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This article is about the style of music. For other uses, see.

Emo is a genre characterized by an emphasis on emotional expression, sometimes through confessional lyrics. It emerged as a style of from the mid-1980s in, where it was known as emotional hardcore or emocore and pioneered by bands such as and. In the early–mid 1990s, emo was adopted and reinvented by, and bands such as,, and, with Weezer breaking into the mainstream indie rock hairstyles for men 2018 during this time. By the mid-1990s, bands such as, and emerged from the burgeoning scene, and several began to specialize in the genre. Meanwhile,, a more aggressive style of emo using, also emerged, pioneered by the bands and.

Often seen as a subculture, emo also signifies a specific relationship between fans and artists and certain aspects of fashion, culture and behavior. Emo fashion has been associated with ; tight t-shirts with band names; studded belts; and flat, straight, jet-black hair with long bangs. Fans of emo music who dress like this are referred to as "emo kids" or "emos". Emos are known for listening to emo bands like My Chemical Romance,,, and AFI. The emo subculture is stereotypically associated with emotion, sensitivity,, shyness, introversion and, as well as, and. Its quick rise in popularity in the early 2000s inspired a backlash, with bands such as My Chemical Romance and rejecting the emo label because of the social stigma and controversy surrounding it.

Emo entered mainstream culture in the early 2000s with the success of Jimmy Eat World and and many artists signed to. Bands such as,, and continued the genre's popularity during the rest of the decade. By the early 2010s, emo's popularity waned, with some groups changing their sound and others disbanding. Meanwhile, however, a mainly underground emo revival emerged, with bands such as and drawing on the sound and aesthetic of 1990s emo.

Contents

Characteristics

Hawthorne Heights, a five-man emo band

Emo originated in and is considered a form of. Nonetheless, emo has also been considered a form of and. Emo uses the guitar dynamics that use both the softness and loudness of punk rock music. Some emo leans uses characteristics of with the genre's use of complex guitar work, unorthodox song structures, and extreme dynamic shifts. Lyrics, a focus in emo music, are typically emotional and often personal or confessional, dealing with topics such as failed romance, self-loathing, pain, insecurity, suicidal thoughts, love, and relationships. described emo lyrics as "usually either free-associative poetry or intimate confessionals". Early emo bands were hardcore punk bands that used melody and emotional or introspective lyrics and that were less structured than regular hardcore punk, making early emo bands different from the aggression, anger, and verse-chorus-verse structures of regular hardcore punk. According to AllMusic, most 1990s emo bands "borrowed from some combination of,, and ". described emo as "emotional or post-hardcore or pop-punk. That is, punk that wears its heart on its sleeve and tries a little tenderness to leaven its sonic attack. If it helps, imagine singing in the." Author Matt Diehl called emo a "more sensitive interpolation of punk's mission". According to, emo is "a style of rock music influenced by punk rock and featuring introspective and emotionally fraught lyrics".

History

Hardcore punk band Minor Threat

Precursors

, ' 1966 album, is sometimes considered an early display of emo music. During the 1980s, many and bands formed in. Post-hardcore, an experimental offshoot of hardcore punk, was inspired by. Hardcore punk bands and post-hardcore bands who influenced early emo bands include, and.

1984–1991: Origins

The melodic guitars, varied rhythms and personal lyrics of changed the hardcore punk scene and helped launch the "emotional hardcore" or "emocore" style.

Problems playing this file? See. Guitarist Guy Picciotto onstage Guy Picciotto, vocalist and guitarist of, performing with. Rites of Spring's sound was considerably different from previous hardcore punk bands.

Emo, which began as a post-hardcore subgenre, was part of the 1980s hardcore punk scene in as something different from the violent part of the scene. Minor Threat fan formed in 1984, using the musical style of hardcore punk and combining the musical style with melodic guitars, varied rhythms, and personal, emotional lyrics. Many of the band's themes, including nostalgia, romantic bitterness and poetic desperation, became familiar of later emo music. Its performances were public, emotional purges where audience members sometimes wept. Ian MacKaye of Minor Threat became a Rites of Spring fan (recording their only album and being their ) and formed the emo band, which explored similar themes of self-searching and emotional release. Similar bands followed in connection with the "Revolution Summer" of 1985, an attempt by members of the Washington scene to break from the usual characteristics of hardcore punk to a hardcore punk style with different characteristics. Bands such as,,,, and Kingface were associated with the movement.

