sun Prairie Quilt Show. There will be two other shows in the Southeast Wisconsin area that same weekend:
West Suburban Quilters Guild will be holding their show at the Waukesha Expo Center. For more info go to:
The Crazy Quilters in Mukwonago will also be holding their annual quilt show at the Mukwonago Middle School. For more info go to:
February 11, 2018,
Last week I shared how to match striped fabric strips, using “Elmer’s School Glue”™, with a straight seam. This time I’ll demo matching with a bias/mitered seam. Its the same basic maneuver – glue basting, plus a pressing tip for creating the miter:
• Begin with 2 strips you want to sew together end-to-end, and find a matching pattern on both.
• Turn over one strip and fold back the corner of the end. Press.
• Run a thin line of glue along the pressed crease.
• Lay the “pressed/glued” strip on top of the second strip, glue side down, and carefully match the pattern. Iron in place to dry the glue.
• Then fold the strip you just added on the right, down to expose the inside of the crease and stitch in the crease.
The great thing about using the glue is – if it doesn’t match exactly, even after pressing, simply pull it apart and glue again!
The above technique works great for finishing a “no-end” binding!
• Sew your binding to the quilt, leaving about 8″ open between the beginning and ending tails.
• Fold back the end of the tail on the left at a 45 degree angle and press.
• Run a thin line of glue along this crease.
• Place the tail on the right back evenly on top of the glued crease. Press to dry the glue.
• When the glue is dry, pick up the strip tails, open them to reveal the inside of the crease and stitch in the crease.
Trim the excess tails 1/4″ from the seam and continue sewing the binding to the quilt.
If you prefer to use a double or “French” binding, simply leave yourself a wider opening between the beginning and ending stitches (perhaps 12″), open the strips flat, and connect them as above, folding the strip back in half after it is stitched, and sewing it to the quilt.
I do hope you’ll try this technique. I’ve found it extremely quick and accurate!
An FYI for local quilters –
The Sun Prairie Quilt Show is fast approaching. To enter a quilt in the competition and/or read all about the show!
February 4, 2018,
Last week’s post was a popular one. Many quilters asked if I was teaching my Stripped Pinwheel Topper class again, or if I had a pattern for the project. I don’t have a pattern for it as I made up my own class handout, not a stand alone pattern. I did some research on the internet and found many Amish quilts with this design by the names of Amish Spinning Star and Star Spin. There is a pattern available called Sew Easy Strata Star by Ruthann Eckersley. So, if you’re anxious to try it – there are options available with an internet search. I plan to teach it again at WCTC, but we schedule months in advance, so it will be 2019 before my next class. I’m also thinking of proposing to teach a variation of the design for the Madison Expo next year.
I’m calling this variation Striped Pinwheel Topper because it uses a striped fabric – thus avoiding having to piece all those strata. I already have made a sample quilt, and it’s super easy and fun to do!
The trickiest part was matching the stripes when sewing the pieces together. I was able to surmount this obstacle with the use of Elmer’s School Glue™. I attended a lecture at the Madison Expo last year by. She was sharing her passion for basting with this product, and gave credit to for introducing it to her (Sharon has a number of Youtube videos on-line on this topic). She said the white school glue is not actually a glue, but a form of starch. Because of this it washes out of fabric with no problem.
I needed to piece my striped fabric to get the length I needed and wanted the look of a straight seam. This is how I made sure things matched up perfectly:
Choose a stripe fabric.
Cut strips so each is of the same portion of the stripe and lay them on top of each other, right sides together.
At one end fold back the top strip and run a thin line of glue less than 1/4″ from the edge.
Lay the top strip back in place and press to dry the glue. When the glue is dry, sew the ends together with a 1/4″ seam.
It’s as simple as that!
Next week I’ll share how I use this technique to piece strips with a mitered seam. Stay tuned :-)!
January 28, 2018,
Last semester I taught a pinwheel table topper class at WCTC.
It was the first time I’d taught this class and I’m always a bit anxious about timing, and the possibility of handout errors. It can be hard to gauge how much students can accomplish in the time allotted. I had them cut their fabric strips ahead of time, and there were no problems with the handout, but I really underestimated how long it would take to sew all the strips together. After lunch everyone still had more strip sewing to do and I was getting nervous.
As some of the students finally began to reach the triangle cutting stage it became obvious that the triangle cutting and sewing was actually fun and it was great to see how the fabrics were coming together. But half the class was still sewing away on their strips and I could sympathize with their frustration. Well… by the end of class Carmen had her top done.
A few more were close to done, but – praise the Lord – everyone had at least 1/4 of the topper cut out and sewn or pinned together. I felt sure they all knew what they needed to get them finished. On the way home I still felt uneasy about the class – I always want it to be a good experience for everyone.
That night I received an email from an address I didn’t recognize that began: “It’s all your fault!!!”. I gulped, but I knew it was not spam because the rest of the message (readable prior to opening) said “I came home and the one we made in class”. That’s all I could see, but I felt I had to read the rest of the email and when I opened it this was the entire statement:
“I came home and the one we made in class was too large for our table so I shrunk it. Thanks for the technique. Deb”
She made a second, smaller one that same day! And here’s the picture 🙂 :
Wow! What an overachiever. I responded with how impressed I was, and congratulations. When I asked Deb how she did it and if I could include it in my blog she wrote: “Sure. I cut 3-1″ strips. I’m a goof ball who went home and made more. 😊 Turned out!! Thanks again!”
This made my evening. I then wrote to the other students and asked them to send me pictures if/when they got their tops done. Here’s what I received back!
Great job ladies. I’m so impressed with the results! They’re all lovely and it’s fun to see them in so many different colorways.
January 21, 2018,
Before I get to today’s topic I’d like to apologize for last week’s email link error which affected quite a few of you. If you would like information on our Sew We Go cruise to Hawaii in January 2019 – please click on this link:
And now for my “Topic of the Week”:
I’m very pleased to announce that Threadbenders, a new fiber art group I belong to, has an exhibit of challenge quilts hanging at Sew Much More in Waukesha, Wisconsin!
(formerly known as Frank’s Sewing Center – 2140 W Saint Paul Avenue).
I belong to two art quilt groups and in 2017 they both held Anything Goes Round Robin challenges. I’ve participated in these before and it’s a great learning experience. In essence each member puts something in a bag, passes it to someone else and does anything they want to what’s inside the new bag they get. After 4 or 5 rounds the originator gets their bag back and the only rule is “you can’t be upset over what you get back”. The originator then is encouraged to finish theirs.
Many participants in our Threadbenders challenge did finish theirs and the results are quite interesting. Those results are what is hanging at Sew Much More (here are two pics of the exhibit, but they really are much more interesting “in the cloth”).
We took pictures each step of the way and have posted them on our blog. To see all of the finished quilts and all of the step-by-step pictures go to:
Here are the pictures of my challenge piece’s transformation. Laura got my bag first. It contained an unfinished class sample from my silhouette appliqué workshop.
Laura – round 1
Connie – round 2
Sonja – round 3
Brenda – round 4
I was a little befuddled about what to do with what I got back. After staring at it for a while I decided it might be fun to use it as the focal point of a “Modern Quilt”, using the shapes in the challenge piece to inspire my quilting designs. I was pleased with the results (red – I know – who would have thought it???).
If you didn’t link to the Threadbender’s blog above, to see all of the Anything Goes quilts, please do so now at:
And to see the finished projects – go to Sew Much More! It’s a great store and you won’t be disappointed!
January 14, 2018,
One year from today Wendy and I will be sailing the waters of the warm Pacific! Doesn’t that sound wonderful? We’d love to have you join us and we’re ready to share the details!
All of the information, including dates, pricing, and the reservation form are in our Hawaii cruise flyer which may be opened by clicking on the following sign:
We’ll be traveling from January 4-12, 2019.
As always, we are including a lot of extras along with our seven days in paradise to make this trip a great value:
♦ Shore excursions in five different ports especially tailored to the interests of our group.
♦ A night in Honolulu prior to the cruise to take the stress out of arrival and boarding.
♦ Pre- and Post- trip gatherings, along with friendship block exchanges and on-board projects for everyone who wants to participate!
♦ And, as stated in the flyer, our goal is to include fiber related activities where possible. This may include meeting with local guilds, visiting shops that carry fabric, yarn, native crafts or other fiber arts, taking part in workshops, or featuring guest educators/speakers. We’ll share what we come up with as it becomes available.
♦ All of this in addition to everything the Aloha State and Norwegian Cruise Lines have to offer. It’s an opportunity you won’t want to miss!
So please read the flyer, reserve your spot, and feel free to contact us if you have any questions.
With warm thoughts,
Chris, Wendy and Kristi
January 7, 2018,
My final blog post of 2017 is about two of my favorite subjects – grandchildren and sewing!
If you’ve been following my blog for a while, you know that I enjoy teaching young people to sew and quilt.
You may remember a post I did a few months ago about Hanna’s landscape quilt ( to read that post). Well now I’d like to share her long distance adventure with fusing.
I love Facetime and being able to “talk” to the kids via video. A while ago, Hanna said she wanted to make a pillow with a “critter” of some sort on it. Since she doesn’t have a sewing machine, I thought she might enjoy fusing. So I sent her a bunch of fabric and a length of Heat ‘n Bond™ paper backed fusible web. She thanked me when it arrived and then didn’t mention it again. A little while later she “called” to say she wanted to start. I’d made her a video on how to use the fusible and texted it to her, but she wanted me to talk her through it via FaceTime. I watched her set up the ironing board, we talked about iron safety, and she gathered the supplies.
She had decided she wanted to put Mickey Mouse™ on a piece of fabric and make it into a pillow. She traced her design onto the fusible web, ironed it to her fabric, cut it out, and fused it to the muslin background. She had a package of pre-cut/fused letters with which she added her name. Voilá – the pillow top was done as we spoke.
The next day I received the above pictures from her dad with the message “I think she gets this from you”; and 4 smiley faces!
The apple doesn’t fall too far from the tree. I’m pretty sure this girl needs a sewing machine!
On Hanna and Willy’s most recent visit she thought it would be fun to make pillow cases for daddy and her other grandparents for Christmas. Willy helped her pick out the perfect flannels for each of them, then she began to sew.
And she completed all three!
Afterwards we went to see Star Wars with Uncle Brad and Aunt Betsy (grandpa was home with the little ones 🙂 )
Happy New Year from all of us to all of you!
December 31, 2017,
My cousin Lisa has been best friends with Rochelle since grade school. They both met their husbands working at McDonalds during high school and have remained very close. In October Rochelle’s husband Rich lost his life in a motorcycle accident. It was a traumatic loss for so many. Lisa and her family wanted to do something to comfort Rochelle as Christmas neared and they came up with the idea of a t-shirt quilt. Trouble was, they had no idea how to make one. I was so grateful to be asked to be a part of this important project.
Lisa, her daughters Kirstin and Carly, and her mom – my Aunt Lois brought over a large bag of t-shirts one Saturday afternoon and we had a lovely time cutting up shirts, fusing on the interfacing, cutting the squares and laying them out on the living room floor. They all caught on fast and we enjoyed the time together.
That week I sewed the blocks together and the following Saturday they returned (Aunt Lois couldn’t make it) to layer the quilt top with polar fleece and tie it. I thought it would be a breeze – I’ve tied many comforters – but I had never tried to get a yarn-threaded needle through a t-shirt/interfacing/fleece sandwich before! It was arduous and not for the faint of heart. I found my free motion quilting gloves helped to grab the needle, and a twisting/pulling action worked the best, but it was still hard work. I was very impressed with how well these ladies persevered. We got it done and I was able to turn the fleece over the edge to the front, and top stitch it in place before they had to leave.
I wish I had taken a few step-by-step pictures along the way, but I’m sure you can imagine it.
Here’s a picture Kirsten recently posted on Facebook after they presented Rochelle and her daughters with the quilt.
Christmas will be hard for Rochelle and her family, but I’m hopeful our efforts will help to ease her grief and bring her pleasant memories in the years to come.
I’ve found over the years that when I focus on the greatest Christmas gift – our Savior, and worshipping Him – even when my life is overwhelming or out of focus, I can have His joy and peace. May you have that joy and peace this Christmas!
“For unto us a child is born, unto us a son is given: and the government shall be upon his shoulder: and his name shall be called Wonderful, Counseller, The mighty God, The everlasting Father, The Prince of Peace.” Isaiah 9:6
December 24, 2017,
Last week I asked for pictures of Christmas gifts “you” were making this year. I received responses from 2 talented stitchers and I found their projects delightful. I think you will too!
Sonnalea does beautiful things with her embroidery machine. Here’s what she sent:
“Chris, each year I make my grandchildren a Christmas ornament. I have attached the front and the back (the front of the ornaments was a Design by Sick).
I also attached a wallhanging I made for my sisters (it’s from a Janine Babich Design). My sister Marcele received one of these. Merry Christmas to you. Sonnalea.”
Sonnalea’s sister, Marcele, is a friend of mine from church – and she had shown me a picture of this wallhanging the same day Sonnalea emailed it to me 🙂.
Then I got an email from Margaret. She is a very talented quilter, and is a sewing and quilting judge at many local county fairs. Here’s what she had to share:
“For several years, I have been making new pillowcases for each of my grandchildren every Christmas … I sent these off last week.
Last month, I gave a demo @ our morning guild meeting (Kettle Moraine Quilt Guild), using that “hot dog method”. When we meet this week, instead of exchanging gifts as we usually do, members will be bringing pillowcases to donate to Children’s Hospital (they like to give them out to patients to keep).
Your pictures are wonderful … I will share your blog with guild members.
Thank you … Margaret”
What a great idea for a guild “gift exchange”! This was followed by a second email with more wonderful projects:
“Thought of you as I was making these stockings for our youngest grandchildren – wishing I had not left this task until after Thanksgiving. After all … these babies were born in July & Sept. But – stockings were sent off & are now hanging.
The overall designs were to match their older sibling’s stockings, but yet I have tried to make each unique. Even though the cuffs are sewn on last, I did use your method of sewing the lining for Finley’s stocking … thank you for sharing your tips.
I enjoy the hand work & creativity … and if I thought our families would continue to grow, I would write up better instructions so I don’t need to figure everything out again. Personally, I’m anxious to get back to regular quilting!”
That last part made me laugh out loud. I can really identify – I’m forever reinventing the wheel.
Thank you Margaret and Sonnalea!
I hope you are all enjoying this wonderful season and all the preparations which go with it!
December 17, 2017,
Many years ago a member of my quilt guild brought in a pattern for pillow cases and invited us to make them as Christmas gifts for members of the military. The response was great. Problem was, the pattern was very simple and all the seams were raw edged on the inside of the case. This bothered me because I knew they would not wear as well with those exposed seams. On the way home I began to noodle on this and, since I don’t own a serger, I had to come up with another option. I harkened back to my days of garment sewing and knew the case itself could be sewn with French Seams. But how to do the seam between the case and the cuff??? An idea came to me and I couldn’t wait to get home and try it. It worked, so I made a new handout to share with my guild and called it the Enclosed Seam Pillow Case.
I shared it at the next meeting and many of us had a great time making pillow cases. The following month one of our members came up to me with a handout she’d printed off the internet. The author was using the same technique I came up with, but was calling it the “hot dog roll” technique. This made me smile. Someone else had come up with the same idea, just a different name! Either way – it works!
In early December this year, one of my Open Lab students asked if I’d do a refresher demo on the cases, because she wanted to make Christmas gifts. It was about time I made my grandkids new ones too – so I did the demo and many students participated:
From left to right, top to bottom: Deb, Judy, Jean, Marilyn, Eileen, Rose, Mary Ann and Louise
Great job ladies!
Here are my instructions for making pillow cases. Many of you probably know how to make them, but you may enjoy some of the additional helpful hints I’m including 🙂. I’m hoping this post might be just in time for you to make a few for Christmas gifts too.
Enclosed Seam Pillow Cases
Supplies: ¾ yard main fabric, ¼ yard cuff fabric and a 1 ½” accent strip (pressed in half lengthwise). Make sure the main and cuff fabrics are squared up to the right size and not just the way they were cut at the store. Things will just fit better this way.
• Place the main fabric right side up on your work surface, with a cut edge laid out horizontally in front of you.
• Lay the raw edges of the accent strip along this cut edge and pin about every 8″ (flower head pins).
• Lay one long cut edge of the cuff fabric, right sides together with the other raw edges and pin in between the previous pins (ball head pins – I have my reasons for pinning this way and I’ve used different pin heads so you can see the difference).
• Flip this entire unit over so the cuff is against the work surface, and the wrong side of the main fabric is facing up.
• Roll up the main fabric until you see the cuff peeking through from underneath.
• Bring the remaining cut edge of the cuff fabric up to the other raw edges and re-pin each of the pins through all the layers. Be sure the main fabric doesn’t get caught in this pinning.
• Sew with a 3/8″ seam allowance. If you are using flannel, you can strengthen the seam with an added line of zig-zag stitching in the seam allowance. Be sure to backstitch at both ends to secure.
• Turn this tube right sides out. Press.
• Rotary cut the selvedges off both sides of the unit, making sure the cuts are straight and the angles remain at 90 degrees.
• To make the French Seams: Fold the case, wrong sides together, and pin along the two unfinished sides.
Sew with a ¼” seam allowance. Sewing through the cuff seam can be difficult. I can usually make it through on this seam, going slow and with a bit of tugging from behind (stay tuned for hints to sew it the second time).
Trim off all three corners (don’t forget the one at the end of the cuff).
I like to trim the seam allowance at the cuff seam to 1/8″ at this time.
• Turn the case wrong side out, push out the corners, press and pin.
• Sew these two edges one more time, this time using a 3/8″ seam allowance to enclose all the raw edges, and backstitching at each end. If you can’t sew through the thickness at the cuff seam, leave that area open, and once the rest of the seam is complete, go back and fill in the seam using a zipper foot to avoid the thickness.
• Turn right side out and press. DONE!
My tip for trimming the corner at the cuff (5 pictures back) gets rid of any loose threads peeking out of the seam at the finished cuff edge.
And here are the ones I’ve made for my family this year.
I hadn’t tried flannel before, and I like it!
I love to give homemade gifts to my loved ones! What homemade gifts are you working on? Did you make pillow cases this year? I’d love to see pictures! Please send them to me at.
December 10, 2017,
After last week’s post announcing our upcoming cruise around, I received an email from Becky. She wanted to be added to the list of “those interested in more information about the trip” (if you haven’t put your name on the list, you may email me at: 🙂 ). She attached a picture to her email with this additional message:
“I met you in Janesville at our Guild meeting of the Friendship Stars Quilt Guild in 2016. I bought your book for Mariners Compass and love it. I’ve been making pillows for my dearest friends.”
Just look at all the compasses she’s made! WOW! What lucky friends. I wrote back and asked her for more of the story and here it is:
“Before making my first pillow, I just happened to take your book along as “potential entertainment” to a New Year’s Day party. Sure enough, while the guys were watching football the 3 of us quilting girlfriends worked step by step through your directions. It was probably more fun than it should have been, but felt kind of magical to trust the process. Eventually…Voila! There we sat, holding our Mariner’s Compass paper-piecing patterns!I went home and started making pillows for a February retreat..
We are 6 couples that have been going to Door County for a couple’s winter retreat for more than 20 years. I decided to make each one a Mariner’s Compass pillow, but in usual quilter’s fashion, I didn’t have time to get them all done! No worries…each friend chose either a completed pillow or a “kit” with fabrics I’d selected. Eventually, each one sent me a picture of her pillow on display in their home. The Mariner’s Compass holds its own significance because of our faith in Christ and how that guides and directs our paths. For over two decades this time of refreshment away…together… has seen us through some tough & memorable life events. Usually 4 nights–we eat, laugh, cry, hike, and worship together during a retreat of our own making.”
I’m so glad to know Becky’s story and grateful to know how the mariner’s pattern has touched her life. Thanks Becky!
If you haven’t tried my Compass technique, you can purchase a copy of my book by. If you’d like to purchase one the old fashioned way, you can mail me a check and I’ll mail you a book 😀. Just email me at.
December 3, 2017,
Our cruise from Quebec to Boston was so much fun we couldn’t wait to plan our next adventure. It didn’t take us long to decide on the destination:
We’ll be flying into Honolulu and cruising around the islands of Hawaii aboard the Norwegian Pride in January of 2019.
We don’t have all of the details confirmed yet, but we wanted to let you know about the trip and get a feel for how many of you are interested in joining us. Here’s what we have so far:
As with all of our adventures, the trip will include excursions in each port, cruise projects, pre and post trip gatherings and all the special “quilterly” extras you’ve come to expect from us.
Depending on cabin category, the cruise fare should be 00-00 per person.
It’s too early to get airfare pricing for 2019, but these are the January 2018 prices – to give you an idea of what to expect:
Milwaukee to Honolulu – 1 stop 6 – 11.5 hours each way (overnight on return trip)
Chicago to Honolulu – 1 stop 2 – non-stop 9 – 9.5 hour there/8 hour return (overnight)
If this sounds like something you’re interested in, please send me an email at and I’ll add you to the list of those who want more information. That way you’ll hear from us the moment we have more to share! Aloha!
November 26, 2017,
Would you believe the person who made this stunning quilt is visually impaired?
It’s title is “Pips on Point” and it was made by my dear friend Lisa Giesfeldt. Here’s a detail picture to make sure you’re sufficiently impressed :-)!
I’m constantly amazed at her artistry and effort. I asked her to write her story for my blog in her own words and was delighted when she agreed.
“I started quilting four months after my oldest was born in 1993, and was completely hooked within the next few years. I began to enter local quilt shows after joining my first guild in 1999 where I met yours truly, Chris. Four more guilds later, and quite a few ribbons, convinced me to starting my own quilting business, which included craft shows and machine quilting for others.
Everything came to a crashing halt the day before my 35th birthday in 2000. I awoke that morning unable to see clearly out of my left eye. I thought it was due to a possible tear in an old contact lens. After putting in a new lens there wasn’t any change in the vision in the eye. After visiting an opthamologic specialist, who said I would never regain vision in the eye, I felt helpless and scared. Luckily my mom came up to help and took me to the Eye Institute of Wisconsin. We found out that I had macular degeneration, which is very rare in someone so young. I had a recessive gene from each parent as well as severe myopia. The cracks that had developed required laser surgery to prevent any more stress and cracks to the retina. After months of depression I finally got back into quilting. My right eye was strong, and my quilting muscular memory skills were also strong.
It didn’t take long before I adapted to the loss of the central part of my vision in my left eye. I also discovered some new tools which helped a lot. The June Tailor Shape Cut ruler recommended by Chris, really made a huge difference.
I could very accurately cut strips without any worries. I also started using the Creative Grid Rulers which have very clear markings. I also recommend rulers with high color contrast which make the black lines stand out.
Everything was going well for the next 7 years — designing patterns and teaching at some local quilt stores; winning more ribbons on my quilts;
quilting countless quilts for others; and being a stay at home mom for two young boys. In 2007 another catastrophe occurred. I received a head trauma to my right side which caused another crack, but this time to my right eye. I discovered at this point that I also had myopic degeneration and not just macular degeneration. The severe stretching of my eyes has caused the retina to become extremely thin and fragile. Needless to say, this caused another setback in my quilting endeavors. Another laser surgery was needed to prevent the cracks in my right eye from spreading and causing more damage.
I refused to let everything stop me from going forward. I still entered a competition piece that year in Sun Prairie titled “Circle of Blues” after my feelings at the time. It didn’t earn a ribbon, but, I got it done. By the end of the year my left eye, now having to be the stronger one even without the central vision, became my lead. I also found a magnifier attachment from Bernina that fit on my 150 machine.
I still use it today when quilting matching thread on dark backgrounds. It really helps me to actually “see” every stitch and how I’m doing. All the Ott lights I use around my machine and cutting areas also reduce any eye strain.
Over the years since 2007, I’ve adapted to my disabilities. I rely very heavily on the peripheral vision of my left eye when cutting and piecing. I use a Dritz machine needle threader to thread all my machines as I can’t see the hole in the needle anymore to do it by hand. In 2014 my husband bought a larger Bernina for me, a 710,
which enables me to quilt the bigger customer quilts much easier. (I still can quilt a 130″ X 130″ quilt on my 150 if I need to.). There are times when it is very frustrating not being able to see whether everything is accurate or not. I have to rely more and more on 24 years of quilting memory. But, I haven’t given up. I still enter competitions to keep the creative juices going. Each one pushes me to prove that I can still enjoy the hobby I consider my second passion, after my family of course. I also think that continuing to stay in two guilds has made a huge difference. The support I get from my quilting friends allows me to forget about my vision issues and focus on the future. And, that next challenge.”
She did add, in a phone conversation we had, that her greatest frustration is everything takes so much longer than when she could see well. I think from the following pictures, her work is worth the extra time!
“Circle-go-Round” the Sun Prairie Quilt Show “Best of Challenge” winner
“Quilting Inferno” – another Sun Prairie Quilt Show “Best of Challenge” winner
“Wicked Comes to Wisconsin” – made for the Cherrywood Wicked challenge
Cherrywood/Quiltworx challenge quilt
“Our Yellow Magnolia” – made for the Milwaukee Art Quilters “Not So Mellow Yellow” challenge
“Van Gogh Goes to Zaanse Schans” – made for the Cherrywood Van Gogh challenge – Lisa’s quilt placed in the top 20 and will be exhibited in Paris in 2018
“Hidden Spirit Within” – made for the Milwaukee Art Quilters “Self Portrait of the Artist as an Animal” challenge. Lisa’s husband transferred a picture of her eyes to fabric for her to use for the eyes of the eagle.
Thanks to Lisa for allowing me to share her story and just a few of her incredible quilts.
I hope you are inspired and encouraged by Lisa, Maria and Mary. I think they all are a great example of Maria’s Insight Resilience group’s motto: “just because you’ve lost your sight doesn’t mean you’ve lost your vision”!
November 19, 2017,
I met Mary years ago. She had broken her wrist and wasn’t able to cook for herself. At that time I was delivering Meals on Wheels and was blessed to have her added to my list. We both share a strong faith and became quick friends and prayer partners. I soon learned she also sewed and when she discovered I taught quilting she signed up for a class.
Mary does wonderful work, but over the years her macular degeneration has made sewing increasingly difficult. She perseveres, piecing by machine and quilting by hand. Recently she asked me to help her to quilt a lap sized, scrappy rail fence quilt and I was happy to do it. She already had it layered when I got there and she told me to do whatever I wanted, so I brought it home and chose to spiral quilt in the blocks (of course – it’s my favorite free motion pattern).
Then I chose to straight line “piano key” quilt the wide border. I had an ulterior motive – I wanted to play with my “Line Tamer” ruler from “Four Paws Quilting” ( for their website). It makes straight line quilting on a free motion machine almost fool proof. It works well on a domestic machine with a ruler foot too! Stitching in the ditch between the borders was a breeze because the channel in the ruler keeps things lined up exactly where you want them.
When I’d get to the spot where I wanted to turn perpendicular to the inner border and channel quilt I simply rotated the ruler, lined it up parallel to the last quilting line and continued stitching.
The floral fabric makes the stitching lines a bit difficult to see, but I hope you get the picture.
So here’s the part that made me laugh out loud. Mike didn’t know I was doing this for Mary. During the quilting process I would lay her quilt out on the floor when taking a break.
At one point I ran upstairs to get a cup of tea and when I came down Mike had come in from outside and was looking at the quilt. He said “now that’s a quilt I can relate to, it looks like a real quilt”.
I guess I’ve overwhelmed him with my art quilts lately 😀! I think he felt badly when I told him it was Mary’s quilt because he thought he’d hurt my feelings, but I thought it was hilarious. I love traditional quilts as much as I do fiber art, even though I’ve obviously been doing more art quilting lately.
When I returned Mary’s quilt to her I told her the story about Mike and she loved it! Since Maria was kind enough to let me give one of her Quick Threading needles to Mary – I presented it to her with the quilt and she was intrigued. She told me she’d give it a try and let me know what she thinks. Mary has a needle threader built into her sewing machine, but every so often the wire in it bends and then she’s out of luck. I think these needles will be a nice back up for her.
Mary is going to do the squaring up and binding on her quilt and give it to her brother and sister-in-law for their anniversary. I’m sure they’ll love it.
Next week I’m planning one last post in this series. Stay tuned – I know you won’t want to miss it!
Oh – just one more picture. This is Maria’s most recent quilt:
She began it in Open Lab from a picture she found on the internet. She used a gridded fusible interfacing as her base and cut up squares from a bright Jellyroll™ of 2″ strips. She then added some additional batiks Jean brought in for her (the friends in my Open Lab are really good at sharing). I’ve never seen Maria so joyful over a quilt. She really enjoyed the entire process and I think her joy shows in the quilt. Great job Maria!
November 12, 2017,
I have three friends who make wonderful quilts in spite of the fact they are visually impaired.
Maria suffers from Psuedo Tumor Crebri which is internal hypertension of the brain, and she has had three brain surgeries. In Maria’s own words her vision has become “very dark”. She attends my Open Labs at WCTC and we are all inspired by the beautiful quilts she makes.
You may remember a post I featured her in previously called “Quilting Time”. In it I shared her quilts and her unique ideas about time ( to read that post).
During the past year her vision has not been improving and she’s had to face the fact it may never get better. She’s started a support group for visually impaired, low vision and blind individuals in southeastern Wisconsin (see below for more information) and she’s discovering ways to continue quilting in spite of her disability. Recently she was given a pack of “Quick Threading” sewing machine needles.
She brought them to class and asked me to try them out. I was delighted!
I tried both piecing and machine guided machine quilting with them and I think they’re great. The needles have an opening on the right side of the eye
for the thread to pop through:
To thread them you simply put the needle into the machine, hold the thread behind and in front, placing the thread along the right side of the needle,
and run the thread down the needle until it pops into place.
Be sure to thread from front to back (it’s easy to get confused when threading differently from what we’re used to).
This is a size 80 needle and I tested it with different weight threads. Thin threads popped out quite easily and were frustrating, but medium weight threads worked fine. It would be best to try each thread on a sample to see if it will work before using it in a project.
I did a quick check on availability and JoAnn’s, Walmart and Amazon all have them on-line.
Maria told me there were no support groups for the visually impaired nearby and so she decided to start one. The group is called “Insight Resilience” and all are welcome. She said it is for people who’s life has been changed because of their vision issues or the vision problems of a friend or loved one. The meetings are held the fourth Friday of each month from 11:30 am to 1 pm in room 110 of Waukesha County Technical College, 327 E. Broadway, Waukesha. Their motto is “just because you’ve lost your sight doesn’t mean you’ve lost your vision”. If you, or someone you know, would benefit from this group feel free to drop in. You may call Maria at (262)547-6670 for more information.
I can’t wait to share these needles with my dear friend Mary who suffers from Macular Degeneration. I recently helped her with a project and I’ll share her story in next week’s post!