Although the origins of the word "emo" are uncertain, evidence shows that the word "emo" was coined in the mid-1980s, specifically 1985. According to, author of, "The origins of the term 'emo' are shrouded in mystery ... but it first came into common practice in 1985. If Minor Threat was hardcore, then Rites of Spring, with its altered focus, was emotional hardcore or emocore.", author of, also traces the word's origins to the mid-1980s: "The style was soon dubbed 'emo-core,' a term everyone involved bitterly detested". MacKaye traces it to 1985, attributing it to an article in magazine referring to Embrace and other Washington, D.C. bands as "emo-core" (which he called "the stupidest fucking thing I've ever heard in my entire life"). Other accounts attribute the word to an audience member at an Embrace show, who shouted as an insult that the band was "emocore". Others have said that MacKaye coined the word when he used it self-mockingly in a magazine, or that it originated with Rites of Spring. The "emocore" label quickly spread through the DC punk scene, and was associated with many bands associated with 's. Although many of the bands rejected the term, it stayed. recalled, "The only people who used it at first were the ones that were jealous over how big and fanatical a scene it was. [Rites of Spring] existed well before the term did and they hated it. But there was this weird moment, like when people started calling music ',' where you were using the term even though you hated it." The Washington, D.C. emo scene lasted only a few years, and by 1986, most of emo's major bands (including Rites of Spring, Embrace, Gray Matter and Beefeater) had broken up. However, its ideas and aesthetics spread quickly across the country through a network of homemade, vinyl records and hearsay. According to Greenwald, the Washington, D.C. scene laid the groundwork for emo's subsequent incarnations:

What had happened in D.C. in the mid-eighties—the shift from anger to action, from extroverted rage to internal turmoil, from an individualized mass to a mass of individuals—was in many ways a test case for the transformation of the national punk scene over the next two decades. The imagery, the power of the music, the way people responded to it, and the way the bands burned out instead of fading away—all have their origins in those first few performances by Rites of Spring. The roots of emo were laid, however unintentionally, by fifty or so people in the nation's capital. And in some ways, it was never as good and surely never as pure again. Certainly, the Washington scene was the only time "emocore" had any consensus definition as a genre.

1991–1994: Reinvention

As the Washington, D.C. emo movement spread across the United States, local bands began to emulate its style. Emo combined the fatalism, theatricality and isolation of with hardcore punk's uncompromising, dramatic worldview. Despite the number of bands and the variety of locales, emocore's late-1980s aesthetics remained more-or-less the same: "over-the-top lyrics about feelings wedded to dramatic but decidedly punk music." During the early–mid 1990s, several new bands reinvented emo, making emo expand by becoming a subgenre of genres like indie rock and pop punk. Chief among them were and, who inspired cult followings, redefined emo and brought it a step closer to the mainstream. In the wake of the 1991 success of 's, underground music and subcultures were widely noticed in the United States. New distribution networks emerged, touring routes were codified, and regional and independent acts accessed the national stage. Young people across the country became fans of independent music, and punk culture became mainstream.

Sunny Day Real Estate performing onstage

Emerging from the late 1980s and early 1990s punk rock scene and forming in, Jawbreaker combined pop punk with emotional and personal lyrics. Singer-guitarist focused his lyrics on personal, immediate topics often taken from his journal. Often obscure and cloaked in, their relationship to Schwarzenbach's concerns gave his words a bitterness and frustration which made them universal and attractive to audiences. Schwarzenbach became emo's first idol, as listeners related to the singer even more than to his songs. Jawbreaker's 1994 album,, was popular with fans and is a of mid-1990s emo. Although Jawbreaker signed with and toured with mainstream bands Nirvana and, Jawbreaker's 1995 album did not achieve mainstream success. Jawbreaker broke up soon afterwards, with Schwarzenbach forming emo band.

Sunny Day Real Estate formed in at the height of the early-1990s boom. The for "Seven", lead track of the band's debut album (1994), was played on, giving the band more attention. Another emo band which emerged at the same time was California's, which also released its in 1994. Also known as the Blue Album, Weezer's self-titled album was certified 2x platinum by the on August 8, 1995 and was certified 3x platinum by the RIAA on November 13, 1998. As of August 2009, Weezer's self-titled album sold at least 3,300,000 copies in the United States. According to, Weezer's debut album "pretty much invented emo's melodic wing"., an emo band, also emerged at this time. Influenced by pop punk bands such as and, Jimmy Eat World released its in 1994.

1994–1997: Underground popularity

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The American and movements, which had been largely underground since the early 1980s, became part of mainstream culture during the mid-1990s. With 's success, major record labels capitalized on the popularity of and other underground music by signing and promoting independent bands. In 1994, the same year that Jawbreaker's 24 Hour Revenge Therapy and Sunny Day Real Estate's Diary were released, punk rock bands and broke into the mainstream with diamond album and 6x platinum album, respectively. After underground music went mainstream, emo retreated and reformed as a national subculture over the next few years. Inspired by Jawbreaker, and, the new emo was a mixture of passion and indie-rock intelligence, with 's anthemic power and work ethic but smoother songs, sloppier melodies and yearning vocals.

Cap'n Jazz onstage Cap'n Jazz live in 2010

Many new emo bands, such as,,,, Jimmy Eat World, and, originated in the central U.S. Many of the bands had a distinct vocal style and guitar melodies, which was later called midwest emo. According to Andy Greenwald, "this was the period when emo earned many, if not all, of the stereotypes that have lasted to this day: boy-driven, glasses-wearing, overly sensitive, overly brainy, chiming-guitar-driven college music." Emo band bridged the gap between and emo in their three-year lifespan on the East Coast, melding Sunny Day Real Estate's melodies and punk musicianship and singing directly to the listener. In, the band played shows in fans' basements. Lifetime's 1995 album, on, fused hardcore punk with emo and eschewed cynicism and irony in favor of love songs. The album sold tens of thousands of copies, and Lifetime paved the way for New Jersey and emo bands,,,,,,, and.

Four men together at the front of a stage The band Weezer (pictured) released the album Pinkerton, an album that was originally a critical and commercial failure. Nonetheless, Pinkerton is considered the most important 1990s emo album.

's music took a slower, smoother, approach to riffs, blending them with singer 's lyrics delivered in a froggy croon and pronounced and playing shows in basements and halls. Jade Tree released their debut album,, in 1996; it sold tens of thousands of copies and was successful by independent standards. Greenwald describes the album as "like being hit in the head with cotton candy." Other bands, such as,, and the Shyness Clinic, played emo music with and influences. Their common lyrical thread was "applying big questions to small scenarios." A cornerstone of mid-1990s emo was 's 1996 album,. After the mainstream success of Weezer's, Pinkerton showed a more dark and abrasive style. Frontman 's songs focused on messy, manipulative sex and his insecurity about dealing with celebrity. A critical and commercial failure, called it the second-worst album of the year. Cuomo retreated from the public eye, later referring to the album as "hideous" and "a hugely painful mistake". However, Pinkerton found enduring appeal with young people who were discovering and identified with its confessional lyrics and theme of rejection. Sales grew steadily due to word of mouth, online message boards and. "Although no one was paying attention", writes Greenwald, "perhaps because no one was paying attention—Pinkerton became the most important emo album of the decade." In 2004, James Montgomery of described Weezer as "the most important band of the last 10 years".Pinkerton's success grew very gradually, being certified gold by the RIAA in July 2001 and eventually being certified platinum by the RIAA in September 2016.

Mid-1990s emo was embodied by Mineral, whose (1997) and (1998) encapsulated emo tropes: somber music, accompanied by a shy narrator singing seriously about mundane problems. Greenwald calls "If I Could" "the ultimate expression of mid-nineties emo. The song's short synopsis—she is beautiful, I am weak, dumb, and shy; I am alone but am surprisingly poetic when left alone—sums up everything that emo's adherents admired and its detractors detested." Another significant band was Braid, whose 1998 album and song "Forever Got Shorter" blurred the line between band and listener; the group mirrored their audience in passion and sentiment, and sang in their fans' voice.

Although mid-1990s emo had thousands of young fans, it did not enter the national consciousness. A few bands were offered contracts with major record labels, but most broke up before they could capitalize on the opportunity. Jimmy Eat World signed to in 1995 and developed a following with their album,, but did not break into the mainstream yet. The Promise Ring were the most commercially successful emo band of the time, with sales of their 1997 album reaching the mid-five figures. Greenwald calls the album "the pinnacle of its generation of emo: a convergence of pop and punk, of resignation and celebration, of the lure of girlfriends and the pull of friends, bandmates, and the road"; mid-1990s emo was "the last subculture made of vinyl and paper instead of plastic and megabytes."