November 5, 2017,
I recently taught a workshop on the Hunters Star pattern. We were making a 16 block wall hanging and everyone had the blocks near completion by the end of class. At the end of class we laid out one 4 block star from each student and created a very colorful pattern:
I love the variety of the fabrics students bring to class and, even though I wouldn’t put these blocks all in a single quilt, it was fun to lay them out together.
I have found many uses for masking/painters tape in my 30 plus years of quilting, and I thought I knew it all (LOL), but this latest tip is my new favorite. While trimming up some of the Hunters Star units in class Alice shared something she saw on the internet and you’re gonna want to try it! It was in a YouTube video from “Fons and Porter: Quilt With the Stars”. Deb Tucker was their guest and Deb is a star in my book because her techniques and rulers for Hunters Star, LeMoyne Star and Flying Geese are among my favorites.
Her website is:
and you can watch the video at: . (the tape trick is at the 13 minute mark on the video)
The idea I’m excited about is so simple and yet sooo helpful. Typically when I want to mark a line on my ruler to act as a guide when trimming up a unit or block I place the tape on the top of the ruler and struggle to get all the edges to line up perfectly underneath. The trick? – just watch!
While making this unit using Deb Tucker’s technique, I pieced and trimmed straight on one side. When it was time to trim the opposite side, because of the bias edges on the diamonds, it didn’t automatically lay straight.
When the ruler is set on the unit, it will take a bit of fiddling to get it right:
And since we’re speaking of fiddling 🙂,
I recently saw for myself that Sydney, Nova Scotia has the largest fiddle in the world (couldn’t resist that one):
Back to the masking tape trick – put the tape on the back side of your ruler! I wanted the strip to be trimmed at 1 ¾”, so I placed a long piece of tape (masking or painters) along the 1 ¾” marks on the back of the ruler. Then I layered 5 more pieces of tape to make a ridge.
Next I flipped the ruler over, placed it on the unit and slid it so the tape pushed the unit into place.
This leaves just what needs trimming hanging out from under the ruler:
Voila – quick and easy!
This taping technique can be used for any repetitive type of squaring up. In fact, in a class I taught this last week we were cutting triangles from strip pieced units and the tape was quite helpful. I determined the size the triangles would need to be by placing a large ruler on the stripped unit:
Then I taped the underside of the ruler at that measurement.
To cut the triangles I slid the ruler until the tape bumped up against the bottom strip, cut on both sides of the ruler, flipped the ruler so the tape bumps up to the top strip on the unit for the next cut:
And so it goes 🙂!
I can think of so many other times this will be helpful. Thanks to Deb Tucker. I highly recommend her rulers, books and techniques! And thanks to Alice too for passing this great tip on to me.
Please try “under-side taping” the next time your squaring things up and let me know what you think!
October 29, 2017,
Here’s one final post inspired by our recent quilting cruise, this time focusing on the items and information we found that could be used in future projects. Sometimes scenery is my greatest inspiration, and this shot of Montmorency Falls in Quebec is one I’m sure I’ll refer back to. The trees were just beginning to turn color and the rainbow in the mist was lovely (and no, we did not have time to climb the staircase and walk over the bridge 😉.
We didn’t find any fabric in Quebec City, but aren’t the colors of these peppers at the farmer’s market breathtaking? What a great palatte for a piece of fiber art.
One thing we were surprised to discover while traveling was the absence of quilt shops in the areas we visited in Canada (or at least shops that we could get to in the time we had available). We did however find wool shops! My favorite was the “Bobbin Tree” in Sydney, Cape Breten Island, Nova Scotia. They had yarns, gifts, and loads of wool items and kits. I decided it was time to try my hand at wool penny rugs because they had the circles pre-cut. I began stitching them together on the ship that evening and they are addictive. Now it’s time to decide a pattern for stitching them onto the background.
I also succumbed to a kit for tradtional rug hooking on a piece of burlap sack. I haven’t gotten too far, but it will be a lovely candle mat some day.
Both kits included all the supplies, so I think they were well worth it. And I’m learning some new skills!
A few blocks away we found the “Cape Breton Centre for Craft & Design”. They were having an artsy rug hooking display on the second floor and it was spectacular! Here are just a few of my favorites:
Makes my efforts with the kit I bought look rather meager, but I’m still enthused!
Our next port was Halifax, Nova Scotia. We enjoyed a wonderful bus tour of 3 seaside towns that day and found a wool shop in Lunenburg with a very clever display. Who would have thought to sew pattern pieces together? I had to take a picture!
The next seaport was Mahone Bay. They were having a scarecrow festival and I’ve never seen so many fascinating scarecrows. Here are two of my favorites:
As we drove into town we passed a “Quilt Shop”. We were very excited and quickly started walking towards the shop once we exited the bus. When we got there I posed for a quick picture out front,
and then went in to discover that it was a shop that sold finished quilts! I guess “quilt shop” is a misnomer – we expect to find fabric and supplies in them, not quilts.
When we got to Bar Harbor, Maine, more of the trees were starting to change. When we walked under this one, I couldn’t resist yet another color inspiration picture.
And Bar Harbor had a quilt shop! It was a great one! Quiltanna and I enjoyed it very much!
This final picture is one that may not inspire a quilt, but it makes my mouth water every time I look at it.
The best clam chowder I have ever had. It was at the Sail Loft in Boston. Yum!
I have many wonderful memories from this cruise and the inspiration for future projects makes it even more of a blessing.
And I’d like to share one last item:
A Different Type of Quilting Adventure!
This past week Joan contacted me from North Carolina. She attended my lecture when I visited her guild in Hendersonville in 2013 and has been reading my blog ever since (thanks Joan). This is part of what she wrote:
“I am a member of an organization called Friendship Force and members can travel all over the world and the USA and participants stay at the homes of the people in the area they are visiting. I went to a quilting Journey (that’s what these experiences are called) in Iowa last year and 18 quilters from all over joined together for 9 days as we saw presentations, shopped, talked with other quilters and even made a table runner. I decided that our area of the Blue Ridge Mountains would be a perfect location for a Quilting Journey and we are calling it Quilting Mountain Style.”
The journey will take place from May 23 to May 31, 2018. She included a link to read all about it:
I so enjoyed North Carolina and I’m sure this trip will be a great adventure. You’re welcome to contact Joan with any questions. Her email is:
October 22, 2017,
Quilters often ask me what makes a cruise a quilting cruise. Well it certainly isn’t that all 2500 people on the ship are making a quilt. But our group (which numbered 43 this trip) had fun with fabric, even if we didn’t do any stitching. The main focus of the trip is for people with a common interest to see wonderful sites, enjoy delicious food, socialize, shop and do some things with fabric too. We try to spend at least 1½ hours each day in class, working around shore excursions, meals, and on-board entertainment.
We began our most recent trip with a “prior to the cruise” project by inviting everyone to participate in a friendship exchange. We asked quilters to find a leaf shape of their choice either in their yard, in a book or on-line. I chose a maple leaf because this year is Canada’s Sesquicentennial,
but participants could pick any leaf they wanted. We had 32 quilters in the exchange, thus each of us chose an Autumn color batik and cut out 32 leaves with paper backed fusible web attached. Only 6 of us wanted them signed, so we asked everyone to do this to six of their leaves while on the ship and then we exchanged them. Here mine are laid out in a wreath.
Beautiful! I’m not sure if this is what they will become. The project option I came up with prior to the trip was to scatter leaves across a windswept background with tulle shadows to add depth.
The next quilt related portion of our trip took place the first night on board. I shared a new lecture I call “Travel Memory Quilts”. I’m very excited about this new idea the Lord blessed me with. In essence, I distill each trip down to a favorite picture and create a single block to represent it using a variety of techniques. Each block is quilted and bound separately and they are attached to each other with a simple system of my own creation. In this way the “quilt” can be added to or rearranged with very little effort!
I’m working on other memory quilts using this technique and I’m pretty sure this is going to grow into something even more exciting. More information to follow!
During the trip Wendy gave two presentations. One on her method for making “batiked” scarves and another in which we each created a quilt label. Mine will go on my leaf quilt – whenever I get it done 😀.
The main project on the trip was a fused block of the Bass Harbor Head Lighthouse.
I created the pattern from a picture and made up kits for the 33 travelers who chose to participate. I finished mine as a small wall quilt and added a few of the pins I collected while traveling. Here are pictures of class time aboard the Norwegian Dawn.
Mary and Jane were the first to finish theirs
And everyone got a block made. I can’t wait to see them all together at our post-trip gathering.
We combined traveling and quilting – it doesn’t get much better than that!
October 15, 2017,
I just returned from our “Sew We Go – Quebec to Boston” quilting cruise. Wendy and I accompanied a group of 43 quilters, husbands, and traveling companions on a wonderful adventure during Canada’s sesquicentennial year!
It was a delightful group.
One of the greatest blessings of leading our Sew We Go adventures is traveling with happy people who share an interest in travel and quilting. In today’s post I’d like to share some pictures of just a few of our group enjoying themselves.
Like Alice and Karen in front of the St. Lawrence river on our first stop during the bus tour of Quebec City:
Or Jerry and Joyce near the hotel Le Chateau Frontenac, inside the walls of Old Quebec:
In this picture Jim, Mary Ann, Jacque, Will and I are enjoying the beauty of Montmorency Falls:
We also loved the company of Ritarose and Heidi in the atrium of the luxurious Norwegian Dawn:
Myrt, Evelyn and Ron soaked in the beautiful weather on the shores of Mahone Bay, Nova Scotia:
and Mary and Jane were pleased to be the first to complete fusing together our onboard lighthouse project:
Everything went well because of our spectacular travel planner, Kristi, of (PS Happy Birthday Kristi!)
And then there was the food! I’m quite sure Ritarose and Lynn were feeling the joy while indulging in canollis from Modern Pastry in Boston:
Plus the fun of riding the water taxi in Boston Harbor with Linda and Alice.
I think it is obvious we were all having a fantastic time.
Please visit my blog during the coming weeks for posts on the inspiration and quilt related experiences we had along the way.
October 8, 2017,
Have you ever entered a quilt into a contest in which it traveled for a period of time?
In 2015 I entered the Madison Quilt Expo’s “Fall Leaves” quilt challenge. Part of the entry agreement was the quilt would travel with the exhibit for two years. That’s a long time!
My quilt “Which Way Does the Wind Blow” arrived back on my doorstep this past week. What a joy to have it back and hang it up for Autumn!
This was the card that traveled with it.
The quilt got it’s name because I challenged myself to draft some of the leaves as oddly shaped mariner’s compasses using my “Compass Capers” technique (you can purchase a copy of my book at: ). Piecing the leaves was not difficult, but finishing the leafy edge took a bit of perseverance.
I lined the back of each leaf and stitched them to the quilt on the leaf veins (compass seams) resulting in a 3D effect. I liked the image of the windblown tree so much, I made a second quilt entitled “Autumn Dusk”.
This time the interesting effect was achieved by using an orange/black Pointillism fabric for the sky and water. This may not be the last time I make a quilt with this tree – perhaps there’ll be a series. Stay tuned :-).
Have you had a quilt travel? Please comment to this post and let us know!
September 24, 2017,
Even if you’re not a Packers fan, I’m sure you’ll get a smile out of the following story. Marilyn brought this wonderful t-shirt quilt to show and tell in my Open Lab last semester.It was beautifully made, but I decided to save this post until football season began, to make it more timely. The time has come and I’m pleased to share it. I asked Marilyn to write something about her quilt for the blog and here’s what she sent me:
“For My Husband? Absolutely Not!
My Lambeau Leap Quilt is only for those who love green and gold – that excludes my husband. However, my daughters, my granddaughters and a few of my sisters are big Packer fans and come to watch the game and snuggle under the quilt for good luck. This is dedicated to them. All of them had a hand in it. We all collected Packer t-shirts from our local Goodwill, which in turn helped others. So this is definitely a feel good blanket that gives us a warm feeling literally and figuratively.”
Marilyn did a wonderful job! When she showed it in class she told us all about collecting the t-shirts. Then I made the mistake of asking if she made it for her husband. She responded with the quilt’s title: “For My Husband? Absolutely Not! Followed by “he’s a Cowboys fan”! We all laughed at that one :-).
Have you made a fun quilt for your favorite team? Please send me a picture – I’d love to see it!
Looks like it’s going to be a good season. Go Pack!
September 17, 2017,
This year’s Quilt Expo did not disappoint. The crowds were even bigger than last year! The quilts were spectacular! The vendors well stocked and oh, so tempting! What a great show!
I especially love immersing myself in the competition quilts. I enjoyed them all, and here are a few I found particularly captivating:
A Glimpse Through the Cattails by Julia Graber of Brooksville, MS
Rainbow Hosta Queen by Grace Kragness of Oak Creek, WI
The Engagement Photo by Nancy Carney of Verona, WI
Remembering Roatan by Pamela Kuck of Shawano, WI
When I wasn’t on the show floor admiring the quilts, I was sharing my passion for quilting in lectures and workshops. I’ve been invited to teach at the show every year since it began, praise the Lord! And the teaching kept me very busy this year (so busy I tended to forget to take pictures). Each morning at 8:30 I presented my lecture. The antique quilts and their stories were very well received and I hope the patterns I shared, along with the contemporary signature quilts themselves, inspired quite a few of those present to plan for a future autograph quilt of their own.
On Thursday and Saturday I taught 3 hour workshops on Beginning Fiber Art (formerly named Parallelisms). It’s such a joy to encourage quilters who haven’t done much artsy style quilting to give it a try. I just hope the students had as much fun as I did :-).
On Friday I shared my Seminole Sampler workshop to a full house. The students enjoyed the fact that the kit provided all the fabric strips cut and ready to sew.
A highlight of the class was having Delores show us the skirts and apron she had purchased from the Seminole Indians for her daughters.
She was kind enough to let me pose with the apron. Isn’t is lovely?
On Thursday night my roommate Laura and I were invited down the hall for a Tyvek™ painting/burning party.
Linda provided all the supplies and showed us how to make leaves with this fun technique.
Not bad for a first effort, and it was a lot of fun. Thanks Linda!
Spending time surrounded by quilts and quilting friends – it doesn’t get any better than this!
And one more quick note for those of you in Southeastern Wisconsin. My friend Jodi told me about a “Quilter and Crafter Bonanza Sale” being held this weekend between Williams Bay and Elkhorn. Here’s the flyer she gave me:
Maybe I’ll see you there!
September 10, 2017,
Every so often I just have to share a great idea I’ve learned from another quilter!
This past June Jan Bretzel was the speaker for Patched Lives Quilt Guild. Her quilts were joyful and inspiring. I especially loved one of her clever tips and she gave me permission to share it:
When a quilt has a lot of open white background area to fill with quilting, Jan recommends using a light gray thread instead of white or off-white. It will show off the quilting well on both the light background and the dark areas of the quilt. Here’s the quilt she offered as an example:
Stunning! She also had light gray in the bobbin – one of my favorite tips for getting the tension to look great front and back is to put the same thread in the top and bobbin.
She added a wonderful label too. Thanks for this useful idea Jan!
September 3, 2017,
Last week I shared a picture of 3 Seminole Indian dolls Tomi Fay Forbes brought to my Seminole workshop.
Just look at the lovely piecing in the skirts!