1997–2002: Increased popularity

Jimmy Eat World performing onstage Jimmy Eat World performing in 2007

Emo's popularity grew during the late 1990s, laying the foundation for mainstream success. released a series of eleven,, from 1997 to 2007. Emphasizing unreleased music from many bands, the series included Jimmy Eat World,, and. Jimmy Eat World's 1999 album,, was a touchstone for later emo bands. In 2003, Andy Greenwald called Clarity "one of the most fiercely beloved rock 'n' roll records of the last decade." Despite a warm critical reception and the promotion of "Lucky Denver Mint" in the comedy, Clarity was commercially unsuccessful. Nevertheless, the album had steady word-of-mouth popularity and eventually sold over 70,000 copies. Jimmy Eat World self-financed their next album, (2001), before signing with. The album sold 30,000 copies in its first week, went gold shortly afterwards and went platinum in 2002, making emo become mainstream.

(founded in 1996) developed a roster of primarily bands with emo characteristics, including,, The Movielife and. Drive-Thru's partnership with enabled its brand of emo-inflected pop to reach a wider audience. The label's greatest early success was, whose reached number 107 on the and single "" reached number 15 on the chart. Drive-Thru's unabashedly populist, capitalist approach to music allowed its bands' albums and merchandise to sell in stores such as.

the four-man Saves the Day, photographed against a white clapboard wall with peeling paint

Independent label signed several successful late-1990s and early-2000s emo bands. had sold over 15,000 copies of their debut album, (1997), before signing with Vagrant. The label promoted them aggressively, sending them on tours opening for and. Their 1999 album,, reaching number 31 on 's chart. Vagrant signed and recorded a number of other emo-related bands over the next two years, including,,,,,, and. Saves the Day had developed a substantial East Coast following and sold almost 50,000 copies of their second album, (1999), before signing with Vagrant and releasing (2001). Stay What You Are sold 15,000 copies in its first week, reached number 100 on the Billboard 200 and sold at least 120,000 copies in the United States. The band 's song "" is considered an emo song. The song, which is from Blink-182's 1999 5x platinum album, peaked at number two on the chart on April 29, 2000.

Vagrant organized a national tour with every band on its label, sponsored by corporations including and, during the summer of 2001. Its populist approach and use of the as a marketing tool made it one of the country's most-successful independent labels and helped popularize the word "emo". According to Greenwald, "More than any other event, it was Vagrant America that defined emo to masses—mainly because it had the gumption to hit the road and bring it to them." Weezer returned in the early 2000s with a -influenced sound. Cuomo refused to play songs from Pinkerton, calling it "ugly" and "embarrassing". Weezer released their in 2001. The Green Album was described as emo pop by and the album was certified platinum by the RIAA on September 13, 2001. As of August 2009, Weezer's Green Album has sold 1,600,000 copies.

2002–2010: Mainstream

Emo broke into the mainstream media during the summer of 2002. During this time, many fans of emo music had an appearance of short, dyed black hair with bangs cut high on the forehead, glasses with thick and black frames, and thrift store clothes. This fashion then became a huge part of emo's identity. Jimmy Eat World's Bleed American album went platinum on the strength of "", which topped 's chart. The mainstream success achieved by Jimmy Eat World paved the way for emo pop music that would appear during the rest of the 2000s, with emo pop becoming a very common style of emo music during the 2000s. After releasing their Green Album in 2001, Weezer released another album in 2002 called. Maladroit was certified gold by the RIAA 31 days after being released. The band Dashboard Confessional broke into the mainstream. Started by the band's guitarist and lead vocalist, Dashboard Confessional are known for sometimes creating songs. Dashboard Confessional originally was a side project, and Carrabba was also a member of the emo band. Carrabba also was a member of the Vacant Andys, a punk rock band Carraba helped start in 1995.'s album peaked at number 5 on the chart. Dashboard Confessional was the first non-platinum-selling artist to record an episode of. The 2002 was certified platinum by the RIAA on May 22, 2003, topped the Independent Albums chart, and, as of October 19, 2007, sold 316,000 copies. With Dashboard Confessional's mainstream success, Carrabba appeared on a cover of the magazine and according to, "has become the 'face of emo' the way that was deemed the prime exponent of or became the unwilling crown prince of grunge." Three of Dashboard Confessional's studio albums, The Places You Have Come to Fear the Most (2001), (2003), and (2006), all were certified gold by the RIAA during the mid-2000s. As of October 19, 2007, The Places You Have Come to Fear the Most has sold 599,000 copies. As of October 19, 2007, Dusk and Summer and A Mark, a Mission, a Brand, a Scar have sold 512,000 copies and 901,000 copies in the United States, respectively. As of October 19, 2007, Dashboard Confessional's 2000 debut album sold 338,000 copies. Dashboard Confessional's songs "" and "" peaked at number 44 on the Billboard Hot 100 on May 19, 2007 and number 80 on the Billboard Hot 100 in 2006, respectively.'s album,, debuted at number four on the Billboard 200.' 2002 album,, peaked at number 57 on the Billboard 200 and number three on Top Independent Albums chart. Their 2004 album,, peaked at number 58 on the Billboard 200. On August 10, 2003, reported how, "from the three-chord laments of Alkaline Trio to the rants of, from the erudite pop-punk of " to the entropic anthems of Thursday, much of the most exciting rock music" was appearing from the emo genre.

Saves the Day toured with Green Day, Blink-182 and Weezer, playing in large arenas such as. Saves the Day performed on, appeared on the cover of and had for "At Your Funeral" and "Freakish" in rotation on. released their debut album,, on in 2002. The album gave the band a taste of success in the emo scene with singles such as "Cute Without the 'E' (Cut from the Team)" and "You're So Last Summer". Initially charting at number 183 on the Billboard 200, Tell All Your Friends was eventually certified gold by the RIAA in 2005 and is considered one of emo's most-influential albums. As of May 8, 2009, Tell All Your Friends sold 790,000 copies. Articles on Vagrant Records appeared in and, and the word "emo" became a catchall term for non-mainstream pop music.

Taking Back Sunday on a smoky stage Taking Back Sunday performing on August 24, 2007 The All-American Rejects on a less-smoky stage The All-American Rejects performing on December 4, 2006

In the wake of this success, many emo bands were signed to major record labels and the genre became marketable. According to Dreamworks Records senior representative Luke Wood, "The industry really does look at emo as the new, or the new grunge. I don't think that anyone is listening to the music that's being made—they're thinking of how they're going to take advantage of the sound's popularity at retail." Emo's apolitical nature, catchy music and accessible themes had broad appeal for a young, mainstream audience. Emo bands that emerged or broke into the mainstream during this time were rejected by many fans of older emo music. As emo continued to be mainstream, it became quite common for emo bands to have black hair and wear eyeliner. Taking Back Sunday had continued success in the next few years, with their 2004 album both reaching number three on the Billboard 200 and being certified gold by the RIAA in July 2005. The album, as of February 17, 2006, sold more than 700,000 copies in the United States, according to Nielsen SoundScan.Where You Want To Be's second single, "This Photograph is Proof (I Know You Know)", appeared on the. The band's 2006 album,, reached number two on the Billboard 200, was certified gold by the RIAA a little less than two months after its release date, and, as of May 8, 2009, sold 674,000 copies.' was certified platinum by the RIAA; "", a track from the album, reached number 60 on the Billboard Hot 100. Their album was certified double platinum by the RIAA; its single, "", reached number nine on the Billboard Hot 100 and was certified platinum by the RIAA. Canadian emo band 's 2002 album, was certified double platinum by the RIAA and ; their 2004 album,, was certified platinum by the RIAA and quadruple platinum by Music Canada.' 2004 album sold 929,000 copies in the United States and the album's song "" has been described as "the emo anthem". Hawthorne Heights' 2006 album sold 114,000 copies in its first week of being released. In November 2007, Hawthorne Heights guitarist Casey Calvert died at the age of 25 years old.

My Chemical Romance, dressed in black, onstage My Chemical Romance in February 2007 AFI onstage, backlit by blue-and-purple lights AFI concert in July 2006 The band Plain White T's performing onstage, with three of the band's members shown in the photo Emo band Plain White T's Concert of the band Thursday The band Thursday in 2006 Underoath onstage, gesturing to the crowd Screamo band Underoath in 2005