I asked Tomi to please share their story and she replied that she would do some research and send me what she found. Her research began: “When I was a little girl in the early 1960s my grandmother bought me three Seminole Indian dolls, each one outfitted in the dress of the Seminole Indians.” (pictured above)
Tomi continued with a 7 page research article, including sources, and it is well written and fascinating (if you would be interested in reading Tomi’s essay, please let me know and I’ll send it to you via email – I’m unable to post it in the blog). She tells of the history of the Seminole Indians and how the women began making patchwork and dolls, which they would trade for other goods. Here is an excerpt telling about the dolls:
“Foraging in the forests, the women collected palmetto fronds. The Seminole women were familiar with the traits of palmetto because they used palmetto and cypress to build their homes, called chickees. One palmetto plant provided enough material for about five dolls. The Seminole woman shaped the palmetto into a doll’s body, stuffing the body with more palmetto. She cut a round of cardboard and inserted it at the base of the body to give the doll a sturdy footing so it would not tip over. She then sewed a rough seam in the palmetto to retain the stuffing. She shaped the head and used thread to embroider eyes.
One would assume that the protruding ridge on the top of the doll’s head, covered with black cloth, represents a hat. It looks very much like a bonnet one would expect to see on an Amish doll. Not so. In the nineteenth century, the Seminole women pulled their hair back into a simple bun. With the acquisition of hair nets and hair pins from the traders, the buns grew in size and complexity. By the 1920s the Seminole women were combing their hair forward over their face, placing a roll of soft cloth across their hairline over their forehead, and combing their hair smoothly over the roll.
During the next two decades, the women competed as they developed complex hairdos held in place over rolls of fabric or hair boards.
Seminole doll-makers reflected their hair traditions by placing a piece of shaped cardboard over the crown of the doll’s head and covering it with black cloth. Today many Seminole dolls have braids rather than the black fabric head covering.
The Seminole woman then dressed the doll in the traditional cape and skirt. The clothing of the smaller six-inch dolls are decorated with rows of colorful rickrack. The larger 9.5 inch dolls will often have a tiny, intricate pieced pattern inserted in the skirt. Hence the name Seminole patchwork.
Finally, the seamstress gave the doll beaded earrings and tied rows of beads around its neck. Historically, the Seminole women proudly wore as many necklaces of genuine glass beads as they owned. A stack of multiple necklaces could fill the entire neck. Today we would find these necklaces heavy and cumbersome to wear. We would wonder if the women’s necks ached all the time.”
Tomi then included information about her grandfather and his history living in that portion of Florida. I am so grateful to have “the whole story”, but the icing on the cake was that Tomi told me of a doll available on Ebay! I wasted no time in making her my own!
Thank you so much Tomi!
I will be teaching this workshop at the Madison Quilt Expo next month – and the class is full! If you’d like to learn how to do Seminole style piecing, and if you think my class on Seminole Piecing would be of interest to your quilt guild, please share my website, with the program committee at your guild. Thanks!
August 27, 2017,
Two weeks ago I introduced one of my latest quilting fascinations – Seminole piecing. This week I’d like to share pictures from the class I taught on this technique at the in June. I made kits for the students, so they could focus on the piecing techniques. They did a great job and everyone went home with samples of 5 different border patterns to refer back to when they’re ready to add some extra excitement to their quilts.
I will be teaching this workshop at the Madison Quilt Expo in September – kits and all, and I’m hoping it will be a hit! If you’d like to sign up go to: .
I will also be teaching half day workshops on a class I call “Where Do I Start With Fiber Art” (formerly “Parallelisms”). It is based on my book of the same name. To register for that class please go to:
A few days after the Seminole class in Cedarburg, Beth sent me this picture of the project she bordered with the Seminole braid pattern she’d learned in the workshop:
She used a striped fabric in the braid and I think it’s spectacular. Beth said that each length of striped fabric only made 8 units so the braid changed looks every so often. I can’t wait to try striped fabric in my Seminole borders. Thanks Beth!
Tomi was in the class too and she brought along a trio of Seminole dolls she was given by her grandfather.
She had some fascinating information about these dolls. Next week I’ll share their story and how I acquired my own Seminole doll!
Have you used Seminole piecing in your quilts? Do you have any pictures you’d like to share? Please email them to me at.
August 20, 2017,
I’ve been playing with a new version of my Repliqué technique – and it’s great for making picture perfect landscapes.
My Washington grandkids just went home after a 2 week long visit 🙁 . Hanna (who learned to quilt when she was 5 – to read that post) told me she wanted to make a mountain landscape quilt for her room. Since I was already playing with this technique, I decided it was time to test it out and see if it was as user friendly as I thought it might be.
I had her find a picture on the internet and we printed it out to size.
She then chose her fabrics. She wanted to make her quilt in purples and I had a gradation fabric in my stash that was just right.
then sewed and trimmed some more:
Because there is no satin stitching step, it is quite quick and easy. Here’s a shot after the final mountain was added:
And here’s a picture of the back:
Next it was time to quilt and bind. She machine quilted over the Repliqué stitching, then sewed the binding to her quilt from the front. We folded and clipped the binding to the back and she hand-stitched it down on the flight home.
She got it almost finished and promised she would complete it at home.
I’m pretty proud of my 11 year old artist – and I think she’s pretty pleased too.
And one more thing – I showed her an appliqué stitch to secure the binding to the back. She quickly turned it into a whip-stitch, and I decided it was fine for her first effort on the back. Then she asked me why hers didn’t look like mine. I explained and showed her the appliqué stitch again. She was off and running. My original stitches run for about an inch to the left of the clip (did I mention Hanna is left handed?). Her tiny whip stitch continued from there for about 2″. I did a quick re-demo and the rest (around the corner and down) is her appliqué stitch (she’s a pretty quick study).
A month ago I asked Hanna’s 5 year old cousin Sommer if she wanted to make a quilt, since Hanna made her first quilt when she was 5. Sommer thought for a moment and replied “no thanks”. After watching Hanna make the landscape quilt during her recent visit, Sommer told me she changed her mind and wants to make a quilt. Stay tuned!
August 13, 2017,
I’ve had the wonderful privilege to teach at the Madison Quilt Expo every year since it began. After each show I begin thinking of what new project or technique I should share the following year. While noodling on this after last year’s show an idea began to form. I learned to do Seminole patchwork back in the early 90’s. I hadn’t seen or heard much about it recently and thought it might be a good topic to revisit. I found 2 great books in my own collection and couldn’t wait to start playing with some of the patterns. The quilts I have to share at this time are just tops, three of which I’ve shared for various reasons in previous posts, but I’d like to point out the extra zip the Seminole style borders give to each piece.
Simple Seminole Border
Simple Seminole Border 2 – on all four sides of the center “square on point”
Seminole Braid Border
Straight Seminole Borders – top and bottom only
I shared my way of doing Simple Seminole with my Open Lab class at WCTC and some of the ladies jumped right into it. Three of them were kind enough to allow me to share these pictures:
Judy’s Simple Seminole border – it seems her cat approves!
Sue’s Simple Seminole border, done in short segments on all four sides.
And Laurie has used the technique on 2 bed sized quilts.
Simple Seminole using 5 strips
Simple Seminole using 3 strips (laid out, but not yet trimmed and sewn on)
I recently put together a 3 hour workshop on Seminole piecing and taught it at the Wisconsin Museum of Quilts and Fiber Art earlier this Summer. It was a hit! I’ll share pictures from the class and some background information on Seminole piecing in next week’s post.
August 6, 2017,
My friend Barb sent me a picture she found on Facebook of a lovely table topper. It was a pattern by Ruthann Eckersley called Sew Easy Strata Star (all of her patterns are available at: ).
I decided to play with this design, but in my own way (of course). I pulled out a 1 yard batik from my stash that was dyed in gradation,
and cut it into 1 ½” strips.
I sewed these strips back into strata and cut the triangles to make the topper. I didn’t have enough fabric for the small triangles that complete the 3D effect in Ruth’s pattern, but was happy with the spinning star. Here are the 3 possible layouts I came up with:
I pressed the strata using my strip stick. It’s a wonderful tool, and I posted about it a few years ago . It was so helpful in this project, because I wanted the seams to press crisply. The Strip Stick is a padded piece of half round moulding covered in muslin. By laying a seam at the top of the curve, and pulling the adjacent strips down with my thumb and forefinger,
I’m able to press the seams to the side without any pleats or puckers on the right side. It also allows me to only press one seam at a time. I love it!
To purchase your own, go to: .
Since I didn’t have enough fabric for the pieced corner turn triangles, and I didn’t want to figure out how to finish those 45 degree points, I added corners and made a square.
It’s ready for quilting, but I really wanted to try the original pattern, so I pulled a gradation of blues and greens out of my stash and here’s the results:
I like them both.
And I’d like to leave you with this parting picture my friend Eileen’s husband took of her while she was quilting.
She had quite a special helper :-)! Thanks for sharing the picture Eileen!
July 30, 2017,
I’ve had so many fun posts to share recently that one from my trip to Paducah got pushed to the bottom of the pile. When I discovered this I just knew it had to be this week’s topic!
I’ve tried dyeing fabric and would usually rather buy from those who are good at it. Never-the-less, Laura and I both decided to sign up for Cindy Lohbeck’s class on Ice Dyeing during Quilt Week in April – and it was a BLAST! Here’s one of my favorites from the 14 fat quarters I went home with:
Cindy is a great teacher and has developed her own techniques that are virtually no fail. She was featured in the most recent issue of American Quilter Magazine and I would recommend her classes to everyone.
We purchased a kit for the class which included her specially prepared for dyeing fabric, the dyes and almost everything else we needed: We did a bit of pre-treating of the fabric, twisted and turned it in a number of different ways, and then placed it in Cindy’s very clever “sling” type holder.
She showed us how to mix the dyes –
how to layer the ice and then how to apply the dye to get the best effects:
We had the choice of a number of different color palettes. Laura chose the dark one above and I chose the lighter.
Once the ice melted, the fabric looked really yummy!
We took our bins home to do the rinsing, It was a bit tedious,
but the unveiling of each piece made it so worthwhile. Here are two more of my favorites:
Once they were rinsed and dried we laid them all out on the deck and took turns picking so we each got a good mix of lights and darks.
I highly recommend Cindy. To learn more about her classes, fabrics, and “Dye It Yourself” kits go to:
July 23, 2017,
It seems I can’t get away from playing with my scraps lately. You may remember a few weeks ago – I ended up with a 1/2 yard of patriotic fabric made from the leftovers of two “Quilts of Honor” tops I’d made. This is what that “chunk” looked like ( to read that post):
The week after I made it Patched Lives Quilt Guild had Jan Bretzel give a lecture titled “Making Quilts that Look Complicate but are Not”. One of the quilts she showed was made with a simple piecing technique she shared – and I had to try it!
So I cut my patriotic “schnibblework” into 10″ squares, along with 10″ squares of a solid red fabric. I layered 1 square of each, right sides together,
sewed all the way around this square with a 1/4″ seam allowance,
cut on both diagonals,
pressed the resulting new squares open,
and voila – a lovely pinwheel block!
So far I have 3 blocks made and I can’t wait to make the rest. Each one is so interesting because of the unexpected nature of the scrappy squares. I’ll post a picture of the pinwheel quilt top – when I get it put together.
Thanks Jan, for a great lecture – and for teaching me a fun new technique!
July 16, 2017,
Thanks for all the comments/votes for the background fabric on Moseley’s quilt. I enjoyed tabulating the votes and reading so many well thought out comments. If I’m going by numbers, #3, the outdoor sky fabric, won with 47 out of 69 votes. But it’s not that easy, my daughter-in-law, Betsy (Moseley’s mom), voted for one of the others. What to do??? I haven’t decided yet, but when I do – I’ll post it on my blog – so you’ll be the first to know 😀!
This week’s post is a short one because I had only a little bit of sewing time between my wonderful trip to Florida with my cousin and a fun getaway with my husband to a B&B in Steven’s Point, WI (our son took off this week and we were grandchild-free). This was what I worked on in that little bit of time, and I thought you might enjoy it:
I’ve made quite a few Microwave Bowl Holders, or Soup Cozies, over the years. We use ours daily, for handling hot and cold bowls, and I’ve given many as gifts. I posted about this a few years ago. To read that post.
While in Paducah this Spring I found a delightful “kitchen utensil” fabric. Upon arriving home I realized I have dear friends who would really appreciate a pair of the bowl holders. So I grabbed my new fabric and here are the results:
To watch a great tutorial on how to make them, go to:
July 9, 2017,
Back in June I took a “raw-edge” appliqué workshop with Barbara Beasley. It was organized by my dear friend, Laura, and we had a great time (thanks Laura!)
Barbara is an amazing talent!
And if you’re not familiar with her name, you will probably recognize her by her work. Here are just two of the many pieces she has posted on her website: . Many of them are for sale!
Each student was to bring a picture of either flora or fauna, a photo enlargement, fusible web and a lot of fabric. Her technique was very interesting and the results in just our 6 hour workshop were wonderful!
My friend Evelyn (of fame 🙂 ), chose to do a special cat. She was amazed at the amount of blue in the picture – for a cat that wasn’t blue.
Laura decided to portray her cat in unexpected fabrics.
I can’t wait to see some of these finished!
I chose to do our grand-dog, Moseley. He’s a very pretty Australian Shepherd (photo courtesy of my daughter-in-law Betsy).
Here’s my “Moseley in progress”
and here’s Moseley!
Next I need to find the right background. I cut him out and placed him on a number of different fabrics and I’d like your opinion on which to use, or suggestions for other options.
Please comment in the box at the bottom of this post to vote for your favorite, or offer other suggestions. If you don’t see a comment box, click on “Appliqué Animals” at the top of this post and scroll back down to the bottom.
I love taking classes and learning new techniques. This was a fun class and a great technique. Here’s a challenge to anyone in that class. If you finish your piece and send me a picture, I’ll be thrilled to post it on my blog!
July 2, 2017,
This week I’m posting from Florida on a wonderful trip visiting family with my cousin Deb.
Fortunately I had this week’s post ready to go:
It was great fun to realize that piecing scraps could be a time of quilting play and not simply an exercise in frugality.
But once I got my star from last week’s post put together, I realized I couldn’t put off cleaning my counter any longer. During my recent “season” of “counter pile up” I spent time making patriotic tops for.
In that leftover pile were strips and half strips of many different fabrics, with a few squares, rectangles and pieced units. What to do with them? There really weren’t any odd shaped chunks. I decided to sew the strips of similar size together, press, trim and then pair up similar sized pieces again,
continuing in this fashion until one entire piece was made. The result: over a half yard of pieced patriotic fabric.
What will it become? I don’t know yet, but it’s a lot easier to fold and place in the stash than all those “schnibbles” would have been.
Have you “made any fabric” using my schnibblework technique? Or any technique 🙂? Please send me pictures!
June 25, 2017,
To make the bright schnibblework star in my previous posts, I used a technique I developed a few years ago for cutting accurate diamonds. I’m quite sure I didn’t post about it then – so I think it’s about time to do so.
Whenever you’re making diamonds that will be sewn together, it’s important the angles and sides are all consistent. While teaching a lone star class I found the “squaring up” of the diamond step to be the most confusing part for students. My answer to this problem? Freezer paper!
To begin, cut a strip of freezer paper the finished width you’d like your diamond to be (mine was 6 1/2″)
Next, cut one end of the strip off at the angle you need by lining the bottom edge of the strip on the correct degree line on the ruler (diamonds can be 45° or 60° – mine is 45°). Please ignore the lines on the cutting mat and look only at the ruler and the freezer paper. I apologize for the optical illusion created by the paper not laying square on the mat.
Then cut the diamond from the strip at your finished measurement once again.
Now it’s time to go to the fabric. Piece your schnibblework chunks until they are at least 1/4″ bigger than the freezer paper diamond all the way around.
Iron the freezer paper diamond to the right side of the schnibblework, making sure there is at least 1/4″ of fabric beyond the paper all the way around. Trim 1/4″ from the edge of the freezer paper with a rotary cutter and ruler.
Then peel the paper away.
This sample was cut at 7″ and will finish at 6 1/2″. The reason I cut the paper the finished size and add the seam allowance when cutting the fabric is accuracy. It is difficult to cut along the edge of freezer paper without shaving some of the paper away, and each little shave changes the diamond for the next cut.
Once I had eight of my schnibblework diamonds cut, it was time to pick a background fabric and sew them all together. None of my “safe” fabrics looked good with all those scraps, so I pulled out my wild fabrics and found the perfect option 😀.
Remember this requires “Y” seams to set in the background squares and triangles.
I’m not sure what should happen next to this star, but I’m looking forward to some scrappy bordering fun! Stay tuned!
June 18, 2017,
As I was taking the winter quilt off the bed this week (and just in time – the 90° days have arrived), I realized it also contained an early piece of Schnibblework. This quilt was made in a “round robin” at a guild I belonged to back in the 90’s – and it ended up King size!
As you probably know, each participant in a round robin puts a block in a bag and then exchanges it within a group, each participant adding a border. This one had 5 exchanges before I got my center block back (and then I turned the large square I received “on-point” to make it fit my King bed). That center block was made from small white, cream and green schnibbles I gleaned from the fish bowl.
This was truly a successful “round robin” quilt and it has been slept under for decades! All the quilts I’ve shared so far show that scraps can be sorted by value or color – or not sorted at all.
So how did I make the Schnibblework for the star in last week’s post?
By sewing together loads of odd shaped leftover scraps without sorting!
It got me to thinking about a book I purchased a few years ago by Victoria Findlay Wolfe called. In it she sews her scraps together to make what she calls “made fabric”, and then uses it in her quilts. Great minds think alike. The twist was – I decided to create what I call schnibblework because I can’t stand to waste fabric or leave it lying around in piles. Victoria considers doing this quilting play. What a great attitude!
I adjusted my attitude to match hers and really did have fun making this very bright and colorful star
Last week I alluded to how I did this. This week I’ll explain a bit more. First I grab 2 pieces from my fishbowl,
and sew them together.
chaining more and more until I get bored. Then I go to the ironing surface and press.
After pressing I cut the pieces apart (the pile on the left is pre-pressing and the one on the right is post-pressing).
Next I go to the cutting mat and straighten off all uneven edges (note the pile at center top – these are the shavings I allow myself to throw away!)
I then pick up 2 of these new pieces and repeat the process.
Continuing until the pieces are “big enough” for the shape I want to cut them into (note that some of the chunks below are not quite big enough to be cut into diamonds with the freezer paper template on the left).
Here’s my method “If it’s too small, sew something on. If it’s too big, cut something off”. It’s pretty basic, but it works!
In next week’s post I’ll share my unique technique for cutting diamonds! I think you’ll find it a great one to have in your “quilting toolbox”!
June 11, 2017,
This past weekend I taught for a lovely group of quilters in Morris, IL. During our lunch break in the Saturday workshop we got into an interesting discussion about scrap quilts. My definition of a scrap quilt is a quilt made from leftover scraps. Some may argue this point, but buying a lot of different fabrics to make a scrap quilt, when I have so many leftover pieces from previous projects, just seems silly for me.
A few years after I began quilting (we’re talking early 90’s), the frugal part of me was really struggling with all of the leftover strip pieces, chunks and partial blocks that had begun to take over my sewing room. What do you do with them when a project is completed? The pieces aren’t big enough to put back into the stash, but they’re too large to just throw away. I chose to put the small schnibbles into a fish bowl, and I threw the larger ones into a covered bin, but these containers were filling up – and driving me crazy! Something had to be done!
I decided to sort the small schnibbles into lights and darks, and simply piece them together rather willy-nilly. When the chunks were large enough I cut them into 4″ squares and ended up making a small quilt I called Confetti (26″ x 30″).
As you can see, I had a great time embellishing it with machine stitching, buttons, beads and ribbon. I decided it was fun, but it didn’t make much of a dent in my schnibble pile. So I pulled out the bigger pieces, sorted by value once again, and sewed them into larger squares in my scrappy fashion.
This time I sorted the schnibbles into lights, darks and mediums – sewing them into 6″ squares. Four light squares were then sewn together to make a 12″ light block and the same was done with the darks. I had enough red strips in my scraps to border a checkerboard set of the light and dark blocks, and the outer border was made up of all the 6″ medium squares. This did make a dent in my schnibble pile – as well as a lovely lap quilt 🙂.
I did more of this type of piecing here and there over the years, but never seemed to be able to keep up with my leftovers. A few years ago my friend Lori, who makes amazing scrap quilts, accepted a large plastic bag full of my scraps. Whew! But since then I’ve filled up my once again – and it’s flowed into another glass jar – YIKES!
It was time to do something again. Three weeks ago I started sewing anything to everything (no value sorting this time) and, after about an hour of “chunk making”, I laid the chunks on the floor and attempted to take a picture. Trey plays nicely with toys in the sewing room while I’m quilting, just like Sommer did before she headed off to kindergarten. But when I laid them out he couldn’t resist the temptation to jump into the picture.
and then he gave them the snuggle test. I think he approves.
When the chunks got big enough I cut them into large diamonds. I then sewed the diamonds into a large star and found a fun fabric to use for the background:
Can you say bright? It really makes me smile and I’m thinking it needs to grow into something bigger and even more fun. Stay tuned.
For step-by-steps on how I piece the schnibbles, please join me for next week’s post. The following week I’ll cover “diamond cutting”. There’s a good possibility this could grow into a multi, multi-week series of posts – I have a lot of scraps!
June 4, 2017,
I had some fascinating responses to last week’s post about quilts in other countries. There was one in particular I want to share – with pictures, but before I do, I have a few items to share related to the post I did about quilting and Star Wars a few weeks ago ( to read that post).
In that post I shared pictures of my grandson Willy with the “Flillow” I made him from Star Wars fleece. I made his sister a “flillow” too and, since I didn’t want her to feel left out, I asked Hanna to take a selfie with hers. She wears glasses and so do all the animals on the fleece in her flillow.
Hanna’s favorite craft is to make purses, etc. from decorative duct tape. Here’s the wallet she made for me. I use it to keep my coupons organized in my purse. It even has a Velcro™ closure. The theme of the tape seemed appropriate to include here 🙂.
and then I had the opportunity to take a picture of a Star Wars top Karen had just finished for her grandson in my Open Lab this week.
All of the large blocks are Star Wars fabrics, and she chose a setting pattern with colorful pinwheels – what fun! Great job Karen!
Now for the “quilting in other countries” response:
Iris is a very talented quilter whom I’ve met a number of times. I knew she wasn’t a native Wisconsinite by her accent, but was pleasantly surprised when she sent me this message (it’s a bit long, but worth the read):
“I was born in Estonia and moved here after I met my wonderful husband many, many moons ago.
Here is the answer about quilts and Estonia: Estonia is rich in fabric and fiber arts (as I am sure you experienced on your trip) and every woman knows how to knit a sock or stitch a flower. We grew up with – I assume you would describe as – frontier spirit meaning you didn’t go to store to buy stuff but made them yourself. My grandma use to sew all her own dresses, blankets and knit for the whole village. However, there is not an exact tradition of quilting in Estonia (as known in America … as in get fabric – cut apart – sew back together), BUT it is coming and I have even seen some quilt (as we understand in America) shows (online pictures) and know people who practice it.
The reason for not having quilting (as known here in American) tradition is simple. Fabric was expensive and it was used only for things that you really needed like clothing etc. and quilts (except whole cloth or wool quilt) with all the cutting was considered wasteful especially when you needed to dress your whole family on a small salary and required sewing machine that many could not afford. You can however find wool quilts with stitches that didn’t require sewing machine necessarily and used wool, which was way cheaper or even free due to everyone (at least who lived outside city) raising sheep. Hence you have amazing stitched blankets with most beautiful motifs and flowers. They do look like quilts (some are even assembled from blocks) but are not traditional quilts (as we think of quilts here). they are stitched and in some ways they are way more beautiful than quilts here can ever be as with thread/yarn you can paint way more deeper colors for the perfect flowers you are stitching (does that make sense?) vs fabric appliqué where you are stuck with whatever fabric you.
In Estonia we didn’t learn to knit or sew as in America where you have weird short version of text telling you what to do and only if you speak the “knitting/crochet/etc language” can you translate what it means. In Estonia we learned by charts for everything with universal understanding of what it means (see pic called knitting).
Your answer was wonderful as there is no such thing as traditional quilt blocks (like log cabin) in Estonian quilting (though they are coming, learnt and taught now) and I am not surprised that your friend didn’t find any shops as most shops are dedicated to fiber arts rather than quilting. Hence the only way to really do “Estonian way quilts” would be to copy/interpret flower patterns to fabric appliqué or knitting patterns into pieced quilts (as you suggested). I included a link to a book that is full of such patterns called MUHU TIKAND and can be ordered online (see below) or if you have access to such older magazines like EESTI NAINE (Estonian woman) which always carried such patterns.
A really good resource is also Debroah Kendall (hope I spelled her name right) who has lot of tapestry quilts where one can get ideas for how to quilt flowers. See below link to one of her books.
anyway, hope it helps or gives ideas.”
I have seen some of Iris’ original designs so, when I wrote to thank her for her response and ask permission to share her email, I also asked if I could share pictures of her quilts. She was very gracious – and I know you’ll be impressed. The first one is based on Estonian embroidered designs.
This one has a similar feel and coloration.
I love the way she mixes piecing and appliqué.
And her delightful sense of humor is evident in these last two entitled the Cowboy
and Will You Marry Me:
Thank you Iris, for adding great insight into my post and for sharing your wonderful work!
May 28, 2017,
This past Friday I received an email from a woman named Krystyna. Here’s what she wrote:
“Hello, I am half Estonian, born in the US and would love to connect to my heritage through quilting. I have been trying to locate a traditional Estonian quilt and hopefully one that isn’t embroidered. My searching brought me to your lovely site and I am wondering if you would have any idea of where I might find a pattern(s) for said traditional quilt(s). Or does this even exist, I can’t imagine that it wouldn’t.”
Krystyna’s request got me to thinking about all of the times Wendy and I have been preparing for one of our Sew We Go adventures, hopeful to find quilt shops and groups in the places we’ll visit, only to find – nothing.
When Wendy and I visited Tallinn, Estonia while cruising the Baltic Sea, we discovered a city with friendly people and a huge love for history, culture and art. It was our favorite port of call on that trip. We even were able to take classes from artists in the art district of the city. To read about it please go to: . We found “fiber art”, but no quilts.
In composing an answer to Krystyna, I got to thinking about a woman I know who is a missionary in Tallinn. I decided to write to her and her response was not only interesting, but she had suggestions that are applicable to quilters trying to find quilting patterns from other countries. I hope you will enjoy Denise’s response:
“Hi Chris, Wow, what an interesting question.
As hard as it is to believe, there is no tradition of quilting here. That’s the short answer!
I have been to all the handicraft and agricultural fairs here in
Estonia over the past 12 years and have never even seen a quilt, nor
have I met or heard of any women who do it, and I have looked, believe
me. Perhaps it’s a result of being shut off from the rest of Europe
for centuries, but they use textiles they can grow: flax (linen) and
wool, neither which lend themselves to quilting. The indigenous
handicrafts being actively preserved today are Estonian embroidery,
weaving, felting, knitting and crocheting, and a kind of tatting.
Neighbors just bought angora rabbits to start harvesting their own fur
to make their winter hats, scarves and mittens. She will be hard
pressed trying to connect to Estonian culture through something that
doesn’t exist. That’s the long answer.
My recommendation is to adapt the colors and patterns of Estonian
woven tapestries and interpret them into a quilt, to combine her
passion for quilting with Estonian cultural references. It is very
Estonian to create something “new” and be inventive.
Each region in Estonia is represented in dress by it’s own distinct
colorful pattern of woven woolens, which could be easily adapted to a
quilt pattern of her own design. Most are three to five colors, and in
stripes. A couple of regions vary from that norm, but in all regions
the women make skirts and belts out of “their” local textile, which
they wear on national holidays and for special events. You know
exactly where a group of women is from by the stripe of their skirt.
The following link shows some of those patterns (the first word in
each pattern is the name of the county). There are more, I just can’t
find a repository that shows them all on one page:
This link shows a gathering of people celebrating in national dress:
Hope this helps. Have a great day! In His Service, Denise”
I loved the idea of taking a traditional handicraft design and making it into a quilting pattern. The links Denise provided were very nice. I also found a few pictures while surfing the web that I think are inspiring. The first two were from: (please visit their site. The pictures and stories were great).
for more great images go to:
The following woven designs could easily be converted into pieced patterns:
And this one would be lovely in appliqué:
I hope you can see the possibilities, no matter what country you’re interested in.
Thanks so much for your question, Krystyna, and for the in-depth response from Denise.
Have you ever made a quilt pattern inspired by a traditional handcraft from another country? I’d love to know more. Please send me pictures at:.
May 21, 2017,
I learn so much from the students in my Open Labs at WCTC. A while ago Marilyn started working on a very popular animal pattern:
Fancy Forest Quilt Pattern by Elizabeth Hartman. for Elizabeth’s website.
Each animal is adorable, but the number of pieces per block was a bit intimidating. Marilyn has stuck with it and is making great progress.
This past week she came in with her solution to the problem of keeping all the little pieces organized.
Ingenious! She simply pins the cut fabric pieces, along with identifying notes about each stack, to a chunk of foam. This would work for appliqué projects too.
Thanks Marilyn, for sharing your great idea!
And, speaking of teaching and learning, I had a wonderful time teaching at Spring University Days at the Wisconsin Museum of Quilts and Fiber Arts this past weekend.
It was a great event, and I have the privilege of teaching two half day workshops at the museum in June.
A “quilt as you go table runner” will be the morning offering. Students may choose from a Patriotic or Christmas themed kit and there’s a good possibility the runner will be ready for binding by the end of class:
In the afternoon I’ll be teaching students how to make a variety of Seminole Borders. These samples will be a great reference for adding spice to future projects and kits will be available for this class also (please be aware, the following picture is not of a finished quilt, but shows 3 different seminole borders, overlapped for the picture):
for more information on the French Braid workshop.
for more information on the Seminole Border Workshop.
Perhaps you’d even like to sign up for both! I’m looking forward to a day of learning and fun!
Happy Mother’s Day to all!
May 13, 2017,
In honor of Star Wars day this past week (May the 4th be with you!), I decided it would be fun to do a Star Wars post. I think I’ve included a little something for everyone. Here goes:
Our son and grandsons are currently into Star Wars. In fact, for Trey’s second birthday a Star Wars theme cake was requested from grandma (I’m better at quilting, but I do enjoy decorating a cake every so often).
For Willy’s 9th birthday, I decided to pick up some fun Star Wars fleece, sew it into a checkerboard throw, add a pillow pocket and voilá – a Star Wars flillow,
with his initial on the pocket!
You may be confused – A Flillow??? Where did that come from? Please let me explain:
Years ago I got hooked on making Quillows. You may remember that these were a hot gift item: A lap sized quilt with a pillow pocket centered on the bottom of the quilt back. When open it was a snuggly quilt,
but with a little folding and tucking it became a pillow.
These were wonderful for keeping in the car for emergencies or an impromptu picnic. They were also great for kids to take on a sleepover because, when folded into a pillow, there was room for a pair of pj’s and a toothbrush in the pocket.
Recently I was snuggling under a “no-sew” fleece throw our daughter had gifted us many years ago,
and it occurred to me that it could become a Flillow (my own invention: a fleece-quilt-pillow) by adding a pocket to the back!
It worked great! And the Flillow was born. Willy’s was the second one I made.