Other emo bands which achieved mainstream success during the 2000s included My Chemical Romance,,,,,,, and. My Chemical Romance broke into the mainstream with their 2004 album. My Chemical Romance is known for their -influenced emo appearance and creation of and.Three Cheers for Sweet Revenge was certified platinum by the RIAA in 2005. The band's success continued with its third album,, which sold 240,000 copies in its first week of release and was certified platinum by the RIAA in less than a year. Fall Out Boy's album,, sold 2,700,000 copies in the United States. The band's album,, topped the Billboard 200, sold 260,000 copies in its first week of release and sold 1,400,000 copies in the United States. "" reached number eight on the Billboard Hot 100, and "" reached number nine on the chart. Also, Fall Out Boy's song "" went to number 11 on the Billboard Hot 100. Panic! at the Disco's album,, was certified double platinum by the RIAA; its single, "", reached number seven on the Billboard Hot 100 and was certified quadruple platinum by the RIAA. Panic! at the Disco are known for combining emo with and their album A Fever You Can't Sweat Out is an emo album with elements of and. The Boys Like Girls singles "", "" and "" were certified gold or platinum by the RIAA. The Red Jumpsuit Apparatus' "" peaked at number 24 on the Billboard Hot 100 and its album,, sold 852,000 copies in the United States.'s albums and both were certified platinum by the RIAA, with Decemberunderground peaking at number 1 the Billboard 200. AFI's song "" peaked at number 24 on the Billboard Hot 100 on June 24, 2006. AFI's song "" peaked at number 68 on the Billboard Hot 100 on January 13, 2007. Relient K's songs "" and "" peaked at number 58 on the Billboard Hot 100 in 2006 and number 82 on the Billboard Hot 100 in 2005, respectively. "Who I Am Hates Who I've Been" and "Be My Escape" were certified gold by the RIAA in February 2006 and October 2005, respectively. Relient K's 2004 album was certified gold by the RIAA on July 15, 2005. Relient K's 2003 album was certified gold by the RIAA on March 21, 2005. Relient K's 2001 album was certified gold by the RIAA on June 26, 2006. Plain White T's broke into the mainstream with their 2006 album. Released on September 12, 2006, Every Second Counts was certified gold by the RIAA on July 3, 2007. Four Plain White T's songs were on the Billboard Hot 100 chart during the 2000s, including the song "" which peaked at number 1 on the chart on July 28, 2007. Paramore's album,, was certified double platinum by the RIAA; their song, "", peaked at number 26 on the Billboard Hot 100 and was certified triple platinum by the RIAA.

A darker, more aggressive style of emo was also becoming popular. New Jersey–based signed a multimillion-dollar, multi-album contract with after their 2001 album,, reached umber 178 on the Billboard 200. Their music was more political and lacked pop hooks and anthems, influenced instead by,, and However, the band's accessibility, basement-show roots and touring with Saves the Day made them part of the emo movement. Thursday's 2003 album,, reached number seven on the Billboard 200. Hawthorne Heights,,, and, four bands frequently featured on MTV, have popularized. Other screamo bands include, and. Underoath's albums (2004) and (2006) both were certified gold by the RIAA. The Used's (2002) was certified gold by the RIAA on July 21, 2003. The Used's self-titled album, as of August 22, 2009, has sold 841,000 copies. The Used's album (2004) was certified gold by the RIAA on March 21, 2005.In Love and Death, as of January 2, 2007, sold 689,000 copies in the United States, according to Nielsen SoundScan. The Used's album (2007) sold 322,000 copies, according to Nielsen SoundScan. The Used's song "" peaked at number 7 on the chart on June 23, 2007. On July 7, 2007, "The Bird and the Worm" peaked at number 9 on the Alternative Songs chart. Four Alexisonfire albums were certified gold or platinum in Canada.

2010s: Decline and mainly underground revival

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Image of a concert with an audience and the band Modern Baseball both shown

During the early 2010s, emo's popularity began to wane. Some bands broke up or moved away from their emo roots;'s album,, has a traditional style. and both abandoned the emo genre with their 2013 albums, and, respectively. Fall Out Boy moved to a style and Paramore moved to a -influenced style. moved away from their roots to a style on. Many bands (including,, and ) broke up, raising concerns about the genre's viability.

Meanwhile, by the 2010s, a mainly underground emo revival emerged, drawing on the sound and aesthetic of 1990s emo. Artists associated with this movement include Modern Baseball,,,,,,, and. While many 2010s emo bands draw on the sound and aesthetic of 1990s emo, hardcore punk elements are consistently used by 2010s emo bands such as and.