Now back to Star Wars:
Last year I saw a pattern on the internet for crocheted Star Wars characters. I sent the link to my Mom. She’s amazing at crocheting and reading patterns. Trey got the stormtrooper and Yoda for his birthday and Sommer got Leah and Luke (complete with light saber) for hers.
The kids love them!
So there you have it a post that contains both Star Wars and handcrafts. I hope you enjoyed it.
Do you have a quillow from the past? Do you have a fleece throw just crying to be a flillow? Let me know 🙂!
And one last note – to view the winners from Quilt Week in Paducah, including the Viewer’s Choice awards announced after the show ended, go to:
May 7, 2017,
On the road again – from Paducah back home to Wisconsin. The weather isn’t nearly as nice. Here’s a picture as we cross the “flying geese” bridge heading north.
But oh, what a wonderful trip we had!
We really enjoyed the quilt shop and Amish dry goods stores in Arthur, IL, and we did our best to support them. I found myself saying “pace yourselves” to my new roommates, who were stocking up on a bit of beautiful fabric before we even reached Quilt City, USA! After a delicious lunch at Yoder’s we were back on our way. We made it to our B&B in time to attend the National Quilt Museum reception. It was such a privilege and a joy to see my quilt, Silly Goose, hanging with all the other amazing “Flying Goose” challenge pieces.
I’ll be doing a post on the National Quilt Museum soon, because it is a real treasure for the quilt world.
That night my sweet roommates battled their exhaustion to help hang a display of quilts in the front windows of Tribeca restaurant (one floor below where we stay). The exhibit consisted of a collection of quilts from my book “Where do I Start With Fiber Art”, along with an African themed piece made by my dear friend Laura Krasinski.
The next day we helped to hang the quilts in the AQS show. Inspiration abounded. What fun to see them up close and personal. We then were asked to hang an exhibit of European quilts from the Studio Art Quilt Alliance (SAQA) at the Paducah School of Art an Design. It was a perfect venue for a group of fascinating quilts.
After that we were finally able to set up our kitchen studio 😀!
The remaining days were filled with great classes, lectures, vendors, food and fun. Laura joined me for my traditional “bubble tea” at Etcetera.
We met up with the Fiberistas and, aside from our second annual mexican dinner together on Saturday night, we had to do the kitschy AQS Paducah backdrop thing for our 2017 picture.
Other than our trip home, the weather was beautiful. We so enjoyed the lower town area, the murals on the flood wall, and all the wonderful quilts.
It was such a total escape from reality and a chance to recharge our batteries – and it was a lot of fun! Looking forward to Quilt Week 2018!
Were you in Paducah this year? Any pictures you’d like to share? Please email them to me at:
April 30, 2017,
Greetings from central Illinois. I know I’ve done this before, but I still find it amazing that I can post to my blog on my laptop, from a truck cruising down the highway at 70 mph, while using my cellphone as a “hotspot” internet connection! What a fantastic world we live in!
Once again I’m on my way to Quilt Week in Paducah, Kentucky. It’s my favorite part of Spring. This year my travel partner, Wendy, had the wonderful opportunity to fly to Ireland with her husband and visit their daughter Tori, who is studying in Dublin. I’m so glad for them, but I know I’ll miss having her along. The good news is I found two friends who were thrilled to come along this year. Laura and Eileen have never been to Quilt Week, so I can’t wait to show them around.
This is just my part of the stuff I’ll “need” in Paducah. Once again we’ll turn the kitchen into a studio and do some stitching when we feel the urge.
We’ve decided to split the trip in half this year. By only driving halfway we didn’t have to miss church today 🙂. We’ll spend tonight in Champaign, IL, so we can visit the Amish shops in the Arthur area tomorrow, since they are closed on Sunday. We’ll check into the B&B tomorrow afternoon and the fun will begin.
Quilt Week in Paducah – here we come!
April 23, 2017,
A while ago I presented a program for Common Threads Quilt Guild in Sussex, WI. One of the quilters in attendance was a woman named Colleen. During show & tell she shared a delightful “Row by Row” quilt.
When she showed me the back of the quilt, I knew I wanted to share it on my blog. Here’s the story, in her own words, and two pictures of the back:
“I belong to the Ties That Bind Quilt Guild that meets in West Bend, WI.
Last year, we had a Row by Row challenge where each participant chose a
theme and put their own fabric in a box after making the first row. I
chose a beach theme because I had purchased fabric several years ago while
visiting my aunt in North Carolina that made me think of beaches and I
wanted to use it. After the quilt went around to all of the participants,
I put it together and put a border on it. The bottom row was the one with
the flip flops. After completing the top, I decided that it looked a bit
like a postcard and I thought that I would label the back of the quilt like
it was a giant postcard.
I used leftover letters that I had cut out for a
craft project at Girl Scout Camp a few years ago. Chris, I swear I
measured the top! However, somehow, while I was quilting it on the
longarm, I realized that I had much more back than I did top. Usually that
wouldn’t matter, but since I had writing on the back, I couldn’t just cut
it off. I decided to go back to the sewing machine and make another row.
I added the title of the quilt to that row “Life’s a Beach” and sewed it to
the quilt while it was on the longarm.
It was a fun quilt to make and I really enjoyed seeing what the other members came up with. It is one of my favorite quilts.”
I love the way she labeled the back in a post card style. Notice how the place and date are in the “post mark”!
Thanks Colleen, for letting me share your quilt. The back is so clever and I love hearing about your process for problem solving!
If anyone out there has a Row-by-row you’d like to share, please email me a picture at. If you’d like to include a story, that would be icing on the cake 🙂!
Wishing you a blessed Resurrection Sunday – He is risen indeed!
April 16, 2017,
A short while ago I received a comment to my blog from a quilter named Michelle. She wrote that she belonged to a group that had a challenge in which they made not one, but two slice quilts from the same picture. Since I’ve participated in two slice quilts: the Jennings Homestead ( to read that post)
and Garden of Grace ( to read that post),
I was intrigued and wrote back asking to hear all about it. Here’s the story:
“A very special group of women, aptly named The Divas, have been coming together for almost 10 years to share in the joy of art quilting. A “small group” born out of the local guild, where the names and faces have changed over the years– gather once a month to share, explore new techniques, expand quilting knowledge and critique each others work in a loving and fun way. Typically, at least one challenge a year is agreed upon to push their creativity and spark growth as a quilter and as an artist. The most recent– a “Slice Project” was chosen. This is quickly becoming a popular group project for many as it takes any quilter on an inspirational journey! A photo is chosen and literally divided into portions according to the number of quilters. For the Divas, a simple photo of a barn was selected. Then, they separated the members into 2 groups- one of 6 and one of 5. For the first, the photo was divided vertically into 6 straight strips. For the latter- they actually turned it into 5 puzzle pieces! The perimeters were straightforward– with full reign to make a quilt with any color or texture. Interpretation was flexible and items in the photo could be deleted or added. The few requirements were that any included lines that ran into the next slice must match up and the bindings were to be the same. Hence, as seen in these pictures– an old barn magically became two amazing and unique pieces of artwork that are truly breathtaking.”
Aren’t they beautiful? I especially like the puzzle pieces. The Divas are located in Fort Collins, CO and, in order to give credit where credit is due, here are the names of the Divas who participated in this challenge: Charlotte Jackson, Judy Donaldson, Julie Bortz Wilson, Nola Stone, Pam Peterson, Lesli Singer, Judy Beach, Becky Judson, Cecilia Milano, Michelle Cerise, and Kimberley Shootman
Thank you ladies, for sharing your lovely quilts with us.
April 9, 2017,
If you’re a quilter, at some point you will probably find a need for a paper backed fusible. At one time I was a traditional quilter who thought using fusibles on my quilts was in some way “cheating”. I still prefer my method for machine appliqué because it requires no fusibles and avoids the stiffness that heat activated glue yields. But, there are times when I do succumb to fusing.
For my comparison I used the four commercial paper backed fusibles that are readily available in my area: Wonder Under™, Heat n Bond Lite™, Steam a Seam II™, and EZ Steam™. The first two have tracing/release paper on only one side of the web, and the glue isn’t activated until heat is applied. The remaining two have tracing/release paper on one or both sides of the web, and have a pressure sensitive adhesive on at least one side, in addition to the heat activated glue.
There are two advantages to the pressure sensitive adhesive: they can be used to fuse sheers (tulle, organza, etc.), and any appliqué pieces made with them are re-positionable, which is helpful when arranging a design on a background fabric.
The one obvious note that I’d like to make at this point is that the products containing only a heat activated glue will not cause a “glue ball” to build up on your needle when sewing through the appliqués. The ones with the pressure sensitive adhesive will form that “glue ball” on the needle. I used to clean off the needle with an alcohol soaked cotton ball when needed, but I’ve learned a new trick: if you wipe your needle with Sewer’s Aid on a cotton ball prior to sewing through the appliqué the “glue ball” will not form.
My method for comparison – I chose a shape and created three appliqué hearts from each product according to packaging directions. I made the shapes from muslin and wrote which product it was made with on the appliqué.
I then cut three strips of a background fabric and fused one of each of my hearts onto each strip. On one set I top-stitched the edges down, on another I satin stitched (using scrap paper as my stabilizer on the back), and on the third I did a blind hem stitch, to mimic a blanket stitch because I didn’t have that stitch on the machine I was using.
Here are my findings:
All four products fused the appliqués well.
The release paper came off easily, with a gentle separating pressure along an edge, from all but the Wonder Under™. For that I had to score the release paper in an “X” with a needle in the center back of the appliqué, and pull it off from the created corners.
The Heat n Bond Lite™ was the only one with a pattern in the glue. I found it does show through on light color appliqués.
From what I could tell, they all added about the same amount of stiffness, no matter what the stitch.
One last hint: fusibles may age poorly, especially in very humid areas. They will last longer if stored in an air-tight container or bag.
April 2, 2017,
When my friend, Evelyn, sent me the 4-patch block she’d made for my birthday, she also sent a picture of her most recent project. It’s a “Crossings” quilt she calls “Market Day”. I love it. The uneven chunks and asymmetry are so appealing!
I asked her the story and here it is 🙂 :
“This quilt started with no plan. A friend and I bought a group of colorful African prints. I decided to make a bargello piece with mine, but didn’t know what to do with it.
I found one of my Bali batik pictures that had colors that looked good with it.
I put two borders on the picture, then I centered it on the bargello, but it was too large and covered up too much of it.
I belong to an art quilt guild called the Mavericks and occasionally they have a meeting called “What Can I Do with This Mess?” I took the two pieces to see what they could come up with. The first suggestion was to take one border off the picture, then to place it off center. Another person suggested I “do that bead thing”—I had done a demo of Chris’ bead crossings technique at our Round Table program.
I stiffened the batik picture by putting Timtex™ in it, finished it off with black piping, but felt I needed a couple more pieces to put the beads around to balance it. After I cut out two more pieces, I realized my hanging sleeve would show through behind the beads on the top one, so I added another piece at the top and put it on with beads.
This gave me a place to repeat the fish motif, so it grew and changed some more.
I often start with a definite plan for a quilt that may change some as I go. This one is an example of having no idea how it would evolve, but adjusting to make it work as I progressed.
It will go into the Arizona Quilt Guild show in March. Thank you, thank you for sharing your techniques.”
Thanks Evelyn, for sharing the story of your fascinating quilt! I’m sure it was a hit in Tucson!
That last part was very interesting, because many of my fiber art pieces begin and progress in just this way. I always like to say “the quilt tells me what to do next”! And having a meeting entitled “What Can I Do With This Mess” sounds like a wonderful idea for a guild program!
If anyone would like to try my beaded “Crossings” technique, the instructions, along with lots of step-by-step pictures, can be found in my book “Where Do I Start With Fiber Art”. to order your own copy 🙂!
March 26, 2017,
Amish hand-quilted miniature quilt by Susan Boring, 6″ x 8″
Last weekend Mike and I did a road trip to Elkhorn, WI for an estate sale. I had received this mass email from a woman named Angela:
“My mom, who was a devoted quilter, recently passed away and we are holding an estate sale. She was a quilting fanatic and a member of many guilds through the years. It has taken four weeks just to measure the fabric she had stored away and she has left many projects partially completed. I was hoping you could share the attached flyer with your guild members. I would greatly appreciate any help you can provide in getting the word out. Thanks much and please let me know if you have any concerns or suggestions.”
I emailed her back to ask her mother’s name. I didn’t know Susan, but Angela included this sweet response:
“If you do come to the sale I would love to talk to you about finishing up some of her projects. She made each grandchild a quilt, piecing it when they started high school and hand quilting before graduation as a graduation gift. Unfortunately, she was unable to quilt the top she made for my son. I have been praying for knowledge and direction. Since you answered this email with “blessings” perhaps you are the answer.”
I enjoyed meeting Angela and seeing the beautiful sampler quilt.
Since all of the other grandchildren quilts were hand-quilted, Angela would really like to have this one hand-quilted too. I told her I wouldn’t be able to do this, but I would put the information on my blog. If you are a hand-quilter who would be interested in talking to Angela about it, please email her at: ajhastings @charter.net
The quilt at the top of this post was just one of my purchases at Susan’s sale. Isn’t her quilting lovely? I also couldn’t resist this adorable sewing machine. I’ve always wanted a vintage child’s machine!
I haven’t tried sewing with it yet, but it is a treasure.
March 19, 2017,
I’ve had two students do some pretty terrific things with my Mariner’s Compass technique recently. I hope you enjoy the quilts and the stories.
I’ve known fiber artist, Mary Alice Hart, for awhile and am pleased to call her my friend. I was delighted to find she had signed up for my class when I taught for her guild. A short while after the class she sent me this note with pictures:
“Chris, Thought you might like to see the end result of the Compass I started in your class last October in Monroe. Knew it had to have a life beyond tradition so threw it into space. Thanks for a great class!
Not only was her quilt incredibly innovative, but so was the label:
Mary Alice did a wonderful lecture for my guild last year. To learn more about her and her quilts,
Debbie Hawver took my Mariner’s class at WCTC in 2016. She is a regular in my Open Labs, and brought it to class with four additional compass portions added in the corners.
She then decided to turn it on point with white and gold fabrics in the new corners. The problem was, the quilt top wasn’t square and the gold triangles she added were not matching up. We noodled on ways to fix it. The best way was to take it apart and redo the corners – a lot of work. This is an email she sent me that week:
“Well…As I mulled over the Mariner, yesterday I decided to take it apart. Took off the 4 corners, squared up the main block and needed to create 2 new corners that had perfect right angles. After attaching those, re-cut gold triangles and replaced the white border with new fabric that was wider (definitely now had more “wiggle room”). Started and the dog finally came in wondering why we weren’t in bed yet 🙂
This afternoon I finished squaring it all up and I’m much happier with it. Even though I’m at the same place I was last Thursday, I feel a lot better with the way it looks and the next step is to add the final border and binding.”
The following week she came to class with it redone. And it was done well!!!
Next we brainstormed borders and finishing. These she pursued, but with quite a bit of ripping and frustration along the way. The quilt wasn’t cooperating, but Debbie was so determined, and the final result is stunning.
It’s one of the loveliest compass quilts I’ve seen. I really learned a lesson in perseverance from Debbie. Sometimes it is worth the extra effort to get it right. Great work Debbie!
Thank you Mary Alice and Debbie for sharing you delightful quilts with us!!!
And here’s a special FYI – I’ll be teaching at:
You’ll find all the details in their lovely 2 page brochure. for a printable pdf of page 1. for page 2. Or visit their website:
Sign up quick – it’s a wonderful event!
March 12, 2017,
My friend Nina emailed me shortly after reading about the Sister City challenge on my blog. In her email she wrote about two topics I think you’ll find interesting. The first was related to the post I did concerning the exhibit of Rumi O’brien’s story quilts in Madison (please to read that post). Here’s what Nina had to say:
“Last week’s piece about Rumi struck a chord. I am hoping to get to Madison. And…I want to let you know about another exhibit of story quilts if you haven’t already heard about it. It is called “Fabric of Survival,” 36 quilted and embroidered pieces created by a Holocaust survivor when she was 50 to show her daughters what her life in Europe was like. They will be at the Jewish Museum Milwaukee, opening Thursday night Feb 16 through May 26. Here is a link about it:
Nina did send me a copy of the book about Esther’s quilts.
The quilts are fascinating, and the needlework – amazing! Here are just two from the collection:
To see all of the quilts go to: http://artandremembrance.org/galleries/fabric-of-survival/
A group of us from my Open Lab class drove down to the museum this past Thursday to see Esther’s quilts and hear Nina present a talk entitled “Diversity in Cloth: Culture and Catharsis”.
The quilts were outstanding and really need to be seen “in the cloth”. Nina’s lecture was very interesting and informative. It was a delightful evening.
Another item Nina shared in her email to me was triggered by the mention of the sister cities quilt challenge between Madison, WI and Freiberg, Germany (please to read that post). This is a portion of that email:
“I have to say, the blog about your challenge with the two other cities caught my eye. Freiberg is near the place my father was a GI prisoner of war, and the town his rescuers were born in. They met at a farm near Brand-Ebersdorf (on the map just south of Freiberg) and remained best friends for life. I went there in 2013. I can’t recall if my father’s book came out while I was still trekking to Waukesha? If not, you may find it interesting. Let me know, and I will send it to you. The book has grown legs, and I have been invited to groups (churches, libraries, community groups etc) to speak about it all over the country. It is in part a book about faith, and choosing to do the right thing in the wrong place. Maybe up your alley.”
I was not familiar with the book about Nina’s father, so she sent me a copy, and I read it in 2 nights – I literally couldn’t put it down. It is an amazing story. I highly recommend it!
Thank you, Nina, for your friendship and the information you shared!
March 5, 2017,
“The Narrow Gate”
I’ve been thinking about this a lot lately, and I’d like to share my thoughts with you.
I am no longer a member of the Milwaukee Art Quilters, but I am part of a new fiber art group in the Milwaukee area called the Threadbenders. I’m very excited about what’s going on with this creative bunch and I hope to share pictures and ideas about the group in a future blog.
So, what makes someone a fiber artist? I couldn’t find a definition in the dictionary, but I have my own opinions on this subject 😀. I feel that anyone who makes quilts is a fiber artist! We have a passion and purpose for creating quilts that keep our families warm, adorn our walls and tables, or help those who are in need. We purchase fabric and supplies carefully, yet with enthusiasm, cut it apart, sew (or fuse) it back together again, and receive joy in the process. What better form of “art” can there be?
Because I do not have a background in art, I never thought of myself as an artist. When I began quilting I chose geometric patterns to piece because I loved geometry and could use a sewing machine.
My first quilt
As I continued to make quilts I started envisioning projects I couldn’t find patterns for. With the encouragement of teachers and friends, I tried to put into fabric what was floating through my brain and, lo and behold, I was happy with the results (most of the time).
“1491 A Quilter’s View” – made for the Quilters Newsletter Magazine contest “Discovering a New World in Quiltmaking”; 1992
Since, as I said, I have no background in art, I have always felt that there is creativity inside of each of us. That’s what I try to share with my students.
Parallelisms I – my first adventure into the world of abstract art.
But this opinion has evolved over the years. Artists are inspired by many things and my faith in Jesus Christ is a huge part of my inspiration.
“Into the Light – a Journey of Faith” – made for a contest entitled “Windshield Visions”, I’m driving down the curvy road of life towards the light of Christ, and in the rear view mirror is the sinful life I’m attempting to leave behind with the help of the Holy Spirit.
As I’ve grown in my faith I’ve come to realize that, because we are created in God’s image, and His amazing imagination created everything – we must each have some creativity inside of us! I know that my abilities and opportunities are all a gift from Him and I praise and thank Him for it every day! What a blessing it is to be able to do what I love and have others want to know about it. Praise the Lord!
“Crossings V: Living Water” – This is one of a series of quilts I’ve made called “Crossings”. I feel the beads cross the gap and hold the broken pieces of my quilt together, as my faith holds the broken pieces of my life together.
Coming to know Jesus as my Savior has changed my life and my attitude. I realize I have a purpose: to bring God glory. I don’t always succeed, I’m a work in progress, but it is my goal and my joy to share this with others. That’s why I’m a fiber artist!
For those of you in the Milwaukee area, I’d like to share a special opportunity to take a class in fiber art. My dear friend Laura is hosting a special workshop with Barbara Yates Beasley on June 11th. I’m already signed up! Here’s the flyer with all the information.
February 26, 2017,
Double oops! Sorry for the error. Please for the January 7th post – “Sew We Go to Hawaii”!
Here’s Goose Oops!
Before I admit to a recent mistake, I have to share what happened this past Wednesday. My parents called and asked if they could come over to visit with Sommer and Trey (and Mike and me too, but the great grandkids take priority 🙂 ). Well, Mom brought me not one, but four spool pin doilies she had made since last week’s post! ( to visit that post). She said the pattern on the site I linked to in the blog worked well. She’s the best!
Now for my true confession post! When I was quilting my , I really got into the free motion groove.
Then I turned it over to look at the back and, I’m sure you’ve never done this, but… a picture is worth a thousand words.
I’d been meaning to move that scrap pile farther from the machine, but I hadn’t, so that scrap mocked me and crawled under the quilt in a densely quilted area, dead center in the quilt back. There was too much spiraling to want to remove it. Since necessity is the mother of invention – it was time to be inventive.
Are you ready for my solution?
After all, a quilt does need a label 😀! And who says it has to be at the bottom?
And one more related bit: This past week I had the great pleasure of teaching for the Heritage Quilters Guild of Lockport, IL. I presented my Tradition With a Twist lecture and an all day workshop on Architectural Repliqué. Each time I teach this class I make a block along with the group ( for more on those blocks). I’ve made over 80 blocks while teaching this class, and I’m getting a little whacky in my fabric choices. Usually I grab whatever fabric is still laying around from a recent project. This time I chose the stack leftover from Silly Goose. Here’s the block:
I just had to add a line of geese flying behind the house. Thanks ladies for a wonderful time with your guild!
February 19, 2017,
In the “Pieceful Star” class I taught a few weeks ago, Bonnie brought along her Singer Featherweight™ to sew on. She had a hand-made notion I’d never seen before and it was not only clever, but lovely. Instead of placing a felt circle under her spool of thread on the thread pin, she had a “Spool Pin Doily”.
Bonnie said she had taken a class on Featherweights™ at in Waukesha, and one of the other students had made them and brought them to sell. I love it! I’d like one for every machine I own!
Sew, I did a little internet search and found many sites that have them for sale. Prices ran around. One site had a pattern for crocheting your own: . I think I need to share this with my mom. She’s a great crocheter and I bet she wouldn’t charge me too much. Usually she’ll do anything for me if I invite them over to play with Sommer and Trey. Great grandparents are such pushovers 😀!
The Pieceful Star class was a lot of fun. It has the beauty and appeal of a Lone Star without having to match up all the diamonds. All of these 31″ square quilt tops were made by students in that class!
Pieceful Star by Suzi Banks
Pieceful Star by Mary Miller
Pieceful Star by Joyce Egle
Pieceful Star by Sue Ehlen
Pieceful Star by Bonnie Morris
Pieceful Star by Jane Wettstein (don’t you love the fun way she used her scraps in the border?)
Pieceful Star by Cathy Bornemann
I’m offering the Pieceful Star class again at Waukesha County Technical College on Saturday, March 18th, from 9 to 2:30. We need a few more students for this workshop to run, so please sign up at!
February 12, 2017,
I hope you enjoyed last week’s post about Rumi O’Brien and her quilts (to read that story ). I also hope you’re looking forward to the rest of the story!
While going through my photo album I was so pleased to find how well I had documented the “sister city” challenge – between quilters in Madison, WI; Freiberg, Germany; and Berne, Switzerland. This is a picture of my album with a photo of the challenge poster, the fabric scraps opened across the top, and me standing next to my quilt. Don’t you love the 80’s hair?
One of the newspaper clippings I saved, reported a part of the story I had forgotten:
The German and Swiss quilts were lost in shipping! Georgellen enlisted the help of Swiss, German and U.S. embassies, then Sen. Herb Kohl, and the Postal Service, to help find the quilts. We hung the American quilts so the exhibit could open on schedule, and the European quilts finally arrived the morning of the opening reception! Talk about excitement!
I won’t be able to show you all of the quilts, but I chose a few of the ones I found most interesting. The pictures you see here were taken of photographs, so the quality is not perfect. The American quilts have their makers in the pictures. The European ones don’t. I apologize for not having the quilter’s names with their quilts. That was one part of the documentation I neglected to include 😥. I’ll share a slick trick about my quilt at the end of the line up!
I found it interesting that most of the American quilts were traditional in design, while many of the European quilts were quite “artsy”.
The quilt I made for the challenge is named “Floral Lights”. I chose to add a burgundy, a blue, and a pink fabric to the challenge fabrics; and pieced them into basket weave blocks. These became the background for a floral silhouette.
Isn’t the floral design lovely? I’ll let you in on my secret. The white fabric was a “white-on-white” print, so the design was already on the fabric. I drew around it with a washout marker, quilted on the line, and trimmed away all the non-floral areas of the white fabric, so the piecing showed through. I then machine satin stitched the flowers and hand-quilted the same design in the border areas.
I’m quite sure this was the first challenge I ever participated in, and it was a great experience!
A Sew We Go from Quebec to Boston update!
Wendy and I are working on the projects and extra special plans for our upcoming cruise from Quebec to Boston this Fall. One of the quilters who signed up early has had to cancel due to a family circumstance. Her roommate is still planning on going and is looking for a travel partner. If you think you might be interested in coming along, please email me at, or contact Kristi at (262)786-6763/. For more information on the cruise, please go to:
February 5, 2017,
This week I received an envelope from my first quilting teacher, and very dear friend, Sharon Grieve Grinyer. In it was a newspaper clipping from the Wisconsin State Journal that took me back to 1989. The article was entitled:
And begins with:
“There’s a good story behind Rumi O’Brien’s quilt called “Hiding Under Shrubs – I’m Too Famous.” There’s a story, in fact, behind every Rumi O’Brien quilt.” Made from tiny scraps of cloth and laced with thousands of minute stitches, O’Brien’s handiwork is consistently clever, always unexpected, and often very funny.”
To read the entire article, go to:
Rumi is a quilter I met early in my quilt journey, while taking part in my first quilt challenge. This all brought to mind a story I think you’ll find quite interesting and I’d like to present it in two parts.
Part 1 begins with a multi-country quilt challenge. I still have a photo of the original challenge exhibit sign and this is what it said:
“In early Autumn, 1989, Georgellen Mikkelson was contacted about orgainizing the Madison, WI, end of a quilt challenge between quilters in Freiberg, Germany (Madison’s Sister City), Berne, Switzerland, and Madison, WI. She gathered a varied group of 21 quilters, and anxiously awaited the arrival of the “Challenge Fabric” from West Germany.
The participating quilters were each given a 12″ square of each of the fabrics. Five additional fabrics of the quilter’s choice could be used. The finished quilts were to be no larger than 24″ x 24″.
In January of 1990, the Madison quilts were shipped to Europe. They were on display, along with the Freiburg and Berne quilts, in both European cities. The entire group of quilts – all 65 of them – will be on display here in the Madison Civic Center until July 1990.”
I found these leftover pieces of the challenge fabric stuffed in a page of the photo album with the challenge pictures. Maybe I had a premonition I’d need them for a blog someday :-)!
I enjoyed making my challenge quilt (to see it, you’ll need to read next week’s post for part 2 🙂 ).
When it was time to get together and see all the Madison quilts, there was one that really caught my attention. It was Rumi’s. Her quilt told the story of the challenge in hand appliqué!
Amazing! And hand quilted too. I was so impressed, I signed up to take a class from her at a local quilt shop. The class was called “Making Babies” and we made 2 little dolls. Rumi was a wonderful teacher and the stories she shared of her life in Japan were delightful. I lost touch with her after that class.
A few weeks ago Sommer found those dolls in a toy bin and began playing with them in her doll house.
After reading the article about Rumi in the paper, I had to dig out the old photo album and revisit my memories of the challenge and Rumi.
I can’t wait to make the trip to Madison and see the exhibit of her quilts. The exhibit is entitled: “Crossing Mountains and Other Adventures – Story Quilts by Rumi O’Brien”. For all the information go to: .
Next week: part 2 of the Sister City Challenge!
January 29, 2017,
A number of years ago my friend Jean showed our Open Lab class a clever way to control binding while attaching it to a quilt (to read a previous post about some lovely placemats Jean made,!). I thought I had posted about it, but can’t seem to find that post (after 6 years of blogging I’ve covered a lot of topics!)
The concept is quite simple and it requires 2 easily obtained supplies: an empty toilet paper roll and a piece of ribbon. After making enough binding to go around her quilt, Jean rolls it onto the toilet paper roll, threads the roll onto a length of ribbon, ties the ribbon around her neck, and stitches the binding to her quilt. The binding feeds evenly off the roll in an extremely organized fashion. Brilliant!
Fast forward to this past Christmas. Connie, another Open Lab friend, was making tree skirts (I posted about them in December – for that post). She chose to couch silver cording onto one of the tree skirts (for couching instructions ). Jean just happened to have one of her special rolls with her and it made the couching oh so much easier:
Connie added the cording with Jean’s binding roller.
Here’s a close up of the couching. It really added some extra zip to the tree skirt!
Thanks Jean, and Connie 🙂!
I don’t know why I haven’t tried this yet, but I know what I’ll be doing with my next empty toilet paper roll.
Let me know if you try this. A picture of your project would be fun too!
January 22, 2017,
Last Summer I shared the story of a winter quilt I’d completed ( to read that post). Well, it’s finally hanging on the wall!
Today’s post is about another winter wall quilt, recently finished, and a quick tutorial on a fun raw edge appliqué technique that doesn’t require fusibles! It’s a very different quilt from the first one, and is hung in a unique way.
In November my friend Doris Deutmeyer gave a lecture and workshop for Patched Lives quilt guild. You may have seen her wonderful work at quilt shows, as she vends at many of them. Her patterns and kits are great, and just in case you’d like to see more, go to: . I was excited to take her class and chose a winter scene called Crystal Night. This is the pattern and the piece I left class with (some of the students got theirs pieces done and matted!)
Mike and I like to repurpose antiques for our own use and enjoyment (to see another antique repurposing project from a few years ago, ). Years ago we needed a towel rack in the master bathroom. We found an old window, Mike added coat hooks to the sides and I made an autumn landscape quilt to fit inside it. Since we have no windows in this bathroom (only skylights), it seemed the perfect answer.
I had told Mike I’d make a quilt for every season – but that never happened. As I was making my Crystal Night quilt I realized the time had arrived to change out the seasons (or at least one of them)!
I ordered some extra fabric from Doris, because the new center was too small for the window. I measured how much I needed to add to all 4 sides, knowing the sides were going to be a bit of a challenge. I wanted the distant trees and mountains to match up and look more organic – a straight seam would be too obvious.