Subgenres

Emo pop

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Emo pop is a subgenre of emo that for its influences, more concise songs and -filled. describes emo pop as blending "youthful " with "slick production" and mainstream appeal, using "high-pitched, guitars, and lyrics concerning, relationships, and heartbreak." described emo pop as a cross between "saccharine pop" and emo.

Blurry photo of the Get Up Kids onstage

Emo pop developed during the 1990s. Bands like Jawbreaker and are known for formulating the emo pop punk style. According to Nicole Keiper of, 's Building (1996) pushed the band "into the emo-pop camp with the likes of the Get Up Kids and Jejune". As emo became commercially successful in the early 2000s, emo pop became popular with Jimmy Eat World's 2001 album and the success of its single "The Middle". Jimmy Eat World, the Get Up Kids and also are early emo pop bands. The emo pop style of Jimmy Eat World's album, influenced later emo. The emo band Braid's 1998 album has been described as emo pop by Blake Butler of, who gave the Braid album four out of five stars and wrote that Frame & Canvas "proves to be one of Braid's best efforts". Emo pop became successful during the late 1990s, with its popularity increasing in the early 2000s. The Get Up Kids sold over 15,000 copies of their debut album, (1997), before signing with Vagrant Records. The label promoted them, sending them on tours to for and. Their 1999 album,, reached number 31 on 's chart. As of May 2, 2002, Something to Write Home About sold 134,000 copies in the United States, according to Nielsen SoundScan.

Band performing onstage Fall Out Boy performing in 2006

As emo pop coalesced, the label became a center of the movement and signed,, and (all of whom had been successful). Two regional scenes developed. The scene was created by Fueled by Ramen; emo-pop was promoted by Pete Wentz, whose Fall Out Boy rose to the forefront of the style during the mid-2000s. released (2008); according to AllMusic, it could be "the definitive statement of airheaded, glittery, and content-free emo-pop... the transformation of emo from the expression of intensely felt, ripped-from-the-throat feelings played by bands directly influenced by post-punk and hardcore to mall-friendly pop played by kids who look about as authentic as the "punks" on an old episode of did back in the '70s was made pretty much complete". released their 2008 debut album,, described by AllMusic's Jon O'Brien as "follow[ing] the 'emo-pop for dummies' handbook word-for-word." The album was certified gold in the UK.

Screamo

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A vocalist among fans

The term "screamo" was initially applied to an aggressive offshoot of emo which developed in San Diego in 1991 and used short songs grafting "spastic intensity to willfully experimental dissonance and dynamics." Screamo is a dissonant form of emo influenced by, with typical rock instrumentation and noted for short songs, chaotic execution and.

The Used, a musical quartet

The genre is "generally based in the aggressive side of the overarching scene." It began at the with groups such as,, Angel Hair,,, and. They were influenced by Washington, D.C. (particularly and ),, the Chicago group, the hardcore-punk band and the and bands like. is a band described as "a cornerstone of the 'screamo' genre" by author Matt Walker: "Musically, I Hate Myself relied on being very slow and deliberate, with sharp contrasts between quiet, almost meditative segments that rip into loud and heavy portions driven by Jim Marburger's tidal wave scream."

The Used,, and, who all formed in the United States during the late 1990s and early 2000s and remained active throughout the 2000s, helped popularize screamo. bands such as and paved the way for these bands. Screamo bands from the Canadian emo scene such as and also emerged at this time. By the mid-2000s, the saturation of the screamo scene caused many bands to expand beyond the genre and incorporate more-experimental elements. Non-screamo bands used the genre's characteristic guttural vocal style.

Jeff Mitchell of the wrote, "There is no set definition of what screamo sounds like but screaming over once deafeningly loud rocking noise and suddenly quiet, melodic guitar lines is a theme commonly affiliated with the genre."

Mugshot of a male person in October 2016. XXXTentacion (pictured) was influenced by music artists like,,,,,,, and.

Emo rap

Main article:

Emo rap is a genre that combines emo music with. The genre began in the mid–late 2010s. Although emo rap typically uses regular instruments and is often kept to a bare minimum, some artists sample 2000s pop punk and emo songs, a fusion first popularized by in 2004. A lot of the sampling is due to the artists who inspired the genre, such as and, and is usually accompanied by original instruments. Prominent artists of emo hip hop include,, and

In the mid-to-late 2010s, emo rap broke into the mainstream. Deceased rapper 's song "" peaked at number 1 on the Billboard Hot 100 on June 30, 2018. XXXTentacion also had other mainstream songs. His song "" peaked at number 13 on the Billboard Hot 100 on July 7, 2018, his song "" peaked at number 18 on the Billboard Hot 100 on June 30, 2018, and his song "" peaked at number 19 on June 30, 2018. Emo rap musician 's song "" peaked at number 7 on the Billboard Hot 100 and the song was certified 6x platinum by the RIAA. Although emo rap experienced lots of mainstream popularity during the mid-to-late 2010s, emo rap musicians Lil Peep and XXXTentacion both died in November 2017 and June 2018, respectively. In November 2017, Lil Peep died of a and overdose. In June 2018, XXXTentacion was in Florida.

Fashion and subculture

Two emos with each other, with the emo girl sitting with her arms on the shoulders of an emo boy who is sitting Two emos with each other, with the emo girl sitting with her arms on the shoulders of an emo boy who is sitting

Emo fashion was originally clean-cut and tended towards. A January 2002 article compared the style to ', noting differences between emo and or styles: V-neck sweaters, white and fitted, cuffed jeans. The Advertiser described emo fashion as sweaters, tight shirts, horn-rimmed glasses (like those worn by ), dyed black hair and fitted, flat-front jeans.

As emo entered the mainstream, it became a. Emo fashion included, tight (usually short-sleeved, and often with the names of emo bands), studded, sneakers, and black. Thick, horn-rimmed glasses remained in style, and and became common during the mid-2000s. The best-known facet of emo fashion is its hairstyle: flat, straight, usually jet-black hair with long covering much of the face, which has been called a. Emo fashion has been confused with and fashion.

As emo became a subculture, people who dressed in emo fashion and associated themselves with its music were known as "emo kids" or "emos".,,,,,,,,,,,,,,,, and all are bands that emos are known for listening to.

Criticism and controversy

Stereotypes

Emo has been associated with a stereotype of emotion, sensitivity, shyness, introversion or. Other stereotypes include, and.

Suicide and self harm

Main article:

Emo music was blamed for the of teenager Hannah Bond by the at her inquest and her mother, Heather Bond, with emo music reportedly glamorizing suicide; Hannah's apparent obsession with My Chemical Romance was said to be linked to her death. It was said at the inquest that she was part of an Internet "emo cult", and an image of an emo girl with bloody wrists was on her page. Hannah reportedly discussed the "glamour" of hanging online, and told her parents that her self-harm was an "emo initiation ceremony". Heather Bond criticised emo culture: "There are 'emo' websites that show pink teddies hanging themselves." After the coroner's verdict was reported in, fans of emo music contacted the magazine to deny that it promoted self-harm and suicide. My Chemical Romance reacted online to the suicide of Hannah Bond: "We have recently learned of the suicide and tragic loss of Hannah Bond. We’d like to send our condolences to her family during this time of mourning. Our hearts and thoughts are with them". The band also posted that they "are and always have been vocally anti-violence and anti-suicide".

Paramore onstage Paramore is an emo band with a female vocalist.

Gender bias

Emo has been criticized for its. According to Andy Greenwald, there are few women in emo bands and they have little influence on lyrical content: "Though emo—and to a certain degree, punk—has always been a typically male province, the monotony of the labels' gender perspective can be overwhelming." Emo's popularity and its "lonely boy's aesthetic" have led to a litany of one-sided songs in which men vent their fury at the women who have wronged them. Some emo bands' lyrics disguise violent anti-women sentiments with a pop-music veneer.

Despite emo's frequent portrayal of women as powerless victims, the genre is popular with many genders and some bands are more popular with women than with men. Greenwald writes that emo's unifying appeal, its expression of emotional devastation, can be appreciated by many genders regardless of a song's specific subject.

See caption "Fuck emo" graffiti in Mexico

Backlash

The genre experienced a backlash in response to its rapid growth. Some bands, such as Panic! at the Disco and My Chemical Romance, rejected the emo label for its social stigma and controversy. founder said that there was a "real backlash" by bands on the tour against emo groups, but he dismissed the hostility as "juvenile". The backlash intensified, with anti-emo groups attacking teenagers in,, and in 2008. Legislation was proposed in Russia's regulating emo websites and banning emo attire in schools and government buildings, with the subculture perceived as a "dangerous teen trend" promoting anti-social behaviour, depression, social withdrawal and suicide. The BBC reported that in March 2012, militias in as many as 58 young Iraqi emos.

See also

References

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