I decided to use one of my favorite “raw edged landscape” techniques. I placed the light blue fabric over the dark blue, making sure there was enough overlap. Then I drew a “mountain” line and stitched:
Next I trimmed close to the line.
Once both sides were done I added them and sewed the additional sky and snow on top and bottom. After layering, quilting, binding and placing it in the frame – we have a towel rack with a winter view:
The Springtime view is already beginning to percolate through my brain.
Do you like to repurpose antiques? Any pictures you’d like to share?
January 15, 2017,
So here’s a fun way to begin the new year – sharing pictures of my latest quilt! A few weeks ago I mentioned that my most recent contest quilt had been accepted into the New Quilts From an Old Favorite contest at the National Quilt Museum in Paducah, KY. The judging is completed and I’m now free to share my quilt with you. The traditional block the museum chose this year was Flying Geese. While at the AQS show in Paducah this past Spring I got my idea. It’s called Silly Goose, and the label reads: “There’s one in every crowd. She just can’t follow the leader or the rules. What a silly goose!”
It was great fun creating the crazy, silly-ness in the solo silly goose.
I used stretchy metallic fabric once again. You may remember my first experience with that in “40 Wonderful Years” ( for that post). It was a challenge to sew on, but the stretchiness gave the trapunto a shine I loved. The only color I couldn’t find in a Spandex™ type fabric was orange, so I tried polar fleece. Another non-traditional quilting fabric. It is a little fuzzy, but I was pleased with the results.
Next, came the quilting. That was even more fun! I chose to free motion embroider designs on the background fabric in neon thread, before I layered and trapunto’d the top. This allowed the embroidery to lay on top of the poofy areas.
The effect was just what I was looking for.
Once begun, the quilting took on a life of it’s own, and it was a joy.
This was followed by fused crystals in the small amount of space that wasn’t yet stitched.
WooHoo! I hope you can see the joy I have in playing with fabric, color and design. The Flying Goose exhibit will be hanging in the National Quilt Museum during Quilt Week this Spring. Then it will travel for two years to many shows across the country. All the quilts will also be featured in a book, published by the museum. It’s always fun to have a quilt travel and visit places I have yet to see.
I praise God for the opportunities and joy He’s given me through quilting!
January 8, 2017,
Happy New Year!
On Thursday this week Maria invited Ida and me over for a day of quilting in her recently cleaned studio.
When we arrived we found her living room to be a feast for the eyes. She had her lovely Christmas quilts hanging on the wall.
and many other beautiful quilts folded over ladders.
Along with clocks! So many clocks! And they were all at different times!
So, we had to ask. Her answer got me to thinking about time – a thought very pertinent, since we’ve just started a new year. Time can crawl, or it can fly (like all of 2016). It is also of the essence, and this related to Maria’s reply.
She said that time is very, very precious. It’s the most valuable thing we have. Food, things, people, and just about everything else can be replaced, but when time is gone – it’s gone. She loves to go thrift store shopping and look for old or interesting clocks. This was the point when we noticed none of the clocks were at the current time. When asked she replied her clocks represented important dates in her life: her dad’s birthday, March 12, was 3:12 on one of the clocks. Her birthday, October 9, is 10:09. Each clock meant something. Wow! I had never noticed that a 12 hour clock could represent the dates for a 12 month year.
Then she showed us the one set for three o’clock to represent the time of Christ’s death for her sins. She said she has the alarm on her phone set for that time each day, so she will pause and remember His sacrifice. I think I may be in need of a few more clocks 🙂.
We each got quite a bit of quilting done, plus a lot of good conversation, and a nice lunch out. Maria showed us the quilt she’s been working on for almost a year, Jinny Beyer’s Moonglow. She has one more border for the top to be finished.
Gorgeous! Thanks Maria, for a delightful, and insightful, day.
My wish for the new year is that you will have time to do what you love, and to spend with those you love. And that you will use it wisely. God bless you in 2017!
January 1, 2017,
Joy to the World!
I love Christmas! It is such a joyful time of year. And when it snows, everything is so beautiful! We’ve had 5 major snow falls so far and I feel like I’m living in a winter wonderland.
I enjoy the preparations for Christmas. One of my favorite pre-Christmas activities is to “ring and sing” for the Salvation Army. My friend Sharon and I have done this for over 15 years, and this year Margaret joined us.
One of my family’s Christmas traditions is to bake Christmas cookies together. My mom and I haven’t missed a year since I was able to help. This year Betsy, Sommer and Trey joined in the fun.
My dad was in charge of helping the kids “unwrap the Hershey kisses”.
Christmas Eve and Christmas day we were blessed to celebrate with all the family who live nearby. I couldn’t resist having our family Christmas picture taken in front of my round robin Christmas quilt this year. Merry Christmas from the Kirsch house!
Many gifts were exchanged, but the most amazing gift of Christmas is that God became man, lived, died and rose again, out of love for each of us. Oh come let us adore Him – Christ the Lord!
December 25, 2016,
Last Christmas I shared a story in my blog that has become one of my favorites. It was entitled “Cookie Nana and the Seven Tree Skirts”. Here is a picture from that post of Connie with one of her tree skirts.
It really is a delightful story (to read it ), and this year she’s agreed to let me share a continuation of that story, and a lovely Christmas project idea she got from her mom. So here’s “the rest of the story”:
When Connie gave the seven doily tree skirts to her grandchildren last year, her two children were a little put out that they didn’t receive one. So this year she worked on two more skirts in class. The following pictures were taken as they were in progress. She made her kids “non-doily” tree skirts of her own design. For her daughter, who lives in Ohio, she made an Ohio Star skirt.
And for her son she made a Lemoyne star variation, because she’d always wanted to make the Lemoyne Star block.
Stunning! I’m sure they were very much appreciated!
So now for the project:
During show and tell at my Thursday Open Lab, Connie told the group that her mom had a unique cover she used to put over her Christmas cookies when they were placed on a serving platter. Instead of putting each type of cookie away in separate containers after the meal (or in my mind, to keep sneaky fingers away when the cookie plate is ready, but the guests haven’t arrived before the meal), she covered the whole plate with a pretty, quilted Christmas circle, “lined” with plastic.
Connie used two sided, pre-quilted fabric, finished off with a binding.
And with a button on each side. She then made a buttonhole in a circle of clear plastic.
She buttons the liner to the quilted circle.
And the side with the plastic goes face down on the cookie plate.
What a great idea! Connie chose to use the button/buttonhole idea so she could alternate the different sides of the quilted circle, but simply sewing the quilted circle and the plastic circle together with a button on the outside to lift by, would work just fine. And quilting your own pretty fabric would add variety (pre-quilted fabric selection is limited).
I liked the idea so much I asked her if I could put it on the blog. Imagine my surprise when she gifted me a cookie cover of my very own at our class Christmas party this week! Thank you Connie – you are a blessing to me 😀!
And a parting picture. We’ve had at least 3 major snow storms already this year and it is beautiful!
This morning my car thermometer showed it was -4° on my way to church. Winter has certainly arrived in Wisconsin! Stay warm and enjoy this lovely season of giving.
December 18, 2016,
It’s beginning to look a lot like Christmas in our woods. Last week we got a few inches of snow, so I headed out to take some pictures. This was my favorite:
Yesterday we brought the canoe into the barn just in time for more snow. The pond is now frozen over, the birds are loving our feeder, and it looks like we’ve had about 6″ more so far. I think it’s beautiful!
This week’s post has nothing to do with snow, but I hope you enjoy it!
You may remember a post I did last Spring about rust dyeing ( to read that post). My friend Ida created a couple of pieces of rust-dyed fabric when our group experimented with the technique. Well – she decided to do something with a piece of that fabric. She added a Seminole border in wonderful matching fabrics.
Our group had discussed the difficulty of quilting rust dyed fabric. The rust leaves enough metal in the fabric to make some areas impenetrable to a needle, thus making the quilting step a frustrating experience. Ida surmounted that problem by “tying/tacking” her quilt with brass staples!
Ingenious! And just when you think there’s nothing new under the sun. Leave it to my very creative friend Ida – to come up with the perfect solution.
Stapling your quilt… it might become the new, “in” way to quilt!
An Exciting Update for quilters in and out of Wisconsin!
This past week I received good news about the Treasured Quilts of Wisconsin video on pbs. The entire show is now available on-line. So, even my out of State viewers can access it! Here’s the link!
December 11, 2016,
I love the Lone Star pattern. Any star medallion can be a delight to the eyes, especially in Christmas colors. But matching all the diamond points in a Lone Star can be a bit tedious.
While in Paducah this year, I began to play with an idea to simplify it, yet still create an interesting star. I began by piecing a very simple pattern, in this case a checkerboard, then I cut identical diamonds from the piecing. Voilá – a pretty pieced star medallion, with no diamond intersections to match:
That was fun, but what if I started with a different simple block? I liked this one even better and called it “Pieceful Star”:
This type of playing is just too much fun not to share. So I’m teaching it as a one day workshop at Waukesha County Technical College this winter. It will be offered on 2 different days, in case you can’t make one of them :-).
I’m also offering my usual Thursday afternoon Open Labs, and one Thursday morning Open Lab in January!
The additional workshop I’m offering is a repeat of my beginning fiber art class called “Parallelisms and Concentricities”. This is an art quilt class for traditional quilters who don’t think they’re creative, but want to try. It’s a day for using your imagination while playing with beautiful fabric, skinny strips, and geometric shapes. Loads of fun fusing and embellishing techniques from my most recent book will be shared.
For all the information go to: , in the gray “Course Search” box (scroll down and on the right), choose “Spring Semester”, and type “quilting” in the “Search for: Course Title/Subject” box. Then click on “Submit”. All the quilt offerings should be there! If you have any problems registering on-line, you can call registration at: 262.691.5578. Here’s the class information:
Treasured Quilts of Wisconsin – Update
The PBS program I’ve been telling you about aired this past Tuesday. Many fascinating quilts and their stories were shared, and the interviews with Wisconsin quilters were very interesting. Wendy and I had our 15 seconds of fame (it may have been more like 2 minutes 🙂 ). What an honor to be a part of it!
For those of you in Milwaukee, you will have your chance to see it. Here’s the scoop: “Milwaukee PBS will air Treasured Quilts of Wisconsin during the March Pledge (); the March schedule will be released on or about .”
For those of you outside of the State, It may be aired on the internet in the future. I’ll keep you posted!
December 4, 2016,
Important information about our upcoming cruiseOur Sew We Go cruise from Quebec to Boston in September of 2017 is going to be spectacular! And we still have a few cabins left. Because this is such a popular cruise, most cabins not spoken for by December 26 will be released back to Norwegian Cruise Lines. So, if you’ve been contemplating joining in on the fun, we need to hear from you soon. This could be a wonderful addition to your Christmas “wish list”. For all the details go to: , or to open a printable pdf!”
And now for my topic of the week
While last year, I found a pattern for a table runner I just had to have.
To order your own pattern go to:!
I usually like to design my own projects, but these scarecrows were just too cute, and I promised myself I would make it this year! I pulled it out in the beginning of September only to realize I didn’t really feel like tracing/cutting out all those little pieces. Inspiration struck when I thought about scanning the pattern into my Brother Scan ‘n Cut™, and letting this wonderful machine do the tedious work. It was a great project for me to learn more about what my Scan ‘n Cut™ can do (to read my previous Scan ‘n Cut™ post ).
Once the pieces were all fused and cut out, Sommer helped me to “build” the scarecrows. She was disappointed when I ironed them down
and machine blanket stitched around them,
because she couldn’t keep playing with them. So she offered to draw the faces. I stalled until mommy came to pick her up. That night I told Mike about it and he said I should let her. Duh!
The next day I had her draw some faces on paper first. We talked about different expressions, and shapes for eyes and mouths. I was amazed at how confident she was. Then I handed her a washout marker (grandma loves her, but she’s not crazy 😀!) and stepped back. Without hesitation she drew every face: boom! boom! boom! She was done and never even needed to turn the piece around to draw the upside down scarecrows!!!
And here’s the finished runner:
I love them! I traced over Sommer’s lines with permanent marker. I think it’s my favorite table runner ever.
November 27, 2016,
Before I get to this week’s topic – I have some exciting news! I finished my most recent contest quilt this past month, and sent the photos and entry papers to the National Quilt Museum in Paducah 24 hours before the deadline. The New Quilts From an Old Favorite challenge block this year was “Flying Geese”. My quilt is entitled “Silly Goose” and it was accepted as a finalist!!! It will be hanging in the museum during quilt week this April – praise the Lord! I can’t share pictures until after the judging, but I learned a lot while creating this project and can’t wait to post about it in the future.
And now – my topic of the week:
I have a jacket I made to wear while presenting my, but I like it so much I wear it often (and Mike is ok to be seen with me wearing it in public 🙂.
I may have shared the jacket previously but, if you haven’t seen my lecture, you haven’t heard the story.
I often refer to my fabric stash and UFO’s as items that are marinating until they reach the perfect time to be used and enjoyed. Usually a project hits the UFO bin because I’m not sure what to do next, and it’s not until I learn a new technique that will work in it, or I have a person or contest to finish it for, that that particular project comes to fruition.
Way back in the mid 90’s I found a yard of fabric in a remnant bin at JoAnn Fabrics that grabbed me.
I wasn’t sure it was even all cotton, but I didn’t care. I bought it, brought it home, and threw it in the stash (a healthy stash needs to be fed regularly).
A few years later I passed by a clearance shoe rack at a major department store and found a pair of shoes in the exact same fabric (and I did still wear this type of shoe back then)!
Now I’m sure I need to use that fabric in a garment, so I buy the shoes and throw them on a shelf near the stash.
A few years later I’m at a discount store and there it is … a purse in the same fabric!
So I threw it on the shelf, next to the the shoes and pulled out the fabric. After pulling some additional fabrics from my stash, and finding a jacket pattern in the pattern box, I began string pieced units for the jacket fronts. About an hour into it I lost interest and everything was thrown into a brown paper sack and pushed to the back of the shelf.
Additional years passed until I met a trio of garment sewers at a Sewing and Quilting Expo, who referred to quilting as “the dark side” of the sewing world. This led me to create the “Dark Side” lecture. As I’m putting this lecture together I realize it would be great to have a “costume” to wear while presenting it. I dig to the back of the closet, decide I still like the fabric, and discover the shoes still fit. I also have a newer jacket pattern that I really like. It’s called the “As You Wish” jacket by. This is not only a well done pattern that is easy to use, but Kate has a video in which she shares the perfect way to fit your jacket on her site.
The marinating is finished, all the necessary components have come together, and the time to create the finished project has arrived.
I marked each pattern piece at the correct size, and cut it out about 1″ larger than needed from 3 fabrics: the outer fabric, the lining and a piece of flannel to act as a thin batting/filler. I layered each piece and began the fun part – creating a design. I played with design techniques from my most recent book: “Where Do I Start With Fiber Art”.
Squares and square-spirals were fused in place and then secured with top-stitching. The solid yellow areas are made from ultrasuede.
The sleeves yelled at me “don’t overdo it”, so I continued the square theme in a “Big-Stitch” with embroidery floss ( for a post on the Big Stitch).
Once the designing was done, I cut the pattern pieces out at the correct size and sewed the jacket together, binding the outer edge and covering the seams with the focus fabric.
I’m so pleased with the results and especially thrilled that this very old UFO has a new and exciting life ahead of it. I’ve also discovered that I now utilize some quilting techniques to speed up and augment the garment creating process.
Do you have a garment background? Any garment pictures you’d like to share?
November 20, 2016,
Gold necklace designs in 8 grams 2018
Tiffany snsd airport fashion 2019
Spring outfit ideas 2019
Queen by her nature 2018
Haircut men round face 2